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Stephen, Cohen, ed. Shakespeare and Historical Formalism. Aldershot : Ashgate, 2007. x + 242 pp. index. bibl. $99.95. ISBN: 978-0-7546-5382-0. Includes: Stephen Cohen, “Introduction”; Douglas Bruster, “The Materiality of Shakespearean Form”; Jean E. Howard, “Shakespeare, Geography, and the Work of Genre on the Early Modern Stage”; Heather Dubrow, “‘I would I were at home’: Representations of Dwelling Places and Havens in Cymbeline”; Christopher Cobb, “Storm versus Story: Form and Affective Power in Shakespeare’s Romances”; Marissa Greenberg, “Crossing from Scaffold to Stage: Execution Processions and Generic Conventions in The Comedy of Errors and Measure for Measure”; Nicholas Moschovakis, “Partial Views: Literary Allusion, Teleological Form, and Contingent Readings in Hamlet”; R. L. Kesler, “Formalism and the Problem of History: Sonnets, Sequence, and the Relativity of Linear Time”; and Mary Janell Metzger, “Teaching Shakespeare and the Uses of Historical Formalism.”Google Scholar

Frank A, D’Accone Music and Musicians in 16^th-Century Florence. Variorum Collected Studies Series. Aldershot : Ashgate, 2007. xxii + 312 pp. index. append. illus. $114.95. ISBN: 978-0-7546-5901-3. Includes: Frank A. D’Accone, “The Musical Chapels at the Florentine Cathedral and Baptistry during the First Half of the 16^th Century”; “Updating the Style: Francesco Corteccia’s Revisions in His Responsories for Holy Week; “Matteo Rampollini and His Petrarchan Canzoni Cycles”; “Singolarità di alcuni aspetti della musica sacra fiorentina del Cinquecento”; “The Florentine fra Mauros: A Dynasty of Musical Friars”; “Marco da Gagliano and the Florentine Tradition for Holy Week Music”; and “Repertory and Performance Practice in Santa Maria Novella at the Turn of the 17^th Century.”Google Scholar

Maarten, Delbeke,, Levy, Evonne, and, Ostrow, Steven F, eds. Bernini’s Biographies: Critical Essays. University Park : Penn State University Press, 2007. index. bibl. $65. ISBN: 978-0-271-02901-6. Includes: Maarten Delbeke, Evonne Levy, and Steven F. Ostrow, “Prolegomena to the Interdisciplinary Study of Bernini’s Biographies”; Tomaso Montanari, “At the Margins of the Historiography of Art: The Vite of Bernini Between Autobiography and Apologia”; Steven F. Ostrow, “Bernini’s Voice: From Chantelou’s Journal to the Vite”; John D. Lyons, “Plotting Bernini: A Triumph over Time”; Evonne Levy, “Chapter 2 of Domenico Bernini’s Vita of His Father: Mimeses”; Robert Williams, “‘Always Like Himself’: Character and Genius in Bernini’s Biographies”; Rudolf Preimesberger, “Bernini Portraits, Stolen and Nonstolen, in Chantelou’s Journal and the Bernini Vite”; Heiko Damm, “Gianlorenzo on the Grill: The Birth of the Artist in His ‘Primo Parto di Divozione’”; Maarten Delbeke, “Gianlorenzo Bernini’s Bel Composto: The Unification of Life and Work in Biography and Historiography”; Eraldo Bellini, “From Mascardi to Pallavicino: The Biographies of Bernini and Seventeenth-Century Roman Culture”; and Sarah McPhee, “Costanza Bonarelli: Biography Versus Archive.”Google Scholar

Michelle M, Dowd., and, Eckerle, Julie A, eds. Genre and Women’s Life Writing in Early Modern England. Women and Gender in the Early Modern World. Aldershot : Ashgate, 2007. xii + 212 pp. index. bibl. $99.95. ISBN: 978-0-7546-5426-1. Includes: Michelle M. Dowd and Julie A. Eckerle, “Introduction”; Helen Wilcox, “‘Free and Easy as ones discourse’?: Genre and Self-Expression in the Poems and Letters of Early Modern Englishwomen”; Margaret J. M. Ezell, “Domestic Papers: Manuscript Culture and Early Modern Women’s Life Writing”; Catherine Field, “‘Many hands hands’: Writing the Self in Early Modern Women’s Recipe Books”; Magan Matchinske, “Serial Identity: History, Gender, and Form in the Diary Writing of Lady Anne Clifford”; Mary Ellen Lamb, “Merging the Secular and the Spiritual in Lady Anne Halkett’s Memoirs”; Julie A. Eckerle, “Prefacing Texts, Authorizing Authors, and Constructing Selves: The Preface As Autobiographical Space”; Michelle M. Dowd, “Structures of Piety in Elizabeth Richardson’s Legacie”; Elspeth Graham, “Intersubjectivity, Intertextuality, and Form in the Self-Writings of Margaret Cavendish”; Lara Dodds, “Margaret Cavendish’s Domestic Experiment”; and Josephine Donovan, “‘That All the World May Know’: Women’s ‘Defense-Narratives’ and the Early Novel.”Google Scholar

Florike, Egmond, and, Bethencourt, Francisco, eds. Correspondence and Cultural Exchange in Europe, 1400–1700. Cultural Exchange in Early Modern Europe 3. Cambridge : Cambridge University Press, 2007. xx + 374 pp. index. illus. map. bibl. $525/set. ISBN: 978-0-521-84548-9. Includes: Francisco Bethencourt and Florike Egmond, “Introduction”; Mario Infelise, “From Merchant’s Letters to Handwritten Political avvisi: Notes on the Origins of Public Information”; Zsuzsa Barbarics and Renate Pieper, “Handwritten Newsletters As a Means of Communication in Early Modern Europe”; Francesca Trivellato, “Merchants’ Letters across Geographical and Social Boundaries”; Florike Egmond, “Correspondence and Natural History in the Sixteenth Century: Cultures of Exchange in the Circle of Carolus Clusius”; Fernando Bouza, “Letters and Portraits: Economy of Time and Chivalrous Service in Courtly Culture”; Peter Mason, “The Letter and Deferred Presence: Nicolas Poussin to Paul Fréart de Chantelou, 28 April 1639”; Irene Baldriga, “The Role of Correspondence in the Transmission of Collecting Patterns in Seventeenth-Century Europe: Models, Media and Main Characters”; Francisco Bethencourt, “The Political Correspondence of Albuquerque and Cortés”; Dejanirah Couto, “Spying in the Ottoman Empire: Sixteenth-Century Encrypted Correspondence”; and István György Tóth, “The Correspondence of Illiterate Peasants in Early Modern Hungary.”Google Scholar

