Hostname: page-component-8448b6f56d-xtgtn Total loading time: 0 Render date: 2024-04-16T11:41:06.741Z Has data issue: false hasContentIssue false

Kalbeliya Dance from Rajasthan: Invented Gypsy Form or Traditional Snake Charmers’ Folk Dance?

Published online by Cambridge University Press:  19 April 2017

Abstract

Since being listed as intangible cultural heritage by UNESCO in 2010, Kalbeliya dance from Rajasthan is now generally conceptualized as an ancient tradition from India. However, this same dance practice, also known as a form of “Indian Gypsy” or “snake charmers’” folk dance, appears to have originated as recently as the 1980s. This article gives an account of the swift development of Kalbeliya dance from its first appearance on stage in 1981 to the present. Ethnographic research with Kalbeliya dancers’ families has elucidated how this inventive dance practice was formed to fit into national and transnational narratives with the aim of commercializing it globally and of generating a new, lucrative livelihood for these Kalbeliya families. As a new cultural product of Rajasthani fusion, the dance finds itself at the crossroads of commercial tourism and political folklorism and is grounded in neo-orientalist discourses (romanticism and exoticism).

Type
Articles
Copyright
Copyright © Congress on Research in Dance 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Aiyar, Mani Shankar. 2011. Report of the Committee on Zonal Cultural Centres. New Delhi: Central Advisory Board on Culture (CABC).Google Scholar
Allen, Matthew Harp. 1998. “Tales Tunes Tell: Deepening the Dialogue between ‘Classical’ and ‘Non-Classical’ in the Music of India.” Yearbook for Traditional Music 30: 2252.Google Scholar
Angelillo, Maria. 2012. “Caste in the Making, Dance in the Making.” Cracow Indological Studies 14: 193213.Google Scholar
Angelillo, Maria. 2013. “Rethinking Resources: Service Nomadism Adjusted.” Communication & Culture Online 1: 7995. http://www.komunikacijaikultura.org/Spec1/KKSpec1Angelillo.pdf. Accessed February 17, 2017.Google Scholar
Anonymous folklorist-manager. 2010. Interviewed by the author in artist's restaurant. Ghent. September 18.Google Scholar
Bhabha, Homi K. 1994. The Location of Culture. London: Routlegde.Google Scholar
Bhanavat, Mahendra. 2004. Rājasthān Ke Loknṛtya. Udaipur: Muktak Prakashan.Google Scholar
Bharucha, Rustom. 2003. Rajasthan: An Oral History: Conversations with Komal Kothari. New Delhi: Penguin Books.Google Scholar
Chand, Attar. 1991. Rajiv Gandhi: His Mind and Ideology. Delhi: Gian Publishing House.Google Scholar
Dellal, Jasmine. 2006. When the Road Bends: Tales of a Gypsy Caravan. New York: Little Dust Productions.Google Scholar
Devi, Lakshmi. 2014. Interviewed by the author at interviewee's home, Jodhpur. January 2.Google Scholar
Dhoad Gypsies from Rajasthan. 2011. Festival Nomade, Bordeaux, France. September 9.Google Scholar
Dox, Donnalee. 2006. Dancing around Orientalism. TDR 50: 5271.Google Scholar
Dutt, Bahar. 2004. Biodiversity, Livelihood & the Law: The Case of the ‘Jogi-Nath’ Snake Charmers of India. New Delhi: Wildlife Trust of India.Google Scholar
Erdman, Joan L. 1996. “Rethinking the History of the ‘Oriental Dance’” In Moving Words: Re-Writing Dance, edited by Morris, Gay, 252–66. London and New York: Taylor & Francis.Google Scholar
Franklin, Michael J. 2006. Romantic Representations of British India. New York: Routledge.Google Scholar
Gatlif, Tony. 1993. Latcho Drom. France: Shadow Distribution.Google Scholar
