RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp.
Published online by Cambridge University Press:
04 September 2002
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)