Article contents
Postmodernity and postcommunism
Published online by Cambridge University Press: 13 July 2009
Abstract
Generalizing between postmodernity and postmodernism is of doubtful value. The shift from communism to postcommunism has led to a decline, or different significance, of postmodernism in Eastern Europe.
- Type
- Mini-Focus: Postmodernism
- Information
- Copyright
- Copyright © Academia Europaea 1998
References
2. See Szegedy-Maszák, Zoltán (1997) http://.c3.hu/cryptogram. Magyar Mûhely 102 (Spring 1997), 58–60.Google Scholar
3.Jameson, F. (1991) Postmodernism, or, The Cultural Logic of Late Capitalism (London and New York: verso).Google Scholar
4.Kosuth, J. (1991) Art after Philosophy and After: Collected Writings, 1966–1990 (Cambridge, MA: MIT), 118, 154, 70.Google Scholar
5.Biennale de Venezia, XLV, Espozitione Internazionale d'Arte Padiglinone d'Ungheria 1993, 105.Google Scholar
6.Lukács, G. (1981) Die Eigenart des Aesthetischen, vol. I (Berlin und Weimar: Aufbau), 779.Google Scholar
7.Suleiman, S. R. (1997) The politics of postmodernism after the wall. In Bertens, H. and Fokkema, D. (eds) International Postmodernism: Theory and Literary Practice (Amsterdam and Philadelphia: John Benjamins), 54.Google Scholar
8.Eagleton, T. (1997) The contradictions of postmodernism. New Literary History 28, 6.Google Scholar
9.Bertens, H. (1997) The debate on postmodernism. In H. Bertens and D. Fokkema, International Postmodernism: Theory and Literary Practice (Amsterdam and Philadelphia: John Benjamins), p. 11.CrossRefGoogle Scholar
12.Danto, A. C. (1997) After the End of Art: Contemporary and the Pale of History (Princeton, NJ: Princeton University Press), 49.Google Scholar
14.Fokkema, D. (1997) The semantics of literary postmodernism. In Bertens, H. and Fokkema, D. (eds) International Postmodernism: Theory and Literary Practice (Amsterdam and Philadelphia: John Benjamins), p. 28.Google Scholar
15.Ortega, J. (1997) Postmodernism in Spanish-American writing.In Bertens, H. and Fokkema, D. (eds) International Postmodernism: Theory and Literary Practice (Amsterdam and Philadelphia: John Benjamins), p. 315.Google Scholar
16.Danto, A. C. (1986) The Philosophical Disenfranchisement of Art (New York: Columbia University Press), p. xv.Google Scholar
17.Jauß, H. R. (1989) Studien zum Epochenwandel der aesthetischen Moderne (Frankfurt am Main: Suhrkamp), 276.Google Scholar
18.Danto, A. C. (1992) Beyond the Brillo Box in Post-Historical Perspective (New York: Farrar, Straus, Giroux), 123.Google Scholar
19.Hutcheon, L. (1988) A Poetics of Postmodernism: History, Theory, Fiction (New York and London: Routledge), p. 44.Google Scholar
20.Lu, S. Hsiao-peng (1997) Art, culture, and cultural criticism in post-new China. New Literary History 28, 119.Google Scholar
21.Szili, J. (1997) Barnás Ferenc: Az élősködő (A testiség eszkhatológiája). Kalligram, 09, 59–87.Google Scholar
- 1
- Cited by