Skip to main content Accessibility help
×
  • Cited by 28
Publisher:
Cambridge University Press
Online publication date:
September 2009
Print publication year:
2006
Online ISBN:
9780511485404

Book description

Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This study, first published in 2006, carefully examines Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary reading of the importance of the image in his work.

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Works cited
Works cited
Abbott, H. Porter, Beckett Writing Beckett: The Author in the Autograph (Ithaca and London: Cornell University Press, 1996).
Abbott, H. Porter,‘Samuel Beckett and the Arts of Time: Painting, Music, Narrative’, in Oppenheim, Lois (ed.), Samuel Beckett and the Arts (New York: Garland, 1999), pp. 7–24.
Acheson, James, Samuel Beckett's Artistic Theory and Practice (London: Macmillan, 1997).
Ackerley, C. J., Demented Particulars: The Annotated Murphy (Talahassee: Journal of Beckett Studies Books, 1998).
Ackerley, C. J., and Gontarski, S. E., The Grove Companion to Samuel Beckett (New York: Grove Press, 2004).
Bair, Deirdre, Samuel Beckett: A Biography (London: Vintage, 1990).
Beckett on Film, 19 Films by 19 Directors, produced by Colgan, Michael and Moloney, Alan (Dublin: Blue Angel Films, 2001).
Beckett, Samuel, 1933 typescript, Letter 57, ‘To Thomas MacGreevy, 6/12/33, 6 Clare St. Dublin’, TCD MS 10402, Manuscripts Department, Trinity College Library Dublin, Republic of Ireland.
Beckett, Samuel,1934 typescript, Letter 63, ‘To Thomas MacGreevy, 8/9/34, 34 Gertrude St, S.W. 10.’, TCD MS 10402, Manuscripts Department, Trinity College Library Dublin, Republic of Ireland.
Beckett, Samuel,1936 typescript, Letter 85, ‘To Thomas MacGreevy, 9/1/36 [written as 35 in error] Cooldrinagh’, TCD MS 10402, Manuscripts Department, Trinity College Library Dublin, Republic of Ireland.
Beckett, Samuel,1936 typescript, ‘Notes to Arnold Geulincx, Ethica, Metaphysica Vera and Questiones Quodlibeticae’, TCD MS 10971/6, Manuscripts Department, Trinity College Library Dublin, Republic of Ireland.
Beckett, Samuel,1936 typescript, Letter 91, ‘To Thomas MacGreevy, 5.3.36 Cooldrinagh’, TCD MS 10402, Manuscripts Department, Trinity College Library Dublin, Republic of Ireland.
Beckett, Samuel,1938 typescript, Letter 155, ‘To Thomas MacGreevy, 31/1/38 [Hotel] Liberia [Paris]’, TCD MS 10402, Manuscripts Department, Trinity College Library Dublin, Republic of Ireland.
Beckett, Samuel,1948 typescript, Letter 175, ‘To Thomas MacGreevy, 4/1/48 Paris’, TCD MS 10402, Manuscripts Department, Trinity College Library Dublin, Republic of Ireland.
Beckett, Samuel, L'Innommable (Paris: Editions de Minuit, 1953).
Beckett, Samuel, Molloy (New York: Grove Press, 1955).
Beckett, Samuel, Malone Dies (New York: Grove Press, 1956).
Beckett, Samuel, Murphy (New York: Grove Press, 1957).
Beckett, Samuel, The Unnamable (New York: Grove Press, 1958).
Beckett, Samuel, How It Is (New York: Grove Press, 1964).
Beckett, Samuel,1967 manuscript, ‘Letter to L. E. Harvey “Ussy, 20.2.67.”’ Beckett collection, Rare Books Library, Dartmouth College, Hanover, NH, USA.
Beckett, Samuel,Film: Complete Scenario, Illustrations, Production Shots, with the essay ‘On Directing Film’ by Schneider, Alan (New York: Grove Press, 1969).
Beckett, Samuel, More Pricks Than Kicks (London: Picador, 1974).
Beckett, Samuel,‘Interview with Gabriel d'Aubarède’, tr. C. Waters, in Graver, L. and Federman, R. (eds.), Samuel Beckett, the Critical Heritage (London: Routledge and Kegan Paul, 1979), p. 217.