Miguel, Falomir, ed. Tintoretto. Museo Nacional Del Prado. Seattle : University of Washington Press, 2007. 470 pp. index. illus. chron. bibl. $90. ISBN: 978-1-903470-46-6. Includes: Miguel Falomir, “Jacopo Comin, alias Robusti, alias Tintoretto: An Exhibition and Catalogue”; Robert Echols, “Tintoretto the Painter”; Frederick Ilchman, “Tintoretto as a Painter of Religious Narrative”; Miguel Falomir, “Tintoretto’s Portraiture”; Roland Krischel, “Tintoretto and the Sister Arts”; Jill Dunkerton, “Tintoretto’s Painting Technique”; and Miguel Falomir, “Tintoretto and Spain: From El Greco to Veláquez.”Google Scholar

Thomas S, Freeman., and, Mayer, Thomas F, eds. Martyrs and Martyrdom in England, c. 1400–1700. Studies in Modern British Religious History 15. Rochester : Boydell & Brewer, Inc., 2007. x + 250 pp. index. bibl. $85. ISBN: 978-1-8438-3290-4. Includes: Thomas S. Freeman, “Introduction: Over their Dead Bodies: Concepts of Martyrdom in Late-Medieval and Early Modern-England”; Thomas S. Freeman, “‘Imitatio Christi with a Vengeance’: The Politicisation of Martyrdom in Early-Modern England”; Danna Piroyanksy, “‘Thus may a man be a martyr’: The Notion, Language and Experiences of Martyrdom in Late-Medieval England”; Richard Rex, “Which is Wyche? Lollardy and Sanctity in Lancastrian London”; Brad Gregory, “Saints and Martyrs in Tyndale and More”; Thomas F. Mayer, “Becket’ s Bones Burnt! Cardinal Pole and the Invention and Dissemination of an Atrocity”; Alec Ryrie, “‘A saynt in the deuyls name’: Heroes and Villains in the Martyrdom of Robert Barnes”; William Wizeman, S.J., “Martyrs and Anti-martyrs and Mary Tudor’s Church” ; Victor Houliston, “Robert Person’s Comfortable History of England”; Andrew Lacey, “‘Charles the First, and Christ the Second’: The Creation of A Political Martyr”; and John Coffey, “The Martyrdom of Sir Henry Vane the Younger: From Apocalyptic Witness to Heroic Whig.”Google Scholar

Alexandra, Gerstein, ed. Display and Displacement: Sculpture and the Pedestal from Renaissance to Post-Modern. Courtauld Institute of Art Research Forum. Seattle : University of Washington Press, 2007. 168 pp. illus. bibl. $65. ISBN: 978-1-903470-30-5. Includes: Alexandra Gerstein, “Introduction”; Victoria Avery, “Alessandro Vittoria’s Socles: Shaping and Naming”; Etienne Jollet, “Objet d’attention: L’intêret pour le support en France a l’époque moderne”; Malcolm Baker, “Playing with Plinths in Eighteenth-Century Sculpture”; Alison Yarrington, “The Poetics of Sculpture: Pedestal, Verse and Inscription”; Philip Ward-Jackson, “‘Is the Pedestal to be the Capital part of it’: Pictorialism and the Pedestal of Nelson’s Column in Trafalgar Square”; David J. Getsy, “Fallen Women: The Gender of Horizontality and the Abandonment of the Pedestal by Giacometti and Epstein”; Sue Malvern, “The Fourth Plinth or the Vicissitudes of Public Sculpture”; and Jon Wood, “Homage, Double Act and Decoy: Three Contemporary Considerations of the Art Gallery Plinth.”Google Scholar

Alain, Godard, and, Piéjus, Marie-Françoise, eds. Espaces, histoire et imaginaire dans la culture italienne de la Renaissance. Centre Interuniversitaire de Recherche sur la Renaissance Italienne 27/Université de Paris III Sorbonne nouvelle. Paris : CIRRI, 2007. 232 pp. index. €24. ISBN: 978-2-900478-27-1. Includes: Luciana Miotto, “Grottes et nymphées dans les premières villas du Cinquecento”; Chiara Lastraioli, “‘Un monde en forme d’île’: Espace géographique et espace maginaire dans l’Isolario de Tommaso Porcacchi”; Alessandra Villa, “Deux ou trois paradigmes pour une lecture de l’espace dans les Satires de L’Arioste”; Silvia D’Amico, “Réalité et imaginaire dans Roma de Germain Audebert”; Alain Godard, “L’Egle de Girarldi Cinzio et l’utilisation de l’espace de la scène”; Nella Bensimon, “‘Non sai dove tu ssè?’: la signification des espaces dans Il Paradiso degli Alberti”; Béatrice Laroche, “L’accueil de l’autre dans les Ragionamenti d’Angnolo Firenzuola”; and Alfredo Perifano, “Florence ou la ville de l’inquiétante étrangeté dans la Nouvelle III, 10 des Cene de Grazzini.”Google Scholar

