Notes on Contributors
Notes on Contributors
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- 24 May 2012, p. 1
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Notes on Article Contributors
Contributors
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- 08 January 2013, pp. 175-176
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Research Article
Haydn's (?) Cello Concertos, 1860-1930: Editions, Performances, Reception
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- 08 January 2013, pp. 177-211
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Introduction
Theoretical and Critical Contexts in Nineteenth-century Performance Practice
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- 24 May 2012, pp. 3-5
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Research Article
Moot point: Editing Poetry and Punctuation in Fauré's Early Songs
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- 08 January 2013, pp. 213-235
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‘Phrasing – the Very Life of Music’1: Performing the Music and Nineteenth-Century Performance Theory
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- 24 May 2012, pp. 7-30
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Empiricism, Ideology and William Crotch's Specimens
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- 08 January 2013, pp. 237-253
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Practice and Principle: Perspectives upon the German ‘Classical’ School of Violin Playing in the Late Nineteenth Century
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- 24 May 2012, pp. 31-52
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‘The Most Interesting Genre of Music’:1 Performance, Sociability and Meaning in the Classical String Quartet, 1800–1830
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- 24 May 2012, pp. 53-74
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Miscellany and Collegiality in the British Periodical Press: The Harmonicon (1823–1833)
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- 08 January 2013, pp. 255-293
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Sullivan, Scott and Ivanhoe: Constructing Historical Time and National Identity in Victorian Opera
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- 08 January 2013, pp. 295-321
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‘Labyrinthine Pathways and Bright Rings of Light’: Hoffmann's Aesthetics of Music in Performance
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- 24 May 2012, pp. 75-92
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Book Reviews
Marco Beghelli and Raffaele Talmelli, Ermafrodite armoniche (Varese: Zecchini Editore, 2011). vii+216 pp+CD. €25.00.
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- 08 January 2013, pp. 323-325
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Candace Bailey, Music and the Southern Belle: From Accomplished Lady to Confederate Composer (Carbondale, IL: Southern Illinois University Press, 2010). xvi+256 pp. $29.95.
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- 24 May 2012, pp. 93-96
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Scott Burnham, Sounding Values: Selected Essays (Farnham, UK: Ashgate, 2010). xviii+328 pp. £85.00.
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- 24 May 2012, pp. 97-101
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Florence Gétreau, ed. Musique–Images–Instruments N° 11: Le pianoforte en France 1780–1820 (Paris: CNRS Éditions, 2009). 286 pp. 35€.
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- 08 January 2013, pp. 326-331
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David Damschroder, Harmony in Schubert (Cambridge Cambridge University Press, 2010). xii+321. $99.00.
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- 24 May 2012, pp. 101-106
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Rachel Cowgill, David Cooper, Clive Brown, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton (Woodbridge, UK: Boydell & Brewer, 2010). xv+413 pp. £60.00.
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- 08 January 2013, pp. 332-336
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Andrew Davis, Il Trittico, Turandot, and Puccini's Late Style (Bloomington, IN: Indiana University Press, 2010). xiii+309 pp. $39.95.
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- 08 January 2013, pp. 336-340
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Vincent Giroud. French Opera: a short history ( New Haven Yale University Press, 2010). x+366 pp. $40.00.
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- 24 May 2012, pp. 107-110
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