Beckett, Samuel,Disjecta: Miscellaneous Writings and a Dramatic Fragment, ed. Cohn, Ruby (London: John Calder, 1983).
Beckett, Samuel,1984 manuscript, ‘Letter to Dr. E. Franzen, 17/2/54’, cited in ‘Babel 3, 1984’ [magazine], Ms 2993, The Samuel Beckett Collection, University of Reading, UK.
Beckett, Samuel, Proust and Three Dialogues with Georges Duthuit (London: John Calder, 1987).
Beckett, Samuel, Mercier and Camier (London: Picador, 1988).
Beckett, Samuel, Watt (London: Picador, 1988).
Beckett, Samuel, The Complete Dramatic Works (London: Faber and Faber, 1990).
Beckett, Samuel, Nohow On: Company, Ill Seen Ill Said, Worstward H. (London: John Calder, 1991).
Beckett, Samuel, Dream of Fair to Middling Women (New York: Arcade/Riverrun, 1993).
Beckett, Samuel,The Complete Short Prose, ed. Gontarski, Stanley (New York: Grove Press, 1995).
Beckett, Samuel,Beckett's Dream Notebook, edited, annotated and with an introductory essay by Pilling, John (Reading: Beckett International Foundation, 1999).
Beckett, Samuel,‘Letter to Georges Duthuit, 9–10 March 1949’, tr. Walter Redfern, in Gontarski, S. E. and Uhlmann, Anthony (eds.), Beckett after Beckett (Gainesville: University Press of Florida, 2006), pp. 15–21.
Beckett, Samuel, and Alan Schneider, No Author Better Served: the Correspondence of Samuel Beckett and Alan Schneider, ed. Harmon, Maurice (Cambridge, MA: Harvard University Press, 1998).
Ben-Zvi, Linda (ed.), Drawing on Beckett: Portraits, Performances, and Cultural Contexts (Tel Aviv: Assaph Books, 2003).
Bergson, Henri, An Introduction to Metaphysics, tr. T. E. Hulme (New York and London: G. Putnam and Sons, 1912).
Bergson, Henri, ‘Philosophical Intuition’, in The Creative Mind (New York: Philosophical Library, 1946), pp. 126–52.
Bergson, Henri, Matter and Memory, tr. N. M. Paul and W. S. Palmer (New York: Zone Books, 1991).
Blanchot, Maurice, ‘Where Now? Who Now?’ in On Beckett, Essays and Criticism, ed. Gontarski, S. E. (New York: Grove Press, 1986), pp. 141–9.
Blanchot, Maurice, ‘Michel Foucault as I Imagine Him’, tr. Jeffrey Mehlman, Foucault/Blanchot (New York: Zone, 1990), pp. 61–109.
Bohman, James, ‘Hermeneutics’, in Audi, Robert (ed.), The Cambridge Dictionary of Philosophy (Cambridge: Cambridge University Press, 1995), pp. 323–4.
Bréhier, Emile, Chrysippe et l'ancien stoïcisme (Paris: Félix Alcan, 1910).
Bréhier, Emile, The History of Philosophy Vol. 1: The Hellenic Age, tr. Joseph Thomas, (Chicago: University of Chicago Press, 1965).
Bréhier, Emile, The History of Philosophy Vol. 2: The Hellenistic and Roman Age, tr. Wade Baskin (Chicago: University of Chicago Press, 1965).
Bréhier, Emile, The History of Philosophy Vol. 3: The Middle Ages and the Renaissance, tr. Wade Baskin (Chicago: University of Chicago Press, 1967).
Bréhier, Emile, La Théorie des incorporels dans l'ancien stoïcisme (Paris: Librairie philosophique J. Vrin, 1997) (1st edn 1908).
Butler, Lance St John, Samuel Beckett and the Meaning of Being (St Martin's Press: New York, 1984).
Burrows, Rachel, 1931 manuscript, ‘Notes to lectures by Samuel Beckett on Gide and Racine at Trinity College Dublin’, TCD MIC 60, Manuscripts Department, Trinity College Library Dublin, Republic of Ireland.
Casanova, Pascale, Beckett l'abstracteur (Paris: Seuil, 1997).