Amy, Golahny,, Mochizuki, Mia M, and, Vergara, Lisa, eds. In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias. Amsterdam : Amsterdam University Press, 2007. 494 pp. index. illus. tbls. bibl. €56.13. ISBN: 978-90-5356-933-7. Includes: Egbert Haverkamp-Begemann, Otto Naumann, Herbert E. Scarf, Alexander M. Schenker, “Four Remembrances”; Ann Jensen Adams, “Two Forms of Knowledge: Invention and Production in Thomas de Keyser’s Portrait of a Young Silversmith, Sijmon Valckenaer”; Albert Blankert, “The Case of Han van Meegeren’s Fake Vermeer Supper at Emmaus Reconsidered”; Marion Boers-Goosens, “Prices of Northern Netherlandish Paintings in the Seventeenth Century”; Marten Jan Bok and Sebastien Dudok Van Heel, “The Mysterious Landscape Painter Govert Janszn called Mijnheer (1577–c.1619)”; Alan Chong, “Jacob Ochtervelt’s Rotterdam Patron”; Paul Crenshaw, “Did Rembrandt Travel to England?”; Neil De Marchi and Hans J. Van Miegroet, “The Antwerp-Mechelen Production and Export Complex”; Stephanie E. Dickey, “Thoughts on the Market for Rembrandt’s Portrait Etchings”; Wayne Franits, “If the Shoe Fits: Courtship, Sex, and Society in an Unusual Painting by Gonzales Coques”; Amy Golahny, “A Sophonisba by Pieter Lastman?”; Anne Goldgar, “Poelenburch’s Garden: Art, Flowers, Networks, and Knowledge in Seventeenth-Century Holland”; Ethan Matt Kavaler, “Tournai’s Renaissance Jubé: Art as Instrument of Empowerment”; Yoriko Kobayashi-Sato, “Vermeer and His Thematic Use of Perspective”; Susan Donahue Kuretsky, “The Face in the Landscape: A Puzzling Print by Matthäus Merian the Elder”; Walter Liedtke and Piet Bakker, “Murant and His Milieu: A Biography of Emanuel Murant, the ‘Rustic Forerunner’ of Jan van der Heyden”; Anne-Marie Logan, “Rubens as a Teacher: ‘He may teach his art to his students and others to his liking’”; John Loughman, “Abrahma van Dijck (1635?–1680), a Dordrecht Painter in the Shadow of Rembrandt”; Anne W. Lowenthal, “Joachim/Peter Wtewael, Father/Son, Master/Pupil”; Mia M. Mochizuki, “At Home with the Ten Commandments: Domestic Text Paintings in Seventeenth-Century Amsterdam”; Michael North, “The Transfer and Reception of Dutch Art in the Baltic Area during the Eighteenth Century: The Case of the Hamburg Dealer Gerhard Morrell”; Nadine M. Orenstein, “Sleeping Caps, City Views, and State Funerals: Privileges for Prints in the Dutch Republic, 1593–1650”; Natasja Peeters and Maximiliaan P. J. Martens “Piety and Splendor: The Art Collection of Antwerp Burgomaster Adriaan Hertsen”; Michiel C. Plomp, “Pictorial Archives: ‘Jordaans’ in Delft” ; Herman Roodenburg, “Visiting Vermeer: Performing Civility”; Louisa Wood Ruby, “The Montias Database: Inventories of Amsterdam Art Collections”; Gary Schwartz, “Some Questions Concerning Inventory Research”; Larry Silver, “Marketing the Dutch Past: The Lucas van Leyden Revival around 1600”; Eric Jan Sluijter, “‘Les regards dards’: Werner van den Valckert’s Venus and Cupid”; Nicolette C. Sluijter-Seijffert, “The School of Cornelis van Poelenburch”; Mickaël Szanto, “From Art to Politics: The Paintings of Jean de Warignies, Lord of Blainville (c. 1581–1628)”; Christopher S. Wood, “Van Eyck Out of Focus”; and Michael Zell, “Landscape’s Pleasures: The Gifted Drawing in the Seventeenth Century.”Google Scholar

Elizabeth H, Hageman., and, Conway, Katherine, eds. Resurrecting Elizabeth I in Seventeenth-Century England. Cranbury : Fairleigh Dickinson University Press, 2007. 292 pp. index. illus. chron. bibl. $55. ISBN: 978-0-8386-4115-6. Includes: Elizabeth H. Hageman, “Introduction”; Katherine Duncan-Jones, “‘Almost always smiling’: Elizabeth’s Last Two Years”; Steven W. May, “‘Tongue-tied our Queen?’: Queen Elizabeth’s Voice in the Seventeenth Century”; Allan R. Young, “The Phoenix Reborn: The Jacobean Appropriation of an Elizabethan Symbol”; Peter Hyland, “Re-Membering Gloriana: The Revenger’s Tragedy”; Hardin L. Aasand, “‘Her burning face, Declines apace’: Ben Jonson and the Specter of Elizabeth”; Georgianna Zeigler, “A Second Phoenix: The Rebirth of Elizabeth I in Elizabeth Stuart”; Jonathan Baldo, “Forgetting Elizabeth in Henry VIII ”; Elizabeth Pentland, “‘Elizian’ Fields: Elizabeth, Essex, and the Politics of Dissent in 1624”; Lisa Gim, “Representing the ‘Phoenix Queen’: Elizabeth I in Writings by Anna Maria van Schurman and Anne Bradstreet”; Brandie R. Siegfried, “Bonum Theatrale: The Matter of Elizabeth I in Francis Bacon’s Of Tribute and Margaret Cavendish’s Blazing World”; Kim H. Noling, “Unpropping the Princess: John Bank’s Revision of Shakespeare’s Elizabeth”; Ericka Mae Olbricht, “‘Take from me first the softness of a Woman’: Rewriting Elizabeth’s Execution of Mary Stuart during the Seventeenth-Century Succession Crisis”; Leslie C. Dunn, “Re-Sounding Elizabeth in Seventeenth-Century Music: Morley to Purcell”; and Susanne L. Wofford, “‘Is there any harme in that?’: Foxe, Haywood, and Shekhar Kapur’s Elizabeth.”Google Scholar

Klaus W, Hempfer., ed. Grenzen und Entgrenzungen des Renaissancedialogs. Text und Kontext. Romanische Literaturen und Allgemeine Literaturwissenscaft 24. Stuttgart : Franz Steiner, 2007. 204 pp. bibl. €36. ISBN: 978-3-515-08991-3. Includes: Klaus W. Hempfer, “Vorwort”; Bernd Häsner and Angelika Lozar, “Providenz oder Kontingenz? Antonio Galateos Eremita und die ‘lukianizierung’ der religiösen Diskurses”; Henning Hufnagel, “‘Mercurio’ und pedante, Dialog und Komödie: Zur Inszenierung wissenschaftlicher Autorität in der Cena de le ceneri Giordano Brunos”; and Bernd Häsner, “Dialog und Essay: Zwei ‘Weisen der Welterseugung’ an der Schwelle zur Neuzeit.”Google Scholar

Peter, Holbrook, ed;, Bradshaw, Graham and, Bishop, Tom, gen. eds. The Shakespearean International Yearbook. 6: Special Section, Shakespeare and Montaigne revisited. Aldershot : Ashgate, 2007. 406 pp. index. illus. bibl. $99.95. ISBN: 978-0-7546-5589-3. Includes: Peter Holbrook, “Introduction”; William M. Hamlin, “The Shakespeare-Montaigne-Sextus Nexus: A Case Study in Early Modern Reading”; John Lee, “‘A Judge That Were No Man’: Montaigne, Shakespeare, and Imagination”; John D. Cox, “Suspicion and Belief in Shakespeare’s Early Comedies”; Marcus Nordlund, “Pride and Self-love in Shakespeare and Montaigne”; Anita Gilman Sherman, “The Aesthetic Strategies of Skepticism: Mixing Memory and Desire in Montaigne and Shakespeare”; Lars Engle, “Sovereign Cruelty in Montaigne and King Lear”; Rob Carson, “Hearing Voices in Coriolanus and Early Modern Skepticism”; Hugh Grady, “Afterword: Montaigne and Shakespeare in Changing Cultural Paradigms”; Lloyd Davis, “Rethinking Misogyny: Shakespeare, Gender, and the Critical Tradition”; Iain Wright, “‘Come like shadows, so depart’: The Ghostly Kings in Macbeth”; Marianne B. Evett, “Playing King Lear: An interview with Alvin Epstein”; Julia Reinhard Lupton, “The Pearl Fishers: Thinking with Hannah Arendt and William Shakespeare”; Rebecca Nesvet, “Martinengo’s ‘Grecians’ and Shakespeare’s Cyprus”; Atsuhiko Hirota, “The Partner of Empire: Literacy and Imperialism in Titus Andronicus”; Daniel Gallimore, “Strength and Weakness: Accentual Rhythm in Japanese Translations of A Midsummer Night’s Dream”; and Angus Fletcher, “Timon and the End of Language.”Google Scholar