Girgis, Mina. 2007. “The Problem with the Gypsy's Indian Origin in World Music.” Master's thesis, University of California.Google Scholar
Grodzins-Gold, Ann. 2011. “Awakening Generosity in Nath Tales from Rajasthan.” In Yogi Heroes and Poets: Histories and Legends of the Nāths, edited by Lorenzen, David N. and Muñoz, Adrian, 91108. Albany: State University of New York Press.Google Scholar
Gulabi Sapera and Thierry Robin . 2006. Virasat Festival, Jaipur, India, December 13.Google Scholar
Hancock, Ian, and Karanth, Dileep. 2010. Danger! Educated Gypsy: Selected Essays. Hertfordshire: University of Hertfordshire Press.Google Scholar
Heffner-Hayes, Michelle. 2009. Flamenco: Conflicting Histories of the Dance. Jefferson, NCand London: McFarland.Google Scholar
Higgins, Carter H. 2010. “Charming Images of History: Kalbeliya Memories of Itinerancy, Begging, and Snake Services.” Master's thesis, Cornell University.Google Scholar
Hobsbawm, Eric, and Ranger, Terence, eds. 1983. The Invention of Tradition. Cambridge: Cambridge University Press.Google Scholar
Hoerburger, Felix. 1968. “Once Again: On the Concept of ‘Folk Dance.’The Journal of the International Folk Music Council 2: 3032.Google Scholar
Jodh, Mohanlal. 2011. Kālbeliyā: Gīt aur Nṛtya. Jodhpur: Rajasthani Granthagar.Google Scholar
Joncheere, Ayla. 2015. “Intangible Inventions: Kalbeliya Gypsy Dance from recent Creation to UNESCO recognition.” Archiv Orientalni 83 (1): 7193.Google Scholar
Joncheere, Ayla, and Vandevelde, Iris. 2016. “Representing Rajasthani Roots: Indian Gypsy Identity and Origins in Documentary films.Romani Studies 26 (2): 151–73Google Scholar
Kalbeliya, Kalunath. 2012. Interviewed by author at interviewee's home, Jodhpur. March 16.Google Scholar
Kalbeliya, Lumnath. 2013. Interviewed by author at interviewee's home, Jodhpur. February 24.Google Scholar
Kenrick, Donald. 2004. Gypsies: From the Ganges to the Thames. Interface Collection. Hatfield: University of Hertfordshire Press.Google Scholar
Kovalcsik, Katalin. 1987. “Popular Dance Music Elements in the Folk Music of Gypsies in Hungary.” Popular Music 6: 4565.Google Scholar
Langas and Manganiyars from Rajasthan . 1995. From Sitar to Guitar, Brussels, Belgium, November 24 and 25.Google Scholar
Latronche, Marie-France. 2008. “The Impact of India on French Romanticism.” European Romantic Review 12 (4): 7792.Google Scholar
Locke, Ralph P. 2009. Musical Exoticism: Images and Reflections. New York: Cambridge University Press.Google Scholar
Lozanski, Kristin. 2010. “Defining ‘real India’: Representations of Authenticity in Independent Travel.Social Identities 16 (6):741–62.Google Scholar
Malvinni, David. 2004. The Gypsy Caravan: From Real Roma to Imaginary Gypsies in Western Music. London and New York: Routledge.Google Scholar
Matras, Yaron. 2002. Romani: A linguistic Introduction. Cambridge: Cambridge University Press.Google Scholar
Mcclintock, Anne. 1995. Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest. New York: Routledge.Google Scholar
Mohini Devi and Troupe . 2013. Godwar Festival, Pali, India, April 9.Google Scholar
Morcom, Anna. 2013. Illicit Worlds of Indian Dance: Cultures of Exclusion. London: Oxford University Press.Google Scholar
Musafir Gypsies of Rajasthan . 2010. WOMAD festival, Abu Dhabi, April 25.Google Scholar
Narayan, Shovana. 2004. Folk Dance Traditions of India. Gurgaon: Shubhi Publishers.Google Scholar
Neuman, Daniel, Chaudhuri, Shubha, and Kothari, Komal. 2006. Bards, Ballads and Boundaries: An Ethnographic Atlas Of Music Traditions in West Rajasthan. New York and New Delhi: Seagull Books.Google Scholar