Clément, Bruno, Le Lecteur et son modèle: Voltaire, Pascal, Hugo, Shakespeare, Sartre, Flaubert (Paris: Presses Universitaires de France, 1999).
Clément, Bruno,‘What the Philosophers Do with Samuel Beckett’, tr. Anthony Uhlmann, in Gontarski, S. E. and Uhlmann, Anthony (eds.), Beckett after Beckett (Gainesville: University Press of Florida, 2006), pp. 116–37.
Connor, Steven, Samuel Beckett: Repetition, Theory and Text (Oxford: Basil Blackwell, 1988).
Conrad, Joseph, Heart of Darkness (London: Penguin, 1989).
Cournot, Michel, ‘Avignon: Une nuit de l'Aida – Nous pensons beaucoup à vous, Vaclav Havel’, Le Monde (24 July 1982), p. 14.
Cronin, Anthony, Samuel Beckett: The Last Modernist (London: Harper Collins, 1996).
Dearlove, Judith E., Accommodating the Chaos: Samuel Beckett's Nonrelational Art (Durham: Duke University Press, 1982).
Defoe, Daniel, Robinson Crusoe (London: Penguin Books, 2004).
Lattre, Alain, L'Occasionalisme d'Arnold Geulincx: étude sur la constitution de la doctrine (Paris: Editions de Minuit, 1967).
Lattre, Alain, Arnold Geulincx: présentation, choix de textes et traduction (Paris: Seghers, 1970).
Deleuze, Gilles, Cinema 1: The Movement-Image, tr. Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986).
Deleuze, Gilles, Spinoza: Practical Philosophy, tr. Robert Hurley (San Francisco: City Lights Books, 1988).
Deleuze, Gilles,Foucault, tr. and ed. Hand, Sean (London: Athlone, 1988).
Deleuze, Gilles, Cinema 2: The Time-Image, tr. Hugh Tomlinson and Robert Galeta (Minneapolis: University of Minnesota Press, 1989).
Deleuze, Gilles,The Logic of Sense, tr. Mark Lester with Charles Stivale, ed. Boundas, Constantin V. (New York: Columbia University Press, 1990).
Deleuze, Gilles, Critique et Clinique (Paris: Editions de Minuit, 1993).
Deleuze, Gilles, The Fold: Leibniz and the Baroque, tr. Tom Conley (Minneapolis: University of Minnesota Press, 1993).
Deleuze, Gilles, Difference and Repetition, tr. Paul Patton (New York: Columbia University Press, 1994).
Deleuze, Gilles, Negotiations, 1972–1990, tr. Martin Joughin (New York: Columbia University Press, 1995).
Deleuze, Gilles, Francis Bacon: logique de la sensation (Paris: Editions de la différence, 1996).
Deleuze, Gilles,‘The Exhausted’, tr. Anthony Uhlmann, in Smith, Daniel W. and Greco, Michael A. (eds.), Essays Critical and Clinical (Minneapolis: University of Minnesota Press, 1997), pp. 152–74.
Deleuze, Gilles, ‘The Greatest Irish Film’, in Essays Critical and Clinical, tr. Daniel W. Smith and Michael A. Greco (Minneapolis: University of Minnesota Press, 1997), pp. 23–6.
Deleuze, Gilles,‘The Brain is the Screen: An Interview with Gilles Deleuze’, tr. Marie Therese Guirgis, in Flaxman, Gregory (ed.), The Brain is the Screen: Deleuze and the Philosophy of Cinema (Minneapolis, University of Minnesota Press, 2000), pp. 365–74.
Deleuze, Gilles, Proust and Signs, tr. Richard Howard (Minneapolis: University of Minnesota Press, 2000).
Deleuze, Gilles, and Guattari, Félix, A Thousand Plateaus, tr. Brian Massumi (Minneapolis: University of Minnesota Press, 1987).
Deleuze, Gilles and Guattari, Félix, What is Philosophy?, tr. Hugh Tomlinson and Graham Burchell (New York: Columbia University Press, 1994).
Derrida, Jacques, ‘ “This Strange Institution Called Literature”: An Interview with Jacques Derrida’ (with Derek Attridge), tr. Geoffrey Bennington and Rachel Bowlby, in Attridge, Derek (ed.), Acts of Literature (New York: Routledge, 1992), pp. 33–75.