Rosemary, Horrox, and, Mark Ormrod, W, eds. A Social History of England, 1200–1500. Cambridge : Cambridge University Press, 2007. xii + 514 pp. index. illus. bibl. $39.99. ISBN: 978-0-521-78954-7. Includes: S. H. Rigby, “Introduction: Social Structure and Economic Change in Late Medieval England”; Peter Coss, “An Age of Deference”; Michael Prestwich, “The Enterprise of War”; Simon Walker, “Order and Law”; Philippa C. Maddern, “Social Mobility”; Richard Britnell, “Town Life”; Bruce M. S. Campbell, “The Land”; Maryanne Kowaleski, “A Consumer Economy”; Wendy R. Childs, “Moving Around”; Mavis E. Mate, “Work and Leisure”; Eamon Duffy, “Religious Belief ”; Valerie I. J. Flint, “A Magic Universe”; Janet Burton, “Renunciation”; Charles Phythian-Adams, “Ritual Constructions of Society”; Miri Rubin, “Identities”; P. J. P. Goldberg, “Life and Death: The Ages of Man”; Robin Frame, “The Wider World”; Paul Strohm, “Writing and Reading”; and Rosemary Horrox, “Conclusion.”Google Scholar

Michael, Hunter, ed. The Boyle Papers: Understanding the Manuscripts of Robert Boyle. Aldershot : Ashgate Publishing Company, 2007. xiv + 674 pp. + 16 b/w pls. index. append. illus. tbls. $139.95. ISBN: 978-0-7546-5568-8. Includes: Michael Hunter, “Introduction: The Boyle Papers in Context”; “Robert Boyle and his Archive”; Michael Hunter and Lawrence M. Principe, “The Lost Papers of Robert Boyle”; Michael Hunter and Charles Littleton, “The Workdiaries of Robert Boyle: A Newly Discovered Source and its Internet Publication”; Michael Hunter, Harriet Knight, and Charles Littleton, “Robert Boyle’s Paralipomena: An Analysis and Reconstruction”; and Michael Hunter and Edward B. Davis, “The Making of Robert Boyle’s Free Enquiry into the Vulgarly Receiv’d Notion of Nature (1686).”Google Scholar

Timothy J, Johnson., ed. Franciscans at Prayer. The Medieval Franciscans 4. Leiden : Brill, 2007. xiv + 598 pp. index. bibl. $182. ISBN: 978-90-04-15699-9. Includes: Timothy J. Johnson, “Introduction”; Michael W. Blastic, “Prayer in the Writings of Francis of Assisi and the Early Brothers”; Ilia Delio, “Clare of Assisi and the Mysticism of Motherhood”; J. A. Wayne Hellmann, “Prayer in the Life of Saint Francis by Thomas of Celano”; Timothy J. Johnson, “The Prothemes of Bonaventure’s Sermones dominicales and Minorite Prayer”; Jay M. Hammond, “Contemplation and the Formation of the vir spiritualis in Bonaventure’s Collationes in Hexaemeron”; Mary Beth Ingham, “Fides quaerens intellectum: John Duns Scotus, Philosophy and Prayer”; Diane V. Tomkinson, “Angela of Foligno’s Spiral Pattern of Prayer”; Alessandro Vettori, “Singing with Angels: Iacopone da Todi’s Prayerful Rhetoric”; Louisa A. Burnham, “Just Talking about God: Orthodox Prayer, among the Heretical Beguins”; Steven J. McMichael, “Friar Alonso de Espina, Prayer and Medieval Jewish, Muslin and Christian Polemical Literature”; Jean François Godet-Calogeras, “Illi qui volunt religiose stare in eremis: Eremitical Practice in the Life of the Early Franciscans”; Amanda D. Quantz, “At Prayer in the Shadow of the Tree of Life”; Amy Neff, “Byzantine Icons, Franciscan Prayer: Images of Intercession and Ascent in the Upper Church of San Francesco, Assisi”; Edward Foley, “Franciscan Liturgical Prayer”; Bert Roest, “The Discipline of the Heart: Pedagogies of Prayer in Medieval Franciscan Works of Religious Instruction”; and William J. Short, “From Contemplation to Inquisition: The Franciscan Practice of Recollection in Sixteenth-Century Spain.”Google Scholar

Nathalie, Jouven, ed. L’Emblemè littéraire: Théories et pratiques. Littérature 145. Paris : Larousse, 2007. 152 pp. illus. n.p. ISBN: 978-2-200-92363-1. Includes: Stéphane Rolet, “Situation et perspectives”; Alison Adams, “La conception et l’édition des livres d’emblèmes dans la France du XVI^e siècle: une problématique collaboration entre un auteur et un éditeur”; Elisabeth Klecker, “Des signes muets aux emblè mes chanteurs: les Emblemata d’Alciat et ’l emblèmatique”; Anne Rolet, “Aux sources de l’emblème: blasons et devises”; Paulette Choné, “Les cas singulier des emblèmes en Lorraine aux XVI^e et XVII^e siècles”; Christian Bouzy, “Emblème et propagande théologico-politique en Espagne au Siècle d’or: le symbolisme de la couronne”; Ralph Dekoninck, “Ars Symbolica et Ars Meditandi. la pensée symbolique dans la spiritualité é j suite; Sagrario López Poza, “L’Emblème en Espagne aux XVI ^e et XVII^e siècles: actualité et perspectives futures; and Daniel Russel, “Nouvelles directions dans l’étude de ’l emblème français.”Google Scholar

