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Cinematic Perspectives on International Law. Edited by Olivier Corten & François Dubuisson. Manchester: Manchester University Press, 2021. 240 + viii pages.

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Cinematic Perspectives on International Law. Edited by Olivier Corten & François Dubuisson. Manchester: Manchester University Press, 2021. 240 + viii pages.

Published online by Cambridge University Press:  28 March 2022

O. RICHARD COPELAND*
Affiliation:
JD Candidate, University of Alberta
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Abstract

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Type
Book Reviews/Recensions de livres
Copyright
© The Canadian Yearbook of International Law/Annuaire canadien de droit international 2022

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References

1 Corten, Olivier & Dubuisson, François, eds, Cinematic Perspectives on International Law (Manchester: Manchester University Press, 2021)CrossRefGoogle Scholar.

2 The Bridge on the River Kwai, film (Culver City, CA: Columbia Pictures, 1957).

3 Star Trek: The Original Series, television series (New York: National Broadcasting Company, 1966–69); Doctor Who, television series (London: British Broadcasting Corporation, 1963–89 and 2005–present); Captain America: Civil War, film (Burbank, CA: Walt Disney Studios Motion Pictures, 2016); District 9, film (Culver City, CA: Sony Pictures Motion Pictures Group, 2009).

4 26 June 1945, Can TS 1945 No 7 (entered into force 24 October 1945).

5 Nicolas Kang-Riou, “Science Fiction Cinema and the Nature of International Law” in Corten & Dubuisson, supra note 1, 153 at 153.

6 Serge Sur, “Presentations and Representations of International Law in Films and TV Series” in Corten & Dubuisson, supra note 1, 199 at 199.

7 Ibid at 204–205.

8 Kavan, Heather & Burne, Jacqui, “Using Film to Teach Communication Concepts at University” (2009) 16:10 Intl J Learning 429 Google Scholar.

9 Star Trek: Into Darkness, film (Hollywood, CA: Paramount Pictures, 2013).

10 Gabrielle Simm, “War on Film: Gender Trouble in Siddiq Barmak’s Osama” in Corten & Dubuisson, supra note 1,166 at 171.