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“VITALIST RACISM” ON THE STAGE - Brian Roberts. Blackface Nation: Race, Reform and Identity in American Popular Music, 1812–1945. Chicago: University of Chicago Press, 2017. 385 pp. $30.00 (paper), ISBN 9-780-226-45164-0.

Published online by Cambridge University Press:  27 April 2018

Marvin McAllister
Marvin McAllister*
Affiliation:
University of South Carolina
*
mcal@sc.edu
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Type
Book Reviews
Information
The Journal of the Gilded Age and Progressive Era , Volume 17 , Issue 2 , April 2018 , pp. 428 - 430
Copyright
Copyright © Society for Historians of the Gilded Age and Progressive Era 2018 

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References

NOTES

1 Bonilla-Silva, Eduardo, Racism Without Racists: Color-Blind Racism and the Persistence of Racial Inequality in the United States (Lanham, MD: Rowman and Littlefield, 2003), 8Google Scholar.

2 Jones, Douglas A. Jr., The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North (Ann Arbor: University of Michigan, 2014), 68Google Scholar.

3 Lott, Eric, Love and Theft: Blackface Minstrelsy and the American Working Class (New York: Oxford University Press, 1993)Google Scholar.