Hostname: page-component-8448b6f56d-c47g7 Total loading time: 0 Render date: 2024-04-18T03:42:11.661Z Has data issue: false hasContentIssue false

Lyric Bodies: Poets on Disability and Masculinity

Published online by Cambridge University Press:  23 October 2020

Abstract

This essay extends the study of disability and masculinity representations by exploring the transformational possibilities of poetry as exemplified in the work of Tom Andrews, Floyd Skloot, and Kenny Fries. It argues that lyricism as a process of invention and play enacts both disability and male identity as equally unfixed and that through an “accidental poetics” each author engages with maleness as a continually renegotiated experience necessitated in part by the conditions of disability. Challenging norms that pertain to them as men with disabilities, resisting the imposition of controlling ideological narratives, Skloot, Fries, and Andrews revise themselves as textual bodies whose unruliness is instantiated and celebrated in the unique structural and figurative moves of verse.

Type
Research Article
Copyright
Copyright © 2012 by The Modern Language Association of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Anderson, Myrdene, and Merrell, Floyd. “Semiotically Digesting Dis/ability.” Endnotes. Semiotics and Dis/ability: Interrogating Categories of Difference. Ed. Rogers, Linda J. and Swadener, Beth Blue. Albany: State U of New York P, 2001. 267–72. Print.Google Scholar
Andrews, Tom. “Codeine Diary.” Andrews, Hemophiliac's Motorcycle 5376.Google Scholar
Andrews, Tom. The Hemophiliac's Motorcycle. Iowa City: U of Iowa P, 1994. Print.CrossRefGoogle Scholar
Andrews, Tom. “The Hemophiliac's Motorcycle.” Andrews, Hemophiliac's Motorcycle 39.Google Scholar
Baird, Joseph L., and Workman, Deborah S. Introduction. Toward Solomon's Mountain: The Experience of Disability in Poetry. Ed. Baird, and Workman, . Philadelphia: Temple UP, 1986. 39. Print.Google Scholar
Barounis, Cynthia. “Cripping Heterosexuality, Queering Able-Bodiedness: Murderball, Brokeback Mountain and the Contested Masculine Body.” Journal of Visual Culture 8.1 (2009): 5475. Print.CrossRefGoogle Scholar
Bolt, David. Introduction. Journal of Literary Disability 1.1 (2007): i–vi. Print.Google Scholar
Couser, G. Thomas. “Conflicting Paradigms: The Rhetorics of Disability Memoir.” Embodied Rhetorics: Disability in Language and Culture. Ed. Wilson, James C. and Lewiecki-Wilson, Cynthia. Carbondale: Southern Illinois UP, 2001. 7891. Print.Google Scholar
Couser, G. Thomas. Recovering Bodies: Illness, Disability, and Life Writing. Madison: U of Wisconsin P, 1997. Print.Google Scholar
Couser, G. Thomas. Signifying Bodies: Disability in Contemporary Life Writing. Ann Arbor: U of Michigan P, 2009. Print.CrossRefGoogle Scholar
Davidson, Michael. “Missing Larry: The Poetics of Disability in the Work of Larry Eigner.” Sagetrieb 18.1 (1999): 527. Print.Google Scholar
Davis, Lennard J. Enforcing Normalcy: Disability, Deafness, and the Body. London: Verso, 1995. Print.Google Scholar
Dolmage, Jay. “Between the Valley and the Field: Metaphor and Disability.” Prose Studies 27.1–2 (2005): 108–19. Print.Google Scholar
Dubus, Andre. Broken Vessels. Boston: Godine, 1991. Print.Google Scholar
Durgin, Patrick F.Post-language Poetries and Post-ableist Poetics.” Journal of Modern Literature 32.2 (2009): 159–84. Print.Google Scholar
Fine, Michelle, and Asch, Adrienne. “Beyond Pedestals.” Introduction. Women with Disabilities: Essays in Psychology, Culture, and Politics. Ed. Fine, and Asch, . Philadelphia: Temple UP, 1988. 137. Print.Google Scholar
Fries, Kenny. Anesthesia. Louisville: Avocado, 1996. Print.Google Scholar
Fries, Kenny. “Anesthesia.” Fries, Anesthesia 3.Google Scholar
Fries, Kenny. “Excavation.” Fries, Anesthesia 415.Google Scholar
Garland-Thomson, Rosemarie. Staring: How We Look. New York: Oxford UP, 2009. Print.Google Scholar
Hoagland, Tony. “Fear of Narrative and the Skittery Poem of Our Moment.” Poetry Mar. 2006: n. pag. Web. 13 Dec. 2010.Google Scholar
Kangaude, Godfrey. “Disability, the Stigma of Asexuality and Sexual Health: A Sexual Rights Perspective.” Review of Disability Studies 5.4 (2010): 2236. Print.Google Scholar
Keith, Lois, ed. “What Happened to You?”: Writing by Disabled Women. New York: New, 1996. Print.Google Scholar
Knipfel, Jim. Slackjaw. New York: Berkley, 1999. Print.Google Scholar
Kuppers, Petra. “Outsides: Disability Culture Nature Poetry.” Journal of Literary Disability 1.1 (2007): 2233. Print.CrossRefGoogle Scholar
