Adhikari, Mohamed (2005). Not white enough, not black enough: Racial identity in the South African coloured community. Athens: University of Ohio Press.
Agha, Asif (2005). Voice, footing, enregisterment. Journal of Linguistic Anthropology 15:38–59.
Agha, Asif (2007). Language and social relations. Cambridge: Cambridge University Press.
Agha, Asif (2011a). Commodity registers. Journal of Linguistic Anthropology 21:22–53.
Agha, Asif (2011b). Meet mediatization. Language & Communication 31:163–70.
Akita, Kimiko (2005). Cuteness: The sexual commodification of women in the Japanese media. In Carilli, Theresa & Campbell, Jane (eds.), Women and the media: Diverse perspectives, 44–57. Oxford: University Press of America.
Alim, H. Samy (2004). Hip hop nation language. In Finegan, Edward & Rickford, John (eds.), Language in the USA: Themes for the twenty-first century, 387–409. Cambridge: Cambridge University Press.
Allison, Anne (2003). Portable monsters and commodity cuteness: Pokémon as Japan's new global power. Postcolonial Studies 6:381–95.
Allison, Anne (2006). Millennial monsters: Japanese toys and global imagination. Berkeley: University of California Press.
Badprop, Angola (2010). Netting an audience. The Media, June 24–28.
Bakhtin, Mikhail (1965). Rabelais and his world. Bloomington: Indiana University Press.
Bakhtin, Mikhail (1981). The dialogic imagination: Four essays. Austin: University of Texas Press.
Bakhtin, Mikhail (1984). Problems in Dostoevsky's poetics. Minneapolis: University of Minnesota Press.
Ballantine, Christopher (2004). Re-thinking ‘whiteness’? Identity, change, and ‘white’ popular music in post-apartheid South Africa. Popular Music 23:105–31.
Ballard, Richard (2004). Assimilation, emigration, semigration, and integration: ‘White’ people's strategies for finding a comfort zone in post-apartheid South Africa. In Distiller, Natasha & Steyn, Melissa (eds.), Under construction: ‘Race’ and identity in South Africa today, 51–66. Johannesburg: Heinemann.
Barrett, Rusty (1999). Indexing polyphonous identity in the speech of African American Drag Queens. In Bucholtz, Mary, Liang, A. C., & Sutton, Laurel (eds.), Reinventing identities, 313–31. Oxford: Oxford University Press.
Bauman, Richard (1992). Performance. In Bauman, Richard (ed.), Folklore, cultural performances, and popular entertainments, 41–49. Oxford: Oxford University Press.
Bauman, Richard (2004). A world of others’ words: Cross-cultural perspectives on inter-textuality. Oxford: Blackwell.
Bauman, Richard (2005). Commentary: Indirect indexicality, identity, performance: Dialogic observations. Journal of Linguistic Anthropology 15:145–50.
Bauman, Richard (2011). Commentary: Foundations in performance. Journal of Sociolinguistics 15:707–20.
Bekker, Ian, & Levon, Erez (2017). The embedded indexical value of /s/-fronting in Afrikaans and White South African English. Linguistics 55:1109–39.
Bell, Allan, & Gibson, Andy (2011). Staging language: An introduction to the sociolinguistics of performance. Journal of Sociolinguistics 15:555–72.
Bentley, Kristina, & Habib, Adam (2008). Racial redress, national identity & citizenship in post-apartheid South Africa. In Bentley, Kristina & Habib, Adam (eds.), Racial redress and citizenship in South Africa, 3–32. Cape Town: HSRC Press.
Blaser, Thomas, & van der Westhuizen, Christi (2012). The paradox of post-apartheid ‘Afrikaner’ identity: Deployments of ethnicity and neo-liberalism. African Studies 71:380–90.
Brickell, Chris (2005). Masculinities, performativity and subversion: A sociological reappraisal. Men and Masculinities 8:24–43.
