Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-wq484 Total loading time: 0 Render date: 2024-04-25T11:01:30.032Z Has data issue: false hasContentIssue false

The Year’s Contributions to Shakespeare Studies

Published online by Cambridge University Press:  04 September 2020

Emma Smith
Affiliation:
University of Oxford
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Shakespeare Survey 73
Shakespeare and the City
, pp. 252 - 288
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Reviewed

Akhimie, Patricia, and Andrea, Bernadette, eds., Travel and Travail: Early Modern Women, English Drama and the Wider World (Lincoln and London, 2019)Google Scholar
Arshad, Yasmin, Imagining Cleopatra: Performing Gender and Power in Early Modern England (London, 2019)Google Scholar
Bergeron, David, Shakespeare’s London 1613 (Manchester, 2018)Google Scholar
Chalk, Darryl, and Floyd-Wilson, Mary, eds., Contagion and the Shakespearean Stage (Basingstoke, 2019)Google Scholar
Garrison, John S., Shakespeare and the Afterlife (Oxford, 2019)Google Scholar
Jowitt, Claire, and McInnis, David, Travel and Drama in Early Modern England: The Journeying Play (Cambridge, 2019)Google Scholar
Langley, Eric, Shakespeare’s Contagious Sympathies (Oxford, 2019)Google Scholar
Love, Genevieve, Early Modern Theatre and the Figure of Disability (London, 2019)Google Scholar
Mottram, Stewart, Ruin and Reformation in Spenser, Shakespeare and Marvell (Oxford, 2019)Google Scholar
Publicover, Laurence, Dramatic Geography, Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama (Oxford, 2017)Google Scholar
Singh, Jyotsna, Shakespeare and Post Colonial Theory (London, 2019)Google Scholar
Tudeau-Clayton, Margaret, Shakespeare’s Englishes: Against Englishness (Cambridge, 2020)Google Scholar
Whipday, Emma, Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home (Cambridge, 2019)CrossRefGoogle Scholar

Works Reviewed

Banks, Fiona, Shakespeare: Actors and Audiences (London, 2019)Google Scholar
Bessell, Jaq, ed., Shakespeare in Action: 30 Theatre Makers on Their Practice (London, 2019)Google Scholar
Bladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie, eds., Shakespeare on Screen: ‘King Lear’ (Cambridge, 2019)Google Scholar
Burnett, Mark Thornton, ‘Hamlet’ and World Cinema (Cambridge, 2019)Google Scholar
Cartelli, Thomas, Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment (New York, 2019)Google Scholar
Forsyth, Neil, Shakespeare the Illusionist: Magic, Dreams and the Supernatural on Film (Athens, OH, 2019)Google Scholar
Hampton-Reeves, Stuart, Shakespeare in the Theatre: Peter Hall (London, 2019)Google Scholar
Jensen, Michael P., The Battle of the Bard: Shakespeare on U.S. Radio in 1937 (Leeds, 2018)Google Scholar
Kirwan, Peter, Shakespeare in the Theatre: Cheek by Jowl (London, 2019)CrossRefGoogle Scholar
McCullough, Lynsey, and Shaw, Brandon, eds., The Oxford Handbook of Shakespeare and Dance (Oxford, 2019)Google Scholar
Ney, Charles, ed., Directing Shakespeare in America: Historical Perspectives (London, 2019)Google Scholar
Reynolds, Paige Martin, ed., Performing Shakespeare’s Women Playing Dead (London, 2019)Google Scholar
Sawyer, Robert, Shakespeare Between the World Wars: The Anglo-American Sphere (New York, 2019)Google Scholar
Sillars, Stuart, Shakespeare as Seen: Image, Performance and Society (Cambridge, 2019)Google Scholar
Wyver, John, Screening the Royal Shakespeare Theatre: A Critical History (London, 2019)Google Scholar

Works Reviewed

Atkin, Tamara, Reading Drama in Tudor England (London, 2018)Google Scholar
Boeckeler, Erika Mary, ‘The Hamlet First Quarto (1603) & the play of typography’, Early Theatre 21.1 (2018), 5986Google Scholar
Brokaw, Katherine Steele, ed., Macbeth, Arden Performance Editions (London, 2019)Google Scholar
Duncan, Dennis, and Smyth, Adam, eds, Book Parts (Oxford, 2019)Google Scholar
Edwards, Philip, ed., Hamlet, Prince of Denmark, 3rd edn, with new introduction by Heather Hirschfeld, New Cambridge Shakespeare (Cambridge, 2019)Google Scholar
George, David, ed., Coriolanus, 2 vols. (n.p., 2019)Google Scholar
Gossett, Suzanne, and Wilcox, Helen, eds., All’s Well That Ends Well, Arden Shakespeare (London, 2019)Google Scholar
Gurr, Andrew, ed., King Richard II, 3rd edn, with updated introduction by Claire McEachern, New Cambridge Shakespeare (Cambridge, 2019)Google Scholar
Hulme, Peter, and Sherman, William H., eds., The Tempest, 2nd edn, Norton Critical Editions (New York, 2019)Google Scholar
Kingsley-Smith, Jane, The Afterlife of Shakespeare’s Sonnets (Cambridge, 2019)Google Scholar
Mares, F. H., ed., Much Ado about Nothing, 3rd edn, with updated introduction by Travis D. Williams, New Cambridge Shakespeare (Cambridge, 2018)Google Scholar
Miola, Robert, ed., Hamlet, 2nd edn, Norton Critical Editions (New York, 2019)Google Scholar
Rourke, Josie, ed., Measure for Measure (London, 2018)Google Scholar
Thompson, Ann, ed., The Taming of the Shrew, 3rd edn, New Cambridge Shakespeare (Cambridge, 2017)Google Scholar
Vadnais, Matt, ‘The distribution and ordering of speeches and Shakespearean revision’, Shakespeare Bulletin 36.4 (2018), 657–86.Google Scholar
Werner, Sarah, Studying Early Printed Books, 1450–1800: A Practical Guide (Wiley Blackwell, 2019)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×