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Article contents
Cinematic Perspectives on International Law. Edited by Olivier Corten & François Dubuisson. Manchester: Manchester University Press, 2021. 240 + viii pages.
Review products
Published online by Cambridge University Press: 28 March 2022
Abstract
- Type
- Book Reviews/Recensions de livres
- Information
- Canadian Yearbook of International Law/Annuaire canadien de droit international , Volume 59 , November 2022 , pp. 629 - 633
- Copyright
- © The Canadian Yearbook of International Law/Annuaire canadien de droit international 2022
References
1 Corten, Olivier & Dubuisson, François, eds, Cinematic Perspectives on International Law (Manchester: Manchester University Press, 2021)CrossRefGoogle Scholar.
2 The Bridge on the River Kwai, film (Culver City, CA: Columbia Pictures, 1957).
3 Star Trek: The Original Series, television series (New York: National Broadcasting Company, 1966–69); Doctor Who, television series (London: British Broadcasting Corporation, 1963–89 and 2005–present); Captain America: Civil War, film (Burbank, CA: Walt Disney Studios Motion Pictures, 2016); District 9, film (Culver City, CA: Sony Pictures Motion Pictures Group, 2009).
4 26 June 1945, Can TS 1945 No 7 (entered into force 24 October 1945).
5 Nicolas Kang-Riou, “Science Fiction Cinema and the Nature of International Law” in Corten & Dubuisson, supra note 1, 153 at 153.
6 Serge Sur, “Presentations and Representations of International Law in Films and TV Series” in Corten & Dubuisson, supra note 1, 199 at 199.
7 Ibid at 204–205.
8 Kavan, Heather & Burne, Jacqui, “Using Film to Teach Communication Concepts at University” (2009) 16:10 Intl J Learning 429 Google Scholar.
9 Star Trek: Into Darkness, film (Hollywood, CA: Paramount Pictures, 2013).
10 Gabrielle Simm, “War on Film: Gender Trouble in Siddiq Barmak’s Osama” in Corten & Dubuisson, supra note 1,166 at 171.