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Gender and memory in the films of Tomris Giritlioğlu and Yeşim Ustaoğlu

Published online by Cambridge University Press:  30 December 2015

Pelin Başcı
Pelin Başcı*
Affiliation:
Department of World Languages and Literatures, Portland State University, PO BOX 751, Portland, OR 97207-0751, USA, bascik@pdx.edu
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Abstract

This article offers a critical reading, from the perspective of gender studies, of films produced in the politically charged environment of the 1990s and 2000s by directors Tomris Giritlioğlu and Yeşim Ustaoğlu. Giritlioğlu’s Ms. Salkım’s Diamonds (Salkım Hanımın Taneleri, 1999) and Autumn Pain (Güz Sancısı, 2008) were based on Yılmaz Karakoyunlu’s novels Salkım Hanım’ın Taneleri (1990) and Güz Sancısı (1992), while Ustaoğlu’s Waiting for the Clouds (Bulutları Beklerken, 2004) was inspired by Yorgo Andreadis’ biography, Tamama (1993). The films claim artistic license in presenting individual stories, yet they embellish their representation through documentary footage about silenced historical traumas, depicting female subjects as the store of traumatic national memories, such as the exodus of Pontic Greeks in 1916, the anti-minority Wealth Tax of 1942, and the anti-Greek pogroms of 1955. Underscoring Julia Kristeva’s notion of the “feminine” as a crucial aspect of these films, this article traces two strategies used by the directors: (1) recording personal stories in order to complicate nationalist narratives and their appeal to essentialized identities, and (2) gendering trauma as female suffering inflicted by patriarchal authority. The article concludes that, regardless of their public positions to the contrary, the directors engage in feminist politics by questioning the relationship between women and the nation, by broaching issues of social justice, and by highlighting the hybridity of identities and plurality of cultures.

Keywords

Women directorscinemaTurkeyminoritiestraumamemorynationalismgenderhistory.
Type
Articles
Information
New Perspectives on Turkey , Volume 53 , November 2015 , pp. 137 - 171
Copyright
© New Perspectives on Turkey and Cambridge University Press 2015 

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Footnotes

Author’s Note: The author would like to thank Prof. Nezih Orhon for helping her access an important source.

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