Andreas, Kablitz, and, Regn, Gerhard, eds. Renaissance — Episteme und Agon. Neues Forum für Allgemeine und Vergleichende Literaturwissenschaft 33. Heidelberg : Universitätsverlag C. Winter, 2007. 474 pp. illus. n.p. ISBN: 978-3-8253-5305-6. Includes: Gerhard Regn, “Petrarca und die Renaissance”; Joachim Küpper, “Zu einigen Aspekten der Dichtungstheorie in der Frührenaissance”; Andreas Kablitz, “Die Problematisierung des antiken Dialogs in Bembos Asolani”; Florian Mehltretter, “Petrarca neu erfinden: Zu Nicolò Francos Dialog Il Petrarchista”; Peter Werle, “‘Di cosa nasce cosa, e ‘l tempo la governa’ — Zum Konflickt von Antholopologie und Gattungs — konventionen in Machiavellis Komödie La Mandragola”; Franz Penzenstadler, “Rinascimentale Plaralität und barocke Disparität am Beispiel der italienischen”; Maria Moog-Grünewald, “Inverser Platonismus: Zur erkenntnistheoretischen Begründung moderner Ästhetik bei Giordano Bruno”; Jürgen Trabant, “Noch einmal über Du Bellay und Speroni”; Bernhard König, “Zu den Anfangen der Renaissance-Tragödie in Italien und Frankreich: Pluralität und Diskrepanz der Diskurse”; Karlheinz Stierle, “Joachim Du Bellays Heureuz que, comme Ulysse — Translatio oder Resurrectio?”; Winfried Engler, “Asymmetrische Projektionsflächen: Pléiade und Cénacle: Das Sainte-Beuve-Projekt”; Rainer Warner, “Autorschaft bei Ronsard”; Manfred Pfister, “Die englische Renaissance und der Dialog mit Europa”; Yvonne Bellenger, “Ut pictura poesis, ou l’illusoire comparaison”; Jan Söffner, “Die Pluralität der Rahmen in Boccaccios Decameron: Überlegungen zur Todesallegorie des Pisaner Camposanto und zu den Novellen VIII, 9 und VI, 9”; Marc Föcking, “Dialog und Perspektive: Raffaels Scuola d ’Atene und der Renaissance-Dialog”; Valeska von Rosen, “Inszenierte Unkonventionalität: Caravaggios Ironisierung der Antikenimitatio”; and Laurenz Lütteken, “‘Dulces Exuviae’: Vergil in Mantua und das Problem der musikalischen ‘Renaissance’.”Google Scholar

Bariša, Krekic. Unequal Rivals: Essays on Relations between Dubrovnik and Venice in the Thirteenth and Fourteenth Centuries. Studies in the History of Dubrovnik 3. Zagreb : Croatian Academy of Arts and Sciences, 2007. 406 pp. index. tbls. n.p. ISBN: 978-953-154-735-2. Includes: Bariša Krekic, “Dubrovnik and Venice in the Thirteenth and Fourteenth Century: A Short Survey”; “Venetians in Dubrovnik (Ragusa) and Ragusans in Venice as Real Estate Owners in the Fourteenth Century”; “Some Venetians in Debrovnik in the Fourteenth Century”; “Alcune note sulla famiglia Querini a Ragusa nel Deucento e nel Trecento”; “Sul retroscena familiare di Franco Sacchetti: Il Veneziano Franciscus Speciarius ed il Fiorentino Dencius del Buono a Ragusa nella Prima Metà del Trecento”; “Contribution to the Study of the Ragusan Presence in Venice in the Fourteenth Century”; “Helias and Blasius de Radoano, Ragusan Merchants in the Second Half of the Fourteenth Century”; “Dubrovnk (Ragusa) and the War of Tenedos/Chioggia (1378–1381)”; and “Conclusion.”Google Scholar

Kathleen Perry, Long, ed. Religious Differences in France: Past and Present. Sixteenth Century Essays and Studies 74. Kirksville : Truman State University Press, 2007. xxxiv + 268 pp. index. illus. bibl. $38.95. ISBN: 1-931112-57-6. Includes: Denis Crouzet, “A Law of Difference in the History of Difference: The First Edict of ‘Tolerance’”; Barbara B. Diefendorf, “Waging Peace: Memory, Identity, and the Edict of Nantes”; Keith P. Luria, “Sharing Sacred Space: Protestant Temples and Religious Coexistence in the Seventeenth Century”; Christian Jouhand, “Religion and Politics in France during the Period of the Edict of Nantes (1598–1685)”; Dale K. Van Kley, “Catholic Conciliar Reform in an Age of Anti-Catholic Revolution”; Steven C. Hause, “French Protestants, Laicization, and the Separation of the Churches and the State, 1802–1905”; Aron Rodrigue, “Totems, Taboos, and Jews: Salomon Reinach and the Politics of Scholarship in Fin-de-Siècle France”; Philip Nord, “Catholic Culture in Interwar France”; Carmen Bernard, “The Right to Be Different: Some Questions About the ‘French Exception’”; and Jocelyne Césari, “Islam in a Secular Context: Catalyst of the French ‘Exception.’”Google Scholar

Walther, Ludwig, and, Huber-Rebenich, Gerlinde, eds. Frühneuzeitliche Bildungsreisen im Spiegel Lateinischer Texte. Akademie gemeinnütziger Wissenschaften zu Erfurt. Acta Academiae Scientiarum 11. Humanismusstudien 2. Weimer : Hain Wissenschaft, 2007. 236 pp. index. illus. tbls. n.p. ISBN: 978-3-89807-103-1. Includes: Walther Ludwig, “Die Bildungsreise in der lateinischen Reiseliteratur”; Gerlinde Huber-Rebenich, “Ein neuer Blick auf Altertümer: die ‘Narracio de Mirabilibus Urbis Rome’ des Magister Gregorius”; Folker Reichert, “Das Land der Griechen mit der Seele Suchend: Cristoforo Buondelmonti und Ciriaco d’ancona in der Ägäis”; Reinhold F. Glei, “Topisch oder utopisch? Die Reisen des Hythlodaeus in der ‘Utopia’ des Thomas Morus”; Jan Papy, “Lipsius’s Humanist and Neostoic Views on Travelling and Philip Ruben’s ‘Apobateria’”; Kristi Viiding, “Daniel Georg Morhof und die Garrung des Propemptikon”; Chris L. Heesakkers, “Das Album Amicorm als Reisebegleiter”; Justin Stagl, “Johann Heinrich Boeclers reisetheoretische Schrift ‘De Peregrinatione Germanici Caesaris’ (1654)”; Karl August Neuhausen, “Engelbert Kaempfer als späthumanistischer Reiseschriftsteller im Spiegel seiner ‘Amoenitates Exoticae’”; and Hermann Wiegand, “Das Hodoeporicon des Johann Caspar Marsch (1673–1742): ein Spätling der neulateinischen Reisedichtung.”Google Scholar

