Research Article
Disrupting the Quotidian: Hoaxes, Fires, and Non-theatrical Performance in Nineteenth-century London
- Published online by Cambridge University Press: 01 February 2013, pp. 3-12
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“Royal Pierrots” and “White Coons”: the British Pierrot Troupe in the Racial and National Imaginary
- Published online by Cambridge University Press: 29 April 2013, pp. 107-120
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‘The Artist is the Hero of the Story’: Harold Pinter's Moonlight as a Case Study in Reception
- Published online by Cambridge University Press: 31 July 2013, pp. 209-219
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Artificial, Animal, Machinal: Body, Desire, and Intimacy in Modernist and Postmodernist Theatre
- Published online by Cambridge University Press: 04 November 2013, pp. 311-320
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A Conversation on The Wooster Group's Hamlet
- Published online by Cambridge University Press: 29 April 2013, pp. 121-131
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Headphone Verbatim Theatre: Methods, Histories, Genres, Theories
- Published online by Cambridge University Press: 04 November 2013, pp. 321-335
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Creative State / Flow State: Flow Theory in Stanislavsky's Practice
- Published online by Cambridge University Press: 01 February 2013, pp. 13-23
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No Boundaries Here: Brecht, Lauwers, and European Theatre after Postmodernism
- Published online by Cambridge University Press: 31 July 2013, pp. 220-232
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Using Stanislavsky's Toolkit for Shakespeare's Richard III, Part I: Research on the Text and the Play
- Published online by Cambridge University Press: 01 February 2013, pp. 24-34
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Memorialization, Memorabilia, and the Mediated Afterlife of Ada Reeve
- Published online by Cambridge University Press: 29 April 2013, pp. 132-145
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The Alchemy of Rasa in the Performer–Spectator Interaction
- Published online by Cambridge University Press: 04 November 2013, pp. 336-348
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A Conversation on The Wooster Group's Troilus and Cressida with the RSC
- Published online by Cambridge University Press: 31 July 2013, pp. 233-246
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Performing Wagner for the Twenty-First Century
- Published online by Cambridge University Press: 04 November 2013, pp. 349-359
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Others, Spectatorship, and the Ethics of Verbatim Performance
- Published online by Cambridge University Press: 29 April 2013, pp. 146-158
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Ugliness and Beauty: the Politics of Landscape in Walter Greenwood's Love on the Dole
- Published online by Cambridge University Press: 01 February 2013, pp. 35-47
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‘Yours Neutrally, Habitational Action’: Performance between Theatre and Dance
- Published online by Cambridge University Press: 31 July 2013, pp. 247-263
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‘The Dead are Still Looking at Us’: Harold Pinter, the Spectral Face, and Human Rights
- Published online by Cambridge University Press: 04 November 2013, pp. 360-369
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To Perform Nascent Knowledge: Perceptual Constructs and Meanings in Sankai Juku's Shijima
- Published online by Cambridge University Press: 31 July 2013, pp. 264-277
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Framing the Drift and Drifting the Frame: Walking with Wrights & Sites
- Published online by Cambridge University Press: 01 February 2013, pp. 48-60
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Using Stanislavsky's Toolkit for Shakespeare's Richard III, Part II: Research on the Self in the Play
- Published online by Cambridge University Press: 29 April 2013, pp. 159-169
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