Nicholls, Jill. 2011. The Lost Music of Rajasthan. London: BBC.Google Scholar
Okely, Judith. 1983. The Traveller-Gypsies. Cambridge: Cambridge University.Google Scholar
O'Shea, Janet. 2007. Bharata Natyam on the Global Stage: At Home in the World. Delhi: Motilal Banarsidass Publishers.Google Scholar
Purohit, Vinayak. 1988. Arts of Transitional India Twentieth Century. Mumbai: Popular Prakashan.Google Scholar
Reed, Susan A. 2009. Women and Kandyan Dance: Negotiating Gender and Tradition in Sri Lanka. In Theorizing the Local: Music, Practice, and Experience in South Asia and Beyond , edited by Wolf, Richard K., 2948. New York: Oxford University Press.Google Scholar
Rhythms of Rajasthan . 2008. World Performing Arts Festival, Lahore, Pakistan, November 24.Google Scholar
Robertson, Miriam. 2004. Snake Charmers. Jaipur: ABD Publishers.Google Scholar
Robin, Thierry, and Guillien, Véronique. 2000. Gulabi Sapera: Danseuse gitane du Rajasthan. Paris: Auvidis, Naïve.Google Scholar
Samar, Devi Lal. 1979. Folk Entertainments of Rajasthan. Udaipur: Mangal Mudran.Google Scholar
Sapera, Gulabi. 2013. Interviewed by author at interviewee's home, Jaipur. December 18.Google Scholar
Sapera, Sayari. 2013. Interviewed by author at interviewee's home, Udaipur. December 28.Google Scholar
Sapera, Sugni. 2012. Interviewed by author at interviewee's home, Jodhpur. March 15.Google Scholar
Scheelar, Catherine Mary. 2013. “The Use of Nostalgia in Tribal Fusion Dance.” In Belly Dance Around the World: New Communities, Performance and Identity, edited by McDonald, Caitlin E. and Sellers-Young, Barbara, 121–37. Jefferson and London: McFarland.Google Scholar
Shay, Anthony. 2006. Choreographing Identities: Folk Dance, Ethnicity and Festival in the United States and Canada. Jefferson, NC: McFarland.Google Scholar
Shay, Anthony. 1999. “Parallel Traditions: State Folk Dance Ensembles and Folk Dance in ‘The Field.’” Dance Research Journal 31 (1): 2956.Google Scholar
Silverman, Carol. 2012. Romani Routes: Cultural Politics and Balkan Music in Diaspora. New York: Oxford University Press.Google Scholar
Singh, Kumar Suresh, ed. 1998. People of India: Rajasthan. Mumbai: Popular Prakashan.Google Scholar
Singh, Yasmine. 2010. “Ghumar: Historical Narratives and Gendered Practices of Dholis in Modern Rajasthan.” Master's thesis, Wake Forest University.Google Scholar
Skounti, Ahmed. 2009. The Authentic Illusion: Humanity's Intangible Cultural Heritage, the Moroccan Experience. In Intangible Heritage, edited by Smith, Laurajane and Akagawa, Natsuko, 7493. New York: Taylor & Francis.Google Scholar
Stam, Robert, and Shohat, Ella. 2012. “Whence and Whither Postcolonial Theory?New Literary History 43 (2): 371–90.Google Scholar
The Rajasthani Gypsy Caravan . 2014. New York Gypsy Festival, New York, October 9.Google Scholar
Trimillos, Ricardo D. 1995. “The Politics of Performance in International Cultural Exchange.” In Looking out: Perspectives on Dance and Criticism in a Multicultural World, Edited by Gere, David, 2341. New York: Schirmer Books.Google Scholar
Vatsyayan, Kapila. 1980. Traditional Indian Theatre: Multiple Streams. New Delhi: National Book Trust.Google Scholar
Verma, Vijay. 1987. The Living Music of Rajasthan. New Delhi: Office of the Registrar General.Google Scholar
Wickett, Elizabeth. 2013. Songs of the Jogi Nath Kalbelia of Jaisalmer (an action research/visual anthropology project). Phillips, ME: The Firebird Foundation for Anthropological Research.Google Scholar