Bucholtz, Mary (2011). Race and the re-embodied voice in Hollywood film. Language & Communication 31:255–65.
Bucholtz, Mary, & Lopez, Quiana (2011). Performing blackness, forming whiteness: Linguistic minstrelsy in Hollywood film. Journal of Sociolinguistics 15:680–706.
Butler, Judith (1993). Critically queer. In Bodies that matter: On the discursive limits of sex, 223–42. London: Routledge.
Chun, Elaine (2004). Ideologies of legitimate mockery: Margaret Cho's revoicing of Mock Asian. Pragmatics 14:263–89.
Chun, Elaine (2007) The meaning of mocking: Stylizations of Asians and preps at a US high school. Austin: University of Texas at Austin dissertation.
Chun, Elaine (2009). Speaking like Asian immigrants: Intersections of accommodation and mocking at a US High School. Pragmatics 19:17–38.
Clarke, Sandra, & Hiscock, Philip (2009). Hip-hop in a post-insular community: Hybridity, local language, and authenticity in an online Newfoundland rap group. Journal of English Linguistics 37:241–61.
Coetzee, Stef (2008). Skep só ‘n tuiste vir almal [This is how to create a home for everyone]. Rapport, November 4.
Comaroff, John, & Comaroff, Jean (2009). Ethnicity, Inc. Chicago: University of Chicago Press.
Coupland, Nikolas (2001). Language, situation and the relational self: Theorizing dialect-style in sociolinguistics. In Eckert, Penelope & Rickford, John (eds.), Style and sociolinguistic variation, 185–210. New York: Cambridge University Press.
Coupland, Nikolas (2007). Style: Language variation and identity. Cambridge: Cambridge University Press.
Coupland, Nikolas (2011). Voice, place and genre in popular song performance. Journal of Sociolinguistics 15:573–602.
Davies, Rebecca (2009). Afrikaners in the new South Africa: Identity politics in a globalized economy. London: Taurus Academic Studies.
Dentith, Simon (2000). Parody. London: Routledge.
de Villiers, Marq (1987). White tribe dreaming: Apartheid's bitter roots as witnessed by eight generations of an Afrikaner family. London: Penguin.
Du Bois, John (2007). The stance triangle. In Englebretson, Robert (ed.), Stancetaking in discourse, 139–82. Amsterdam: John Benjamins.
Dubow, Saul (1992). Afrikaner nationalism, apartheid and the conceptualization of ‘race’. The Journal of African History 33:209–37.
du Preez, Amanda (2011). Die Antwoord gooi zef liminality: Of monsters, carnivals and affects. Image & Text 17:102–18.
Eastman, Jason, & Schrock, Douglas (2008). Southern rock musicians’ constructions of white trash. Race, Gender & Class 15:205–19.
Fredrickson, George (1981). White supremacy: A comparative study of American and South African history. Oxford: Oxford University Press.
Gal, Susan (2009). Perspective and the politics of representation: A commentary. In Reyes, Angela & Lo, Adrienne (eds.), Beyond Yellow English: Toward a linguistic anthropology of Asian Pacific America, 325–28. Oxford: Oxford University Press.
Gal, Susan (2016). Sociolinguistic differentiation. In Coupland, Nikolas (ed.), Sociolinguistics: Theoretical debates, 113–35. Cambridge: Cambridge University Press.
Gibson, Andy (2011). Flight of the Conchords: Recontextualizing the voices of popular culture. Journal of Sociolinguistics 15:603–26.
Giliomee, Hermann (2003). The Afrikaners: Biography of a people. Cape Town: Tafelberg.
Goffman, Erving (1961). Encounters: Two studies in the sociology of interaction. Indianapolis: Bobbs-Merrill.
Goffman, Erving (1974). Frame analysis. Cambridge, MA: Harper and Row.
Goldberg, David (1993). Racist culture: Philosophy and the politics of meaning. Oxford: Blackwell.
