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Ruggle's Ignoramus and Humanistic Criticism of the Language of the Common Law

Published online by Cambridge University Press:  20 November 2018

E. F. J. Tucker*
Affiliation:
Virginia Military Institute

Extract

According to contemporary observers, George Ruggle's Ignoramus, first staged at Cambridge in March 1614, enjoyed an immense success, or notoriety, both at the university and at “Whitehall while it sent shockwaves through the Inns of Court and infuriated Sir Edward Coke, Lord Chief Justice of the King's Bench. The comedy was apparently conceived as an attack upon Francis Brackyn, Recorder of Cambridge and constant adversary of the university, but because of its brilliant and merciless satire of legal jargon, the play achieved a universality which aided James I and the civilian lawyers in their jurisdictional struggles against Coke and the common law bench.

Type
Research Article
Copyright
Copyright © Renaissance Society of America 1977

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References

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4 For those unfamiliar with the play, I offer the following brief summary: The central dilemma of the comedy concerns the plight of young Antonius whose inability to raise sufficient cash to satisfy the pander Torcol jeopardizes his chances of marrying Rosabella, Torcol's ward and supposed niece. Two complications threaten this love affair: first, Theodorus, the hero's father, decides to send Antonius to London to effect the reunion, after nearly twenty years, of their family by escorting his mother Dorothea, his twinbrother Antoninus, and his sister-in-law Catharina back to Bordeaux; second, Torcol's resolution to marry Rosabella to Ignoramus, an English lawyer on business in Bordeaux. The wily servant Trico smuggles his master off the ship and initiates a series of schemes, with the help of the parasite Cupes and a degenerate friar Cola, to dupe Torcol and Ignoramus. Further difficulties pose a constant menace to the success of Trico's artifices, including the sheer persistence of Ignoramus, the ever-present danger that Theodorus will discover what is going on and the unexpected arrival of the family from London. After Cupes and Cola drag Ignoramus off to a monastery to be exorcized for demonic possession, Theodorus discovers his son's treachery, but everything turns out well for the plotters when the miraculous discovery is made that Rosabella is Catharina's longlost sister Isabella, who had been stolen by pirates and who had been betrothed to Antonius in infancy. Finally, all the slighted parties are reconciled in a scene of feasting and merriment.

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10 i.iii: ‘If John a Nokes enfiefs John a Stiles of Black-Acre and John a Stiles takes Black-Acre and White-Acre, in this case all is void, all, everything.’ All further passages are cited from Ignoramus, Comoedia Scriptore Georgio Ruggle, ed. John Sidney Hawkins (London, 1787), with act, scene, and translation where necessary furnished within the text.

11 KB 27/1094, m. 30v: ‘London Be it noted that at another time, namely in Michaelmas term last past, John Holygrave appeared by William Blackwell his attorney in the presence of our lord the king at Westminster and at that time brought here in the Court of our lord the king his bill against Henry Knightsbridge, clothworker, in the custody of the Marshall, etc. for a plea of trespass upon the case and there are pledges for the prosecution namely John Doe and Richard Roe, the same bill being sued in these words.’

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13 ‘Pimpillos’ are probably pin-pillows; the remaining words seem obvious enough.

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27 Holdsworth, II, 401.

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31 Morison, Persuasion to the King, MS Cotton Faustina C2, xi, fols. 11v-12.

32 The Overburian Characters, ed. W. J. Paylor (Oxford, 1936), pp. 45-46.

33 Micro-cosmographie, ed. Gwendolen Murphy (Waltham St. Lawrence, Berks., 1928), p. 54.

34 Picturae Loquentes (Oxford, 1946), p. 34.

35 Holdsworth, 1, 223, and II, 394.