Since 1634 the villagers of Oberammergau have kept their bargain with God to present a Passion Play every ten years in gratitude for their deliverance from the Plague. It is now staged every decennial year, most recently in 1990, and the single performance that long sufficed has now multiplied to almost a hundred – still not enough to meet the demand for tickets for this internationally-renowned event, which is at once a tourist attraction and, for the Christian, an affirmation of faith. Glenn Loney, theatre journalist and teacher from New York, has had an acquaintance with the play since 1958, and here places the event in its historical and present social context, analyzes the most recent production in terms both of its management and its staging, and describes the controversies which continue to surround it, from the practical problems of an uncompromising dramaturgy to the charges of anti-semitism which are still levelled against a play once defended by Hitler himself against the disfavour of his Nazi cohorts.