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Introduction

Published online by Cambridge University Press:  09 December 2016

Jeremy Dibble
Jeremy Dibble*
Affiliation:
Durham University Email: jeremy.dibble@durham.ac.uk
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Type
Introduction
Information
Nineteenth-Century Music Review , Volume 13 , Issue 2 , December 2016 , pp. 169 - 172
Copyright
© Cambridge University Press 2016 

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References

1 Sterndale Bennett, J. R., The Life of William Sterndale Bennett (Cambridge: University Press, 1907), i Google Scholar.

2 Walker, E., A History of Music in England (Oxford: Clarendon Press, 1907), 280 Google Scholar.

3 Stanford, C. V., ‘William Sterndale Bennett: 1816–1875’, The Musical Quarterly 2/4 (Oct. 1916), 628–657 CrossRefGoogle Scholar.

4 Stanford, ‘William Sterndale Bennett: 1816–1875’, 632.

5 Thompson, H., ‘The Cambridge Festival of British Music’, The Musical Times lxiv (July 1923), 489 Google Scholar.

6 Howes, F., The English Musical Renaissance (London: Secker & Warburg, 1966), 39 Google Scholar.

7 Newman, W. S., The Sonata Since Beethoven (Chapel Hill, NC: University of North Carolina Press, 1969), 577 Google Scholar.

8 Bush, G., ‘Sterndale Bennett: The Piano Works’, PRMA (1964–1965), 85–97 Google Scholar.

9 See Bush, G., ‘Sterndale Bennett: A Note on His Chamber and Piano Music’, The Musical Times cxiii (June 1972), 554–556 CrossRefGoogle Scholar and ‘Sterndale Bennett and the Orchestra’, The Musical Times cxxvii (June 1986), 322–324.

10 Bush, G. (ed.), Sterndale Bennett: Selected Piano and Chamber Music, Music Britannica Vol. 37 (London: Stainer & Bell, 1972)Google Scholar.

11 See Temperley, N., ‘Domestic Music in England’, PRMA (1958–1959), 31–47 Google Scholar, ‘Mozart’s Influence on English Music’, Music & Letters 42/4 (Oct. 1961), 307–318 and ‘Mendelssohn’s Influence on English Music’, Music & Letters 43/3 (July 1962), 224–233.

12 See Temperley, N., ‘Sterndale Bennett and the Lied’, The Musical Times, cxvi (Nov. 1975), 958–961 CrossRefGoogle Scholar and (Dec. 1975), 1060–1063 and ‘Schumann and Sterndale Bennett’, Nineteenth-Century Music 12/3 (Spring 1989), 207–220.

13 Bush, G. and Temperley, N. (eds), English Songs 1800–1860, Musica Britannica Vol. 43 (London: Stainer & Bell, 1979)Google Scholar.

14 See Temperley, N. (ed.), William Sterndale Bennett: Three Symphonies, Vol. 7 The Symphony 1720–1840 (New York: Garland, 1982)Google Scholar; The Overture in England 1800–1840 (New York: Garland, 1984); William Sterndale Bennett: Works for Pianoforte Solo 1834–1876, Vol. 18 The London Pianoforte School 1766–1860 (Garland: New York, 1985).

15 Outhwaite, M., ‘The Unpublished Concerto for Pianoforte and Orchesta in F minor by William Sterndale Bennett’ (MMus dissertation, University of Reading, 1990)Google Scholar.

16 Williamson, R., ‘William Sterndale Bennett (1816–75) and His Publishers: Some Aspects of the Production of Music in Mid-Nineteenth-Century England’ (PhD dissertation, University of Nottingham, 1995)Google Scholar.

17 Temperley, N. (ed.) with Yang, Yunchung, Lectures on Musical Life: William Sterndale Bennett (Woodbridge: Boydell Press, 2006), 1 Google Scholar.

18 See Horton, P., ‘William Sterndale Bennett, Composer and Pianist’, in The Piano in Nineteenth-Century British Culture, ed. T. Ellsworth and S. Wollenberg (Aldershot: Ashgate, 2007), 119–148 Google Scholar.