Hostname: page-component-76fb5796d-2lccl Total loading time: 0 Render date: 2024-04-25T10:32:08.967Z Has data issue: false hasContentIssue false
  • English
  • Français

Gottschalk and Cuba - Antonio Iturrioz pf Steinway & Sons 30102, 2018 (1 CD: 74 minutes)

Review products

Antonio Iturrioz pf Steinway & Sons 30102, 2018 (1 CD: 74 minutes)

Published online by Cambridge University Press:  20 March 2020

Laura Moore Pruett
Laura Moore Pruett*
Affiliation:
Merrimack CollegePruettL@merrimack.edu
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
CD Review
Information
Nineteenth-Century Music Review , Volume 18 , Special Issue 1: The Digital Humanities and Nineteenth-Century Music , April 2021 , pp. 169 - 171
Check for updates
Copyright
Copyright © Cambridge University Press, 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Gottschalk, Louis Moreau, Notes of a Pianist, ed. Behrend, Jeanne (New York: Knopf, 1964): 34–6Google Scholar.

2 See, for example, Starr's own discussion of the symphony in Starr, S. Frederick, Bamboula! The Life and Times of Louis Moreau Gottschalk (New York: Oxford, 1995): 284–7Google Scholar, as well as Shadle, Douglas, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (New York: Oxford, 2015): 137–57CrossRefGoogle Scholar.

3 For an excellent overview of the Cuban contradanza tradition, including portraits of Saumell, Gottschalk, Cervantes and Lecuona, see Manuel, Peter, ‘Cuba: From Contradanza to Danzón’, in Creolizing Contradance in the Caribbean, ed. Manuel, Peter (Philadelphia: Temple University Press, 2009): 51–112Google Scholar.