Descartes, René, Discourse on Method and the Meditations, tr. with an introduction by F. E. Sutcliffe (London: Penguin, 1968).
Descartes, René, ‘Discourse on Method’, in The Philosophical Writings of Descartes, vol. I, trs. John Cottingham, Robert Stoothoff and Dugald Murdoch (Cambridge: Cambridge University Press, 1985), pp. 111–51.
Descartes, René, ‘Principles of Philosophy’ in The Philosophical Writings of Descartes, vol. I, trs. John Cottingham, Robert Stoothoff and Dugald Murdoch (Cambridge: Cambridge University Press, 1985), pp. 177–291.
Vleeschauwer, H. J., ‘Les Antécédents du Transcendentalisme kantien. Geulincx et Kant’, Kantstudien (1953–4), pp. 245–73.
Vleeschauwer, H. J., Three Centuries of Geulincx Research (Pretoria: Communications of the University of South Africa, 1957).
Vleeschauwer, H. J., ‘L'Occasionalisme et la condition humanine chez A. Geulincx’, Kantstudien (1958), pp. 109–24.
Vleeschauwer, H. J., Le ‘De Virtute et primis ejus Proprietatibus’ d'Arnout Geulincx et sa traduction flammande ‘Van de Hoofdeuchden’. Introduction et Textes (Pretoria: Van Schaik, 1961).
Vleeschauwer, H. J., Les Plans d'études au XVIIe siècle. I: Le Plan de Descartes; II: Le Plan d'A. Geulincx. (Pretoria: Communications of the University of South Africa, 1962 and 1964).
Vleeschauwer, H. J., Le Problème du suicide dans la morale de Geulincx (Pretoria: Communications of the University of South Africa, 1965).
Dictionnaire historique de la langue Française, general editor Rey, Alain (Paris: Dictionnares le Robert, 1992).
Douglas, Paul, Bergson, Eliot, and American Literature (Lexington: University of Kentucky Press, 1986).
Driver, Tom F., ‘Beckett by the Madeleine’, Columbia University Forum (summer, 1961), pp. 21–5.
Ferguson, Robert, The Short Sharp Life of T. E. Hulme (London: Penguin, 2002).
Fink, Hilary L., Bergson and Russian Modernism 1900–1930 (Evanston: Northwestern University Press, 1999).
Flaubert, Gustave, Dictionnaire des idées reçues: suivi du Catalogue des idées chic (Paris: Aubier, 1978).
Flaxman, Gregory (ed.), The Brain is the Screen: Deleuze and the Philosophy of Cinema (Minneapolis: University of Minnesota Press, 2000).
Foucault, Michel, ‘Qu'est-ce qu'un auteur?’, Bulletin de le Société française de Philosophie, vol. 63, no. 3 (February 1969), pp. 73–104.
Foucault, Michel, L'Ordre du discours: Leçon inaugurale au Collège de France prononcée le 2 décembre 1970 (Paris: Gallimard, 1971).
Foucault, Michel,‘What is an Author?’, in Language, Counter-Memory, Practice. Selected Essays and Interviews, ed. Bouchard, Donald F., trs. Donald F. Bouchard and Sherry Simon (Ithaca: Cornell University Press, 1977), pp. 124–7.
Foucault, Michel, ‘Archéologie d'une passion’ (interview with Charles Ruas), Magazine littéraire, number 221 (July–August 1985), pp. 100–5.
Foucault, Michel, The Archaeology of Knowledge, tr. A. M. Sheridan Smith (London: Routledge, 1989).
Frede, Michael, ‘Principles of Stoic Grammar’, in Rist, John M. (ed.), The Stoics (Berkeley and Los Angeles: University of California Press, 1978), pp. 27–76.
Gaukroger, Stephen, Descartes: An Intellectual Biography (Oxford: Clarendon Press, 1995).
Geulincx, Arnold, A. Geulincx Antverpiensis Opera philosophica, 3 vols., ed. Land, J. P. N., (The Hague: Martin Nijhoff, 1891–3).
Geulincx, Arnold,Van de hoofddeugden. De eerste tuchtverhandeling, ed. with an introduction and notes by Verhoeven, Cornelis (Baarn: Ambo, 1986).