Goodrich, Andre (2015). Biltong hunting as a performance of belonging in post-apartheid South Africa. Lanham, MD: Lexington Books.
Hastings, Adi, & Manning, Paul (2004). Introduction: Acts of alterity. Language & Communication 24:291–311.
Haupt, Adam (2012). Static: Race and representation in post-apartheid music, media and film. Cape Town: HSRC Press.
Haupt, Adam (2013). Citizenship without representation? Blackface, misogyny and parody in Die Antwoord, Lupé Fiasco and Angel Haze. Communicatio 39:466–82.
Heavner, Brent (2007). Liminality and normative whiteness: A critical reading of poor white trash. Ohio Communication Journal 45:65–80.
Hill, Jane (1998). Language, race and white public space. American Anthropologist 100:680–89.
Hunter, Margaret (2011). Shake it, baby, shake it: Consumption and the new gender relation in hip hop. Sociological Perspectives 54:15–36.
Hunter, Margaret, & Soto, Kathleen (2009). Women of color in hip hop: The pornographic gaze. Race, Gender & Class 16:170–91.
Hutcheon, Linda (1985). A theory of parody: The teachings of twentieth-century art forms. Champaign: University of Illinois Press.
Hymes, Dell (1974). Foundations in sociolinguistics: An ethnographic approach. Philadelphia: University of Pennsylvania Press.
Jaffe, Alexandra (2000). Comic performance and the articulation of hybrid identity. Pragmatics 10:39–59.
Jaffe, Alexandra (2009a). Indeterminacy and regularization: A process-based approach to the study of sociolinguistic variation and language ideologies. Sociolinguistic Studies 3:229–51.
Jaffe, Alexandra (2009b). Introduction: The sociolinguistics of stance. In Jaffe, Alexandra (ed.), Stance: Sociolinguistic perspectives, 3–28. Oxford: Oxford University Press.
Jaffe, Alexandra (2015). Staging language on Corsica: Stance, improvisation, play, and heteroglossia. Language in Society 44:161–86.
Jaffe, Alexandra (2016). Indexicality, stance and fields in sociolinguistics. In Coupland, Nikolas (ed.), Sociolinguistics: Theoretical debates, 86–112. Cambridge: Cambridge University Press.
Jaffe, Alexandra; Koven, Michèle; Perrino, Sabine; & Vigouroux, Cécile (2015). Introduction: Heteroglossia, performance, power and participation. Language in Society 44:135–39.
Kinsella, Sharon (1995). Cuties in Japan. In Moeran, Brian & Scov, Lise (eds.), Women, media and consumption in Japan, 220–54. Honolulu: University of Hawai'i Press.
Kinsella, Sharon (2002). What's behind the fetishism of Japanese school uniforms? Fashion Theory 6:215–37.
Kreuger, Anton (2012). Zef/poor white kitsch chique: Die Antwoord's comedy of degradation. Safundi: The Journal of South African and American Culture 13:399–408.
Labrador, Roderick (2004). ‘We can laugh at ourselves’: Hawai'i ethnic humor, local identity and the myth of multiculturalism. Pragmatics 14:291–316.
Lempert, Michael (2014). Imitation. Annual Review of Anthropology 43:379–95.
Linde, Charlotte (1993). Life stories: The creation of coherence. Oxford: Oxford University Press.
Lloyd, Moya (1999). Performativity, parody, politics. Theory, Culture & Society 16(2):195–213.
Lloyd, Moya (2007). Radical democratic activism and the politics of resignification. Constellations 14:129–46.
Lott, Eric (1993). Love and theft: Blackface minstrelsy and the American working class. Oxford: Oxford University Press.
Marx, Hannelie, & Milton, Viola (2011). Bastardised whiteness: ‘Zef’ culture, Die Antwoord and the reconfiguration of contemporary Afrikaans identities. Social Identities: Journal for the Study of Race, Nation and Culture 17:723–45.
