Hostname: page-component-8448b6f56d-c4f8m Total loading time: 0 Render date: 2024-04-23T17:03:05.378Z Has data issue: false hasContentIssue false

Some Renaissance, Baroque, and contemporary cultural elaborations of the art of memory

Published online by Cambridge University Press:  21 November 2013

David L. Bimler*
Affiliation:
Massey University, School of Arts, Development and Health Education, Palmerston North 4442, New Zealand. d.bimler@massey.ac.nz

Abstract

The target article addresses historical and present-day mnemotechnics as a practice. It also deserves scrutiny as culture writ small. For would-be Hermetic adepts of the Renaissance and Baroque, the ancient art of memory (AAOM) provided both an iconography and a projective-test vision of possibilities. In contemporary fiction, Memory Palaces become a metaphor for the workings of mind, of culture, and of information technology.

Type
Open Peer Commentary
Copyright
Copyright © Cambridge University Press 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anon. (c. 1470/2002) A method for recollecting the Gospels. In: The medieval craft of memory: An anthology of texts and pictures, ed. Carruthers, M. & Ziolkowski, J. M., pp. 255–93. University of Pennsylvania Press. (Original work published ca. 1470).Google Scholar
Anon. (1543/1551/1993) Horapollo Slideshow. Images from the Horapollo Hieroglyphica, Kerver and 2nd editions. Princeton University Press. (Original work published in 1543.) Available at: http://www.camrax.com/symbol/horapolloflash.php4.Google Scholar
Borges, J. L. (1964a) Labyrinths: Selected stories and other writings, ed. Yates, D. A. & Irby, J. E.. New Directions.Google Scholar
Borges, J. L. (1964b) Other inquisitions 1937–1952, trans. Sims, R. L. C.. University of Texas Press.Google Scholar
Colonna, F. (1499/2005) Hypnerotomachia poliphili: “The strife of love in a dream,” trans. Godwin, J.. Thames & Hudson. (Original work published in 1499).Google Scholar
Fuentes, C. (1977) Terra nostra, trans. Peden, M. S.. Random House.Google Scholar
Harris, T. (1999) Hannibal. Heinemann.Google Scholar
Iverson, E. (1993) The myth of Egypt and its hieroglyphs in European tradition. Princeton University Press.Google Scholar
Klossowski de Rola, S. (1997) The golden game: Alchemical engravings of the seventeenth century. Thames & Hudson.Google Scholar
Stanwick, M. (1991) Stations of the tide. William Morrow.Google Scholar
Watson, I. (1990) The flies of memory. Gollancz.Google Scholar
Yates, F. A. (1966) The art of memory. Routledge & Kegan Paul.Google Scholar