Geulincx, Arnold, Metaphysics, tr. Martin Wilson (Wisbech: Christoffel Press, 1999).
Gillies, Mary Ann, Henri Bergson and British Modernism (Montreal and Kingston: McGill-Queen's University Press, 1996).
Gontarski, Stanley, ‘Appendix A: Beckett on Film’, in The Intent of Undoing in Samuel Beckett's Dramatic Texts (Bloomington: Indiana University Press, 1985), pp. 187–92.
Gontarski, Stanley, ‘Notes to What Where: The Revised Text, by Samuel Beckett’, Journal of Beckett Studies, vol. 2, no. 1. (1992), pp. 1–25.
Gould, Josiah B., The Philosophy of Chrysippus (Leiden: E. J. Brill, 1970).
Graeser, Andreas, ‘The Stoic Theory of Meaning’, in Rist, John M. (ed.), The Stoics (Berkeley and Los Angeles: University of California Press, 1978), pp. 77–100.
Hardt, Michael, Gilles Deleuze: An Apprenticeship in Philosophy (London: University College London Press, 1993).
Harvey, Lawrence E., Samuel Beckett Poet and Critic (Princeton: Princeton University Press, 1970).
Henning, Sylvie Debevec, ‘“Film”: a Dialogue between Beckett and Berkeley’, Journal of Beckett Studies, no. 7 (spring 1982), pp. 89–100.
Hill, Leslie, Beckett's Fiction in Different Words (Cambridge: Cambridge University Press, 1990).
Hill, Leslie, Bataille, Klossowski, Blanchot: Writing at the Limit (Oxford: Oxford University Press, 2001).
Jander, Owen, ‘The Eroica Reading List’ [review of Beethoven: The Music and the Life, by Lewis Lockwood], Times Literary Supplement (4 July 2003), p. 30.
Joyce, James, A Portrait of the Artist as a Young Man (London: Grafton Books, 1977).
Joyce, James, Stephen Hero (London: Grafton Books, 1986).
Kant, Immanuel, Critique of Pure Reason, tr. and ed. Guyer, Paul and Wood, Allen W. (Cambridge: Cambridge University Press, 1997).
Kennedy, Sighle, Murphy's Bed: A Study of Real Sources and Sur-real Associations in Samuel Beckett's First Novel (Lewisburg: Bucknell University Press, 1971).
Kenner, Hugh, Samuel Beckett: A Critical Study (Berkeley: University of California Press, 1968).
Knowlson, James, Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1996).
Land, J. P. N., ‘Arnold Geulincx and His Works’, Mind: A Quarterly Review of Psychology and Philosophy, vol. 16 (1891), pp. 223–42.
Doeuff, Michèle, The Philosophical Imaginary, tr. Colin Gordon (London: The Athlone Press, 1989).
Long, A. A., Stoic Studies (Cambridge: Cambridge University Press, 1996).
Marcabru, Pierre, ‘Avignon, La nuit de l'Aida – Le poisson noyé – Communisme: l'Innommable’, Le Figaro (23 July 1982), p. 19.
Marcabru, Pierre, ‘Le Mort de Beckett’, Le Figaro (27 December 1989) p. 1.
Martin, Jean-Clet, ‘Of Images and Worlds: Toward a Geology of the Cinema’, in Flaxman, Gregory (ed.), The Brain is the Screen: Deleuze and the Philosophy of Cinema (Minneapolis: University of Minnesota Press, 2000), pp. 61–86.
Maxwell, Donald R., The Abacus and the Rainbow: Bergson, Proust, and the Digital-Analogic Opposition (New York: Peter Lang, 1999).
McCracken, D. J., Thinking and Valuing: An Introduction, Partly Historical, to the Study of the Philosophy of Value (London: Macmillan, 1950).
McMillan, Dougald, and Fehsenfeld, Martha, Beckett in the Theatre: The Author as Practical Playwright and Director (London: John Calder, 1988).
Medvedev, P. N., and Bakhtin, M. M., The Formal Method in Literary Scholarship, tr. Albert J. Wehrle (Baltimore: Johns Hopkins University Press, 1991).
Megay, Joyce N., Bergson et Proust: Essai de mise au point de la question de l'influence de