Hostname: page-component-8448b6f56d-tj2md Total loading time: 0 Render date: 2024-04-25T04:01:51.075Z Has data issue: false hasContentIssue false

What has the BBC ever done for us?

Published online by Cambridge University Press:  19 March 2021

Simon Frith*
Affiliation:
Professor Emeritus, The University of Edinburgh
Martin Cloonan*
Affiliation:
Director, Turku Institute for Advanced Studies

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bradley, L. 2013. Sounds Like London. 100 Years of Black Music in the Capital (London, Serpent's Tail)Google Scholar
Cloonan, M. 1996. Banned! Censorship of Popular Music in Britain, 1967–1992 (Aldershot, Ashgate)Google Scholar
Cloonan, M. 2016. ‘Negotiating needletime: the Musicians’ Union, the BBC and the record companies, circa 1920–1990’, Social History, 41/4, 353–74CrossRefGoogle Scholar
Eales, A. C. 2017. ‘Bunting and blues: A critical history of Glasgow International Jazz Festival, 1987–2015’, unpublished PhD thesis (Glasgow, University of Glasgow). http://theses.gla.ac.uk/8026/.Google Scholar
Frith, S., Brennan, M., Cloonan, M., and Webster, E. 2013. The History of Live Music in Britain, Volume 1: 1950–1967: From Dance Hall to the 100 Club (Farnham, Ashgate)Google Scholar
Frith, S., Brennan, M., Cloonan, M., and Webster, E. 2019. The History of Live Music in Britain, Volume 2: 1968–1984. From Hyde Park to the Hacienda (London, Routledge)CrossRefGoogle Scholar
Frith, S., Brennan, M., Cloonan, M., and Webster, E. 2021. The History of Live Music in Britain, Volume 3: 1985–2009. From Live Aid to Live Nation (London, Routledge)CrossRefGoogle Scholar
Garner, K. 2008. The Peel Sessions. A Story of Teenage Dreams and One Man's Love of New Music (London, BBC Books)Google Scholar
Heath, T. 1957. Listen to My Music. An Autobiography (London, Frederick Muller)Google Scholar
Howlett, K. 1996. The Beatles at the BBC. The Record Years 1962–1970 (London, BBC Books)Google Scholar
Lyttelton, H. 1958. Second Chorus (London, MacGibbon and Kee)Google Scholar
MacDonald, H. 2010. BBC Scottish Symphony Orchestra: Celebrating 75 Years (Glasgow, BBC)Google Scholar
Morrison, R. 2004. Orchestra. The LSO: A Century of Triumphs and Turbulence (London, Faber & Faber)Google Scholar
O'Hagan, A. 2012. ‘Light entertainment’, London Review of Books, 34(21). https://www.lrb.co.uk/the-paper/v34/n21/andrew-o-hagan/light-entertainment.Google Scholar
Percival, J.M. 2008. ‘Making music radio: the record industry and popular music production in the UK’, unpublished PhD (Stirling, Film and Media Studies)Google Scholar
Summers, A. 2006. One Train Later (London, Portrait)Google Scholar
Williamson, J., and Cloonan, M. 2016. Players’ Work Time: A History of the British Musicians’ Union, 1893–2013 (Manchester, Manchester University Press)CrossRefGoogle Scholar