Marx, Hannelie, & Milton, Viola (2014). Musical Parody, ‘zef’, and the politics of belonging: ‘Dankie vir die antwoord maar wat was die vraag?’. Muziki: Journal of Music Research in Africa 11:19–37.
McClintock, Anne (1993). Family feuds: Gender, nationalism and the family. Feminist Review 44:61–80.
Morson, Gary (1989). Parody, history, metaparody. In Morson, Gary & Emerson, Caryl (eds.), Rethinking Bakhtin: Extensions and challenges, 63–86. Evanston: Northwestern University Press.
Norval, Aletta (1996). Deconstructing apartheid discourse. London: Verso.
Pietikäinen, Sari (2013). Multilingual dynamics in Sámiland: Rhizomatic discourses on changing language. International Journal of Bilingualism 19:206–25.
Pietikäinen, Sari (2016). Critical debates: Discourses, boundaries and social change. In Nikolas Coupland (ed.), Sociolinguistics: Theoretical debates, 263–81. Cambridge: Cambridge University Press.
Pretorius, Deidre (2013). The visual representation of masculinities in Huisgenoot Tempo magazine. Communicato 39:210–32.
Rampton, Ben (1995). Crossing: Language and ethnicity among adolescents. London: Longman.
Rampton, Ben (2006). Language in late modernity: Interaction in an urban school. Cambridge: Cambridge University Press.
Schutte, Gerhard (1995). What racists believe. London: SAGE.
Scott, Claire (2012). Die Antwoord and a delegitimised South African Whiteness: A potential counter-narrative? Critical Arts 26:745–61.
Scott, James (2012). Infrapolitics and mobilizations: A response. Revue Française d’Études Américaines 131:112–17.
Smitherman, Geneva (2006). Word from the mother: Language and African Americans. London: Routledge.
Sonnekus, Theo (2017). Hip Afrikaners and neo-tribalism in post-apartheid South Africa. Critical Arts 31(4):18–36.
Steyn, Melissa (2001). ‘Whiteness just isn't what it used to be’: White identity in a changing South Africa. Albany, NY: SUNY Press.
Steyn, Melissa (2004). Rehabilitating a whiteness disgraced: Afrikaner ‘white talk’ in post-apartheid South Africa. Communication Quarterly 52:143–69.
Steyn, Melissa (2005). ‘White talk’: White South Africans and the management of diasporic whiteness. In Alfred Lopez (ed.), Postcolonial whiteness: A critical reader on race and empire, 119–35. Albany, NY: SUNY Press.
Steyn, Melissa (2014). De La Rey, De La Rey, De La Rey: Invoking the Afrikaner ancestors. Thamyris/Intersecting 27:133–56.
Steyn, Melissa, & Foster, Don (2008). Repertoires for talking white: Resistant whiteness in post-apartheid South Africa. Ethnic and Racial Studies 31:25–51.
van der Westhuizen, Christi (2007). White power and the rise and fall of the National Party. Cape Town: Zebra Press.
Visser, Wessel (2004). Coming to terms with the past and present: Afrikaner experience of and reaction to the ‘new’ South Africa. Lecture presented at the Centre of African Studies, University of Copenhagen.
Wells, John (1982). Accents of English. Cambridge: Cambridge University Press.
Williams, Quentin (2016). Youth multilingualism in South Africa's hip-hop culture: A metapragmatic analysis. Sociolinguistic Studies 10:109–33.
Williams, Quentin, & Stroud, Christopher (2014). Battling the race: Stylizing language and coproducing whiteness and colouredness in a freestyle rap performance. Journal of Linguistic Anthropology 24:277–93.
Wissing, Daan (2009). Het jou môen jou pô ‘n strôndhuis by hartenbôs? Feit of fiksie? Southern African Linguistics and Applied Language Studies 24:87–100.