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‘MA’: composition and reflex in the work of Frank Lloyd Wright
Published online by Cambridge University Press: 19 August 2008
Abstract
Wright's approach to design comprised a polarity of modes, ranging from axial symmetry, employed in public buildings, to free and spontaneous expression of use, route and place, in the private house. Together these showed a deep awareness of the Classical tradition, and personal study, unusual for his time, of oriental place-making. An idiosyncratic attitude to nature and existence lay behind this, often embodied in a ‘high place’.
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