Robert, Lutton, and, Salter, Elisabeth, eds. Pieties in Transition: Religious Practices and Experiences, c. 1400–1640. Aldershot : Ashgate, 2007. xii + 242 pp. index. illus. tbls. map. bibl. $99.95. ISBN: 978-0-97546-5616-6. Includes: Robert Lutton and Elisabeth Salter, “Introduction”; Robert Lutton, “Geographies and Materialities of Piety: Reconciling Competing Narratives of Religious Change in Pre-Reformation and Reformation England”; Andrew Hope, “Martyrs of the Marsh: Elizabeth Barton, Joan Bocher and Trajectories of Martyrdom in Reformation Kent”; Sheila Sweetinburgh, “The Poor, Hospitals and Charity in Sixteenth-Century Canterbury”; G. M. Draper, “‘There hath not bene any gramar scole kepte, preacher maytened or pore people releved, other then.. by the same chauntreye’: Educational Provision and Piety in Kent, c. 1400–1640”; Paula Simpson, “The Continuum of Resistance to Tithe, c. 1400–1600”; Annemarie Speetjens, “A Quantitative Approach to Late Medieval Transformations of Piety in the Low Countries: Historiography and New Ideas”; Claire Bartram, “‘Some Tomb for a Remembraunce’: Representations of Piety in Post-Reformation Gentry Funeral Monuments”; Elisabeth Salter, “‘The Dayes Moralised’: Reconstructing Devotional Reading, c. 1450–1560”; Emily Richards, “Writing and Silence: Transitions Between the Contemplative and the Active Life”; and Alexandra Walsham, “Afterword.”Google Scholar

Anthony, Molho, and, Ramada Curto, Diogo, eds. Finding Europe: Discourses on Margins, Communities, Images ca. 13^th–ca. 18^th Centuries. New York : Berghahn Books, 2007. x + 408 pp. index. illus. $89.95. ISBN: 978-1-84545-208-7. Includes: Anthony Molho, “A Harlequin’s Dress: Reflections on Europe’s Public Discourse”; Diogo Ramada Curto, “Rethinking the History of Europe: Old and New Approaches”; Giovanni Ricci, “Crypto-identities: Disguised Turks, Christians and Jews”; André Stoll, “Segregation, Migration and Recuperation of the Orient in Mediterrean Europe during the First Modernity: The Case of Semitic Spain”; Giulia Calvi, “Gender and the Body”; Stuart Clark, “Magic and Witchcraft”; Francesca Trivellato, “A Republic of Merchants?”; Florike Egmond, “A European Community of Scholars: Exchange and Friendship among Early Modern Natural Historians”; Rita Costa Gomes, “The Court Galaxy”; Robert Wokler, “Rites of Passage and the Grand Tour: Discovering, Imagining and Inventing European Civilization in the Age of Enlightenment”; Janet Coleman, “Citizenship and the Language of Statecraft”; Pietro Costa, “Images of Law in Europe: In Search of Shared Traditions”; Angela De Benedictis, “Resisting Public Violence: Actions, Law and Emotions”; Christiane Klapisch-Zuber, “The Tree”; Edouard Pommier, “From the Renaissance to the Enlightenment.. through Antiquity: The Beginnings of the European Network of Museums”; Denis Crouzet, “Sainthood and Heroism: Images and Imagery in Sixteenth-century Europe”; and Françoise Waquet, “Latin.”Google Scholar

Staffan, Müller-Wille, and, Rheinberger, Hans-Jörg, eds. Heredity Produced: At the Crossroads of Biology, Politics, and Culture, 1500–1870. Cambridge, MA : MIT Press, 2007. xii + 296 pp. + 3 color pls. index. illus. tbls. $50. ISBN: 978-0-262-13476-7. Includes: Staffan Müller-Wille and Hans-Jörg Rheinberger, “Heredity — The Formation of an Epistemic Space”; David Warren Sabean, “From Clan to Kindred: Kinship and the Circulation of Property in Premodern and Modern Europe”; Silvia De Renzi, “Resemblance, Paternity, and Imagination in Early Modern Courts”; Ulrike Vedder, “Continuity and Death: Literature and the Law of Succession in the Nineteenth Century”; Carlos López-Beltrán, “The Medical Origins of Heredity”; Philip K. Wilson, “Erasmus Darwin and the ‘Noble’ Disease (Gout): Conceptualizing Heredity and Disease in Enlightenment England”; Laure Cartron, “Degeneration and ‘Alienism’ in Early Nineteenth-Century France”; Staffan Müller-Wille, “Figures of Inheritance, 1650–1850”; Marc J. Ratcliff, “Duchesne’s Strawberries: Between Growers’ Practices and Academic Knowledge”; Roger J. Wood, “The Sheep Breeders’ View of Heredity Before and After 1800”; Mary Terrall, “Speculation and Experiment in Enlightenment Life Sciences”; Peter McLaughlin, “Kant on Heredity and Adaptation”; François Duchesneau, “The Delayed Linkage of Heredity with Cell Theory”; Ohad S. Parnes, “On the Shoulders of Generations: The New Epistemology of Heredity in the Nineteenth Century”; Renato G. Mazzolini, “Las Castas: Interracial Crossing and Social Structure, 1770–1835”; Paul White, “Acquired Character: The Hereditary Material of the ‘Self-Made Man’”; Nicolas Pethes, “‘Victor, l’enfant de la forêt’: Experiments on Heredity in Savage Children”; Stefan Willer, “Sui generis: Heredity and Heritage of Genius at the Turn of the Eighteenth Century”; and Helmut Müller-Sievers, “The Heredity of Poetics.”Google Scholar

Richard, Newhauser, ed. The Seven Deadly Sins: From Communities to Individuals. Studies in Medieval and Reformation Traditions: History, Culture, Religion, Ideas. Leiden : Brill, 2007. xii + 308 pp. index. illus. tbls. bibl. $129. ISBN: 978-90-04-15785-9. Includes: Richard Newhauser, “Introduction: Cultural Construction and the Vices”; Dwight D. Allman, “Sin and the Construction of Carolingian Kingship”; Bridget K. Balint, “Envy in the Intellectual Discourse of the High Middle Ages”; Susan E. Hill, “‘The Ooze of Gluttony’: Attitudes towards Food, Eating, and Excess in the Middle Ages”; John Kitchen, “Cassian, Nocturnal Emissions, and the Sexuality of Jesus”; Rhonda L. McDaniel, “Pride Goes Before a Fall: Aldhelm’s Practical Application of Gregorian and Cassianic Conceptions of Superbia and the Eight Principal Vices”; Dallas G. Denery II, “Biblical Liars and Thirteenth-Century Theologians”; Holly Johnson, “‘The Hard Bed of the Cross’: Good Friday Preaching and the Seven Deadly Sins”; Hilaire Kallendorf, “Dressed to the Sevens, or Sin in Style: Fashion Statements by the Deadly Vices in Spanish Baroque Autos Sacramentales”; V. S. Benfell III, “‘Blessed are they that hunger after justice’: From Vice to Beatitude in Dante’s Purgatorio”; Derrick G. Pitard, “Greed and Anti-Fraternalism in Chaucer’s ‘Summoner’s Tale’”; Laura D. Gelfand, “Social Status and Sin: Reading Bosch’s Prado Seven Deadly Sins and Four Last Things Painting”; and Thomas Parisi, “Freud as Virgil: The Anthropologies of Psychoanalysis and the Commedia.”Google Scholar

