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The paradox of tragedy and emotional response to simulation

  • Patrick Colm Hogan (a1)


The insightful analysis of Menninghaus et al. could be deepened and rendered more systematic by recognizing that our emotional enjoyment of tragedy – and our response to fiction more generally – are versions of what happens with simulation. They derive from the operation and evolutionary function of simulation. Once we understand emotion in simulation, we largely understand emotion in tragedy (and fiction).



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