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Art libraries in Latvia

Published online by Cambridge University Press:  06 June 2016

Aivija Everte*
Affiliation:
National Library of Latvia, K. Barona Street 14, Riga, LV-1050, Latvia
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Extract

Latvian libraries have just begun to take their first steps towards automation and the introduction of new technologies. Implementation of a database of Latvian art catalogues will begin next year. The Association of Latvian Arts Libraries that would serve as a co-ordinating body, as well as a means of sharing experience and discussing future goals, has until now remained only an idea. But the enthusiasm of colleagues, as well the positive impact that art library societies in other countries have brought to art library operations, brings hope that it is not only a dream for the future.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 2001

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References

3. Such as the visual arts magazine Studila (http://www.studija.lv).Google Scholar
4. The Library has been short of space since the very beginning (1919) and there have been hopes of starting the construction of a dedicated building since 1926. This issue has moved to the forefront of public discussion several times, most recently in 1998 when the Latvian government took a decision about a new National Library building. The designer of this building is the world-renowned Latvian-American architect Gunnar Birkerts. In 1999 the UNESCO General Conference adopted a resolution supporting the construction of the new National Library building. Currently the collection is scattered among seven buildings.Google Scholar
5. See Sinitsyna, Olga. ‘Censorship of art books in the Soviet Union and its effect on the arts and art libraries’. Art Libraries Journal vol. 24 no. 1 1999, p.49. Art libraries in Latvia have suffered even more severe blows than those in Russia – during the late 1940s the majority of publications that did not comply with Soviet ideological interpretation (and which had been published during the pre-occupation period and in Western Europe) were removed from their collections and destroyed.CrossRefGoogle Scholar