Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
2002.
Recent Scholarship.
Journal of American History,
Vol. 89,
Issue. 3,
p.
1190.
Bakker, Gerben
2003.
Entertainment Industrialized: The Emergence of the International Film Industry, 1890–1940.
Enterprise and Society,
Vol. 4,
Issue. 4,
p.
579.
Bakker, Gerben
2003.
Entertainment Industrialized: The Emergence of the International Film Industry, 1890–1940.
Enterprise and Society,
Vol. 4,
Issue. 4,
p.
579.
Bakker, Gerben
2004.
Selling French Films on Foreign Markets: The International Strategy of a Medium-Sized Film Company.
Enterprise and Society,
Vol. 5,
Issue. 1,
p.
45.
Bakker, Gerben
2004.
Selling French Films on Foreign Markets: The International Strategy of a Medium-Sized Film Company.
Enterprise and Society,
Vol. 5,
Issue. 1,
p.
45.
SEDGWICK, JOHN
and
POKORNY, MICHAEL
2005.
The film business in the United States and Britain during the 1930s1.
The Economic History Review,
Vol. 58,
Issue. 1,
p.
79.
Sorenson, Olav
and
Waguespack, David
2005.
Social Networks and Exchange: Self-confirming Dynamics in Hollywood.
SSRN Electronic Journal,
BAKKER, GERBEN
2005.
The decline and fall of the European film industry: sunk costs, market size, and market structure, 1890–19271.
The Economic History Review,
Vol. 58,
Issue. 2,
p.
310.
Miskell, Peter
2006.
“Selling America to the World”? The Rise and Fall of an International Film Distributor in its Largest Foreign Market: United Artists in Britain, 1927–1947.
Enterprise and Society,
Vol. 7,
Issue. 4,
p.
740.
Sorenson, Olav
and
Waguespack, David M.
2006.
Social Structure and Exchange: Self-confirming Dynamics in Hollywood.
Administrative Science Quarterly,
Vol. 51,
Issue. 4,
p.
560.
Bakker, Gerben
2006.
The Making of a Music Multinational: PolyGram's International Businesses, 1945–1998.
Business History Review,
Vol. 80,
Issue. 1,
p.
81.
Miskell, Peter
2006.
“Selling America to the World”? The Rise and Fall of an International Film Distributor in its Largest Foreign Market: United Artists in Britain, 1927–1947.
Enterprise and Society,
Vol. 7,
Issue. 4,
p.
740.
POKORNY, MICHAEL
and
SEDGWICK, JOHN
2010.
Profitability trends in Hollywood, 1929 to 1999: somebody must know something1.
The Economic History Review,
Vol. 63,
Issue. 1,
p.
56.
Nicoli, Marina
2011.
Entrepreneurs and the State in the Italian Film Industry, 1919–1935.
Business History Review,
Vol. 85,
Issue. 4,
p.
775.
Bakker, Gerben
2012.
Adopting the rights-based model.
Popular Music History,
Vol. 6,
Issue. 3,
p.
307.
Merziger, Patrick
2013.
Americanised, Europeanised or nationalised? The film industry in Europe under the influence of Hollywood, 1927–1968.
European Review of History: Revue européenne d'histoire,
Vol. 20,
Issue. 5,
p.
793.
Tadajewski, Mark
and
Jones, D.G. Brian
2014.
Historical research in marketing theory and practice: a review essay.
Journal of Marketing Management,
Vol. 30,
Issue. 11-12,
p.
1239.
Feng, Guangchao Charles
2017.
The dynamics of the Chinese film industry: factors affecting Chinese audiences’ intentions to see movies.
Asia Pacific Business Review,
Vol. 23,
Issue. 5,
p.
658.
Miskell, Peter
2019.
The Routledge Companion to the Makers of Global Business.
p.
377.
Steimer, Lauren
2019.
A Companion to the Action Film.
p.
241.