Renaissance Quarterly: Volume 70 - Issue 3

Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 70 - Issue 3 - Fall 2017

Reviews

Book Review

The Mughal “Padshah”: A Jesuit Treatise on Emperor Jahangir’s Court and Household. Jorge Flores, ed. and trans. Rulers and Elites 6. Leiden: Brill, 2016. xii + 182 pp. $128.

Viewing Greece: Cultural and Political Agency in the Medieval and Early Modern Mediterranean. Sharon E. J. Gerstel, ed. Studies in the Visual Cultures of the Middle Ages 11. Turnhout: Brepols, 2016. 364 pp. €75.

Die Fünfzehn Zeichen vor dem Jüngsten Gericht: Spätmittelalterliche Bildkonzepte für das Seelenheil. Daniela Wagner. Berlin: Reimer, 2016. 336 pp. €49.

The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects, and Practices. Henning Laugerud, Salvador Ryan, and Laura Katrine Skinnebach, eds. Dublin: Four Courts Press, 2016. ix + 192 pp. + 16 color pls. $45.

Image and Incarnation: The Early Modern Doctrine of the Pictorial Image. Walter S. Melion and Lee Palmer Wandel, eds. Intersections: Interdisciplinary Studies in Early Modern Culture 39. Leiden: Brill, 2015. xxv + 514 pp. $219.

Personification: Embodying Meaning and Emotion. Walter S. Melion and B. A. M. Ramakers, eds. Intersections: Interdisciplinary Studies in Early Modern Culture 41. Leiden: Brill, 2016. xxxii + 756 pp. $293.

L’amour de l’art: Erotique de l’artiste et du spectateur au XVIe siècle. Lise Wajeman. Les seuils de la modernité 18. Geneva: Droz, 2015. 420 pp. $82.80.

Andrea Mantegna: Making Art (History). Stephen J. Campbell and Jérémie Koering, eds. Art History. Chichester: Wiley-Blackwell, 2015. 230 pp. $39.95.

Examining Giovanni Bellini: An Art “More Human and More Divine.” Carolyn C. Wilson, ed. Turnhout: Brepols, 2015. 394 pp. €100.

Dopo il 1564: L’eredità di Michelangelo a Roma nel tardo Cinquecento / After 1564: Michelangelo’s Legacy in Late Cinquecento Rome. Marco Simone Bolzoni, Furio Rinaldi, and Patrizia Tosini, eds. Rome: De Luca Editori d’Arte, 2016. 262 pp. €44.

Material Bernini. Evonne Levy and Carolina Mangone, eds. Visual Culture in Early Modernity. London: Routledge, 2016. xiv + 248 pp. $149.95.

Baroque Naples and the Industry of Painting: The World in the Workbench. Christopher R. Marshall. New Haven: Yale University Press, 2016. xii + 340 pp. $75.

Jan de Beer: Gothic Renewal in Renaissance Antwerp. Dan Ewing. Turnhout: Brepols, 2015. 386 pp. €150.

Cornelis van Poelenburch, 1594/5–1667: The Paintings. Nicolette Sluijter-Seijffert. Trans. Jennifer M. Kilian and Katy Kist. Oculi: Studies in the Art of the Low Countries 15. Amsterdam: John Benjamins, 2016. xii + 408 pp. $239.

Art and Antiquity in the Netherlands and Britain: The Vernacular Arcadia of Franciscus Junius (1591–1677). Thijs Weststeijn. Studies in Netherlandish Art and Cultural History 12. Leiden: Brill, 2015. xxiv + 452 pp. $161.

Michael Sweerts (1618–1664): Shaping the Artist and the Academy in Rome and Brussels. Lara Yeager-Crasselt. Pictura Nova: Studies in Sixteenth- and Seventeenth-Century Flemish Painting and Drawing 21. Turnhout: Brepols, 2015. 340 pp. €125.

Catalunya i l’Europa septentrional a l’entorn de 1400: Circulació de mestres, obres i models artistics. M. Rosa Terés, ed. IRCVM-Medieval Cultures 5. Rome: Viella, 2016. 374 pp. €45.

A la lumière des manuscrits Le Viste, famille de “La Dame à la licorne.” Patrice Foutakis. Histoire culturelle 3. Paris: Classiques Garnier, 2016. 236 pp. €32.

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Volume 70 - Issue 3 - Fall 2017

Reviews

Book Review