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  1. Home
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  3. Staging Haiti in Nineteenth-Century America
Publisher:
Cambridge University Press
Online publication date:
November 2022
Print publication year:
2022
Online ISBN:
9781009118972
DOI:
https://doi.org/10.1017/9781009118972
Subjects:
Area Studies, American Studies, American Theatre, Drama and Theatre: General Interest, Drama, Theatre, Performance Studies
Series:
Cambridge Studies in Modern Theatre
Information

Book description

American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.

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