Kuppers, Petra. “Performing Determinism: Disability Culture Poetry.” Text and Performance Quarterly 27.2 (2007): 89106. Print.CrossRefGoogle Scholar
Kuppers, Petra. The Scar of Visibility: Medical Performances and Contemporary Art. Minneapolis: U of Minnesota P, 2007. Print.Google Scholar
McRuer, Robert. “As Good As It Gets: Queer Theory and Critical Disability.” GLQ 9.1–2 (2003): 79105. Print.CrossRefGoogle Scholar
McRuer, Robert. “Compulsory Able-Bodiedness and Queer/Disabled Existence.” Disability Studies: Enabling the Humanities. Ed. Snyder, Sharon L., Brueggemann, Brenda Jo, and Garland-Thomson, Rosemarie. New York: MLA, 2002. 8899. Print.Google Scholar
McRuer, Robert. Crip Theory: Cultural Signs of Queerness and Disability. New York: New York UP, 2006. Print.Google Scholar
Melancon, Michael L.‘A River That No One Can See’: Body, Text, and Environment in the Poetry of Stephen Kuusisto.” Journal of Literary and Cultural Disability Studies 3.2 (2009): 183–94. Print.Google Scholar
Mitchell, David T., and Snyder, Sharon L. Narrative Prosthesis: Disability and the Dependencies of Discourse. Ann Arbor: U of Michigan P, 2000. Print.Google Scholar
Murphy, Robert F. The Body Silent. New York: Norton, 1990. Print.Google Scholar
Price, Janet, and Shildrick, Margrit. “Bodies Together: Touch, Ethics and Disability.” Disability/Postmodernity: Embodying Disability Theory. Ed. Corker, Mairian and Shakespeare, Tom. London: Continuum, 2002. 6275. Print.Google Scholar
Raoul, Valerie, et al., eds. Unfitting Stories: Narrative Approaches to Disease, Disability, and Trauma. Waterloo: Wilfred Laurier UP, 2007. Print.Google Scholar
Sandahl, Carrie. “Bob Flanagan: Taking It like a Man.” Journal of Dramatic Theory and Criticism 15.1 (2000): 97104. Print.Google Scholar
Sandahl, Carrie, and Auslander, Philip, eds. Bodies in Commotion: Disability and Performance. Ann Arbor: U of Michigan P, 2005. Print.CrossRefGoogle Scholar
Schweik, Susan. “Josephine Miles's Crip(t) Words: Gender, Disability, ‘Doll.‘Journal of Literary Disability 1.1 (2007): 4960. Print.CrossRefGoogle Scholar
Shakespeare, Tom. “Cultural Representations of Disabled People: Dustbins for Disavowal.” Disability and Society 9.3 (1994): 283–99. Print.Google Scholar
Shakespeare, Tom. “The Sexual Politics of Disabled Masculinity.” Sexuality and Disability 17.1 (1999): 5364. Print.CrossRefGoogle Scholar
Shildrick, Margrit. Dangerous Discourses of Disability, Subjectivity, and Sexuality. New York: Palgrave, 2009. Print.CrossRefGoogle Scholar
Shuttleworth, Russell P.Disabled Masculinity: Expanding the Masculine Repertoire.” Gendering Disability. Ed. Smith, Bonnie G. and Hutchison, Beth. New Brunswick: Rutgers UP, 2004. 166–78. Print.Google Scholar
Shuttleworth, Russell P.Symbolic Contexts, Embodied Sensitivities, and the Lived Experience of Sexually Relevant Interpersonal Encounters for a Man with Severe Cerebral Palsy.” Semiotics and Dis/ability. Ed. Rogers, Linda J. and Swadener, Beth Blue. Albany: State U of New York P, 2001. 7595. Print.Google Scholar
Siebers, Tobin. Disability Theory. Ann Arbor: U of Michigan P, 2008. Print.CrossRefGoogle Scholar
Skloot, Floyd. Music Appreciation. Gainesville: UP of Florida, 1994. Print.Google Scholar
Skloot, Floyd. “Music Appreciation.” Skloot, Music 67.Google Scholar
Skloot, Floyd. “The Resort.” Skloot, Music 8990.Google Scholar
Skloot, Floyd. “Sapphire Fandango.” Skloot, Music 6061.Google Scholar
Skloot, Floyd. “Saying What Needs to Be Said.” Skloot, Music 8182.Google Scholar
Skloot, Floyd. “A Softer Place.” Skloot, Music 70.Google Scholar
Skloot, Floyd. “The Stagger.” Skloot, Music 53.Google Scholar
Skloot, Floyd. “The Virus.” Skloot, Music 7374.Google Scholar
Skloot, Floyd. “Wild Light.” Skloot, Music 3536.Google Scholar
Tepper, Mitchell S.Letting Go of Restrictive Notions of Manhood: Male Sexuality, Disability and Chronic Illness.” Sexuality and Disability 17.1 (1999): 3752. Print.CrossRefGoogle Scholar
Torrell, Margaret Rose. “From India-Rubber Back to Flesh: A Re-evaluation of Male Embodiment in Jane Eyre.” The Madwoman and the Blindman: Jane Eyre, Discourse, Disability. Ed. David Bolt, Julia Miele Rodas, and Elizabeth J. Donaldson. Ohio State UP, forthcoming 2012. Print.Google Scholar
Torrell, Margaret Rose. “On Nancy's Husband George: Masculinity, Disability, and Sex after Cancer.” On the Literary Nonfiction of Nancy Mairs: A Critical Anthology. Ed. Johnson, Merri Lisa and Mintz, Susannah B. New York: Palgrave, 2011. 97114. Print.CrossRefGoogle Scholar
Wendell, Susan. The Rejected Body: Feminist Philosophical Reflections on Disability. New York: Routledge, 1994. Print.Google Scholar