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  • Print publication year: 2018
  • Online publication date: December 2018

11 - Spatial arrangement and systematic order

from II - Enlightened orders
Bredekamp, H., The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art and Technology (Princeton, 1993).
Daston, L. and Park, K., Wonders and the Order of Nature, 1150–1750 (New York, 1998).
Findlen, P. and Smith, P. H. (eds.), Merchants and Marvels: Commerce, Science and Art in Early Modern Europe (New York, 2002).
Freedberg, D., The Eye of the Lynx: Galileo, his Friends, and the Beginnings of Modern Natural History (Chicago, 2002).
Herzog, Anton-Ulrich-Museum Braunschweig and Kunstmuseum, des Landes Niedersachsen, Weltenharmonie. Die Kunstkammer und die Ordnung des Wissens (Braunschweig, 2000).
Kistemaker, R. E., Kopaneva, N. P, Meijers, D. J. and Vilmbakhov, G. V. (eds.), The Paper Museum of the the Academy of Sciences in St Petersburg c. 1725–1760 (St Petersburg, 2005).
Marx, B. and Rehberg, K.-S. (eds.),Sammeln als Institution. Von der fürstlichen Wunderkammer zum Mäzenatentum des Staates (München and Berlin, 2007).
Ogilvie, B. W., The Science of Describing: Natural History in Renaissance Europe (Chicago, 2006).
te Heesen, A. and Spary, E. C. (eds.), Sammeln als Wissen. Das Sammeln und seine wissenschaftsgeschichtliche Bedeutung (Göttingen, 2001) Spatial arrangement and systematic order.