Tom, Nichols, ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins. Aldershot : Ashgate, 2007. xvi + 272 pp. index. illus. bibl. $99.95. ISBN: 978-0-7546-5557-2. Includes: Tom Nichols, “Introduction”; Debra Higgs Strickland, “Picturing Antichrist and Others in the Prado Epiphany by Hieronymus Bosch”; Tom Nichols, “The Vagabond Image: Depictions of False Beggars in Northern Art of the Sixteenth Century”; Philip Cottrell, “Poor Substitutes: Imaging Disease and Vagrancy in Renaissance Venice”; Peter Higginson, “Poverty and Papal Piety in Rome c. 1600: Painting, Pastoralism and Spectacle”; Livio Pestilli, “Blindness, Lameness and Mendicancy in Italy (from the 14^th to the 18^th Centuries)”; John Gash, “The Caravaggesque Toothpuller”; Helen Langdon, “Relics of the Golden Age: The Vagabond Philosopher”; Carmen Fracchia, “Constructing the Black Slave in Early Modern Spanish Painting”; M. A. Katritzky, “‘Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty: British ’ Actors in the Paintings of Frans Hals”; and Sean Shesgreen, “In Search of the Marginal and the Outcast: The ‘Lower Orders’ in the Cries of London and Dublin.”Google Scholar

Charles H, Parker., and, Bentley, Jerry H, eds. Between the Middle Ages and Modernity: Individual and Community In the Early Modern World. Lanham : Rowman & Littlefield, 2007. x + 322 pp. index. bibl. $75 (cl), $34.95 (pbk). ISBN: 978-0-7425-5309-5 (cl), 978-0-7425-5310-1 (pbk). Includes: Charles H. Parker, “Introduction: Individual and Community in the Early Modern World”; Jerry H. Bentley, “Early Modern Europe and the Early Modern World”; Thomas A. Brady, Jr., “German Burghers and Peasants in the Reformation and the Peasants’ War: Partners or Competitors”; Henk van Nierop, “A Tale of Two Brothers: Corporate Identity and the Revolt in the Towns of Holland”; Carla Rahn Phillips, “Family and Community in the Spanish World”; William D. Phillips, Jr., “Individual and Community among the Medieval Travelers to Asia”; Douglas Catterall, “Settle or Return: Migrant Communities in Northern Europe, ca. 1600–1800”; Sanjay Subrahmanyam, “Forcing the Doors of Heathendom: Ethnography, Violence, and the Dutch East India Company”; Michael N. Pearson, “Creating a Littoral Community: Muslim Reformers in the Early Modern Indian Ocean World”; Marie Seong-Hak Kim, “Custom, Community, and the Crown: Lawyers and the Reordering of French Customary Law”; Hugo de Schepper (trans. Elizabeth Bradbury Pollnow), “The Individual on Trial in the Sixteenth-Century Netherlands: Between Tradition and Modernity”; Susan C. Karant-Nunn, “‘They Have Highly Offended the Community of God’: Rituals of Ecclesiastical Discipline and Pastoral Membership in the Community in Sixteenth- and Seventeenth-Century German Parishes”; Ulrike Strasser, “Embodying the Middle Ages, Advancing Modernity: Religious Women in Sixteenth- and Seventeenth-Century Europe and Beyond”; Kathryn L. Reyerson, “The Transitional Role of Jacques Coeur in the Fifteenth Century”; Donald J. Harreld, “The Individual Merchant and the Trading Nation in Sixteenth-Century Antwerp”; and Markus P. M. Vink, “Between Profit and Power: The Dutch East India Company and Institutional Early Modernities in the ‘Age of Mercantilism.’”Google Scholar

Jacomien, Prins, and, Teeuwen, Mariken, eds. Harmonisch labyrint: De muziek van de kosmos in de westerse wereld. Hilversum : Verloren, 2007. 182 pp. index. illus. tbls. bibl. €19. ISBN: 978-90-6550-974-1. Includes: Mariken Teeuwen, “Hemelse harmonie inde vroege middeleeuwen: visies op antieke tradities”; Eddie Vetter, “Sferenharmonie en engelenkoren in de middeleeuwen”; José van der Helm, “De harmonie der sferen in de Divina Commedia”; Willem Elders, “Symbolische partituren: de notie van musica celectis in composities uit de renaissance”; Jacomien Prins, “Marsilio Ficino: hemel-reisiger en geneesheer”; Koen Orrenheym, “Harmonische proportie in de Hollandse bouwkunst van de zeventiende eeuw”; Natacha Fabbrie, “Treestemmig contrapunt: een zeventiende-eeuws debat tussen Kepler en Mersenne over kosmologie en harmonie”; James Webster, “Haydns Schöpfung en het mizikaal sublieme”; and Joscelyn Godwin, “De revival van speculatieve muziek.”Google Scholar

Gary M, Radke., ed. The Gates of Paradise: Lorenzo Ghiberti’s Renaissance Masterpiece. High Museum of Art, Atlanta. New Haven : Yale University Press, 2007. 182 pp. illus. bibl. $45. ISBN: 978-0-300-12615-0. Includes: Anna Mitrano, “Preface”; Michael E. Shapiro, James Cuno, and Philippe de Montebello, “Foreword and Acknowledgments”; Aldo Galli, “Chronolgy of Lorenzo Ghiberti’s Life”; Andrew Butterfield, “Art and Innovation in Ghiberti’s Gates of Paradise”; Gary M. Radke, “Lorenzo Ghiberti: Master Collaborator”; Margaret Haines and Francesco Caglioti, “Documenting the Gates of Paradise”; Annamaria Giusti, “Ghiberti’s Gold: Restoration of the Gates of Paradise”; Edilberto Formigli, “Ghiberti and the Art of Chasing”; Salvatore Siano, Piero Bertelli, Ferdinando Marinelli, and Marcello Miccio, “Casting the Panels for the Gates of Paradise”; and Francesca G. Brewer, Richard E. Stone, and Shelley G. Sturman, “Reconstructing the Casting Technique of Lorenzo Ghiberti’s Gates of Paradise.”Google Scholar

Eric, Rasmussen, and, Santesso, Aaron, eds. Comparative Excellence: New Essays on Shakespeare and Johnson. AMS Studies in the Eighteenth Century 52. New York : AMS Press, Inc., 2007. viii + 246 pp. index. $76.50. ISBN: 978-0-404-64852-7. Includes: Peter Holland, “Playing Johnson’s Shakespeare”; Robert DeMaria, Jr., “Samuel Johnson and Saxonic Shakespeare”; Nicholas Hudson, “Shakespeare’s Ghost: Johnson, Shakespeare, Garrick, and Constructing the English Middle-Class”; Tiffany Stern, “‘I do wish that you had mentioned Garrick’: The Absence of Garrick in Johnson’s Shakespeare”; Jack Lynch, “The Dignity of an Ancient: Johnson Edits the Editors”; Anne McDermott, “Johnson’s Editing of Shakespeare in the Dictionary”; David Bevington, “The Siren Call of Earlier Editorial Practice; or, How Dr. Johnson Failed to Respond Fully to His Own Intuitions About the Principles of Textual Criticism and Editing”; Aaron Santesso, “Johnson as Londoner”; Stephen Orgel, “Johnson’s Lear”; and Claude Rawson, “Cooling to a Gypsy’s Lust: Johnson, Shakespeare, and Cleopatra.”Google Scholar

Herman, Roodenburg, ed. Forging European Identities, 1400–1700. Cultural Exchange In Early Modern Europe 4. Cambridge : Cambridge University Press, 2007. xxvi + 440 pp. index. illus. map. bibl. $525/set. ISBN: 978-0-521-84549-6. Includes: Bernd Roeck, “Introduction”; David Gaimster, “The Baltic Ceramic Market 1200–1600: Measuring Hanseatic Cultural Transfer and Resistance”; Evelyn Welch, “Between Italy and Moscow: Cultural Crossroads and the Culture of Exchange”; Bernard Aikema, “Netherlandish Painting and Early Renaissance Italy: Artistic Rapports in a Historiographical Perspective”; Deborah Howard, “Cultural Transfer between Venice and the Ottomans in the Fifteenth and Sixteenth Centuries”; Barbara Marx, “Wandering Objects, Migrating Artists: The Appropriation of Italian Renaissance Art by German Courts in the Sixteenth Century”; Isabella Paresys, “The Dressed Body: The Moulding of Identities in Sixteenth-Century France”; Ulinka Rublack, “Clothing and Cultural Exchange in Renaissance Germany”; Dilwyn Knox, “Gesture and Comportment: Diversity and Uniformity”; Marina Nordera, “The Exchange of Dance Cultures in Renaissance Europe: Italy, France and Abroad”; Herman Roodenburg, “Dancing in the Dutch Republic: The Uses of Bodily Memory”; and Johan Verberckmoes, “The Imaginative Recreation of Overseas Cultures in Western European Pageants in the Sixteenth to Seventeeth Centuries.”Google Scholar

Erika, Rummel, and, Kooistra, Milton, eds. Reformation Sources: The Letters of Wolfgang Capito and His Fellow Reformers in Alsace and Switzerland. Centre for Reformation and Renaissance Studies Essays and Studies 10. Toronto : University of Toronto Press, 2007. 246 pp. index. illus. tbls. bibl. $17. ISBN: 978-0-7727-2032-0. Includes: Erika Rummel and Milton Kooistra, “Introduction”; James S. Hirstein, “Wolfgang Capito and the Other Docti in Johann Froben’s Basel Print Shop”; Erika Rummel, “Capito and the Provostship of St. Thomas in Strasbourg”; Thomas A. Brady, Jr., “Reformers and Magistrates in Reformation Strasbourg: The Milieu of Wolfgang Capito. Re-Writing the Urban Reformation”; Johannes Trapman, “Editing the Works of Erasmus: Some Observations on the Amsterdam Edition (ASD)”; Reinhold Friedrich, “Editing the Correspondence of Martin Bucer: Paleographical Problems”; Wolfgang Simon, “Editing the Correspondence of Martin Bucer: Chronological Aspects”; Alexander Kess, “Heinrich Bullinger’s Correspondence: A Brief Insight into a Long Story”; Irena Backus (with Hervé Genton and Beatrice Nicollier), “The Edition of the Correspondence of Theodore Beza (1319–1605)”; Gavin Hammel, “Capito’s Litigation for the Provostship of St. Thomas in Strasbourg: Six Documents”; Brent Miles, “Wolfgang Capito’s Warning of the ministers of the Word and the brethren at Strasbourg to the brethren of the regions and cities of the [Swiss] Confederation against the blasphemous disputation of Brother Konrad, provincial of the Augustinian Order”; and Milton Kooistra, “Capito’s Concerning Three Strasbourg Priests and the Removal of the Goods from the Church (1525)” .Google Scholar

Ramón, Santiago,, Valenciano, Ana, and, Iglesias, Silvia, eds. Tradiciones Discursivas: Edicións de textos orales y escritos. + CD-ROM. Madrid : Editorial Complutense, 2007. 302 pp. tbls. €18. ISBN: 84-7491-788-3. Includes: Ramón Santiago, Ana Valenciano, and Silvia Iglesias, “Presentación”; Michelle Débax, “La Imposible Transcripción de la Oralidad”; Pedro M. Piñero Ramírez, “Editar el Romancero: Nuevas y Viejas Custiones”; Ana Valenciano, “Crítica a la edición Critica de los Romances de la Tradición Oral Moderna”; Salvador Rebés, “El Romancero Catalán en Alguna de sus Ediciones”; Pere Ferré, “Etapas en la edición del Romancero Portugués”; Ana Valenciano, “La Encuesta ‘Salamanca 2002’ del Proyecto ‘El Romancero Panhispa ñica y la Balada Europa’”; Pedro Sánchez-Prieto Borja, “La Lengua Como Problema en la Edición de Textos Medievales”; Ana Vian Herrero, “El Nacimiento del Texto y su Interpretación: Problemas de Edición de Diálogos Manuscritos y Anónimos en el Renacimiento”; Antonio Hidalgo Navarro, “Algunos Sobre la Transcripción e Interpretación de la Entonación en Conversaciones Cologuiales Espontáneas”; and José Manuel Lucía Megías, “Informática Textual: Nuevos Retos Para la Edición y Difusi ón de los textos (Biblioteca Virtuales y Bancos de Dates Textuales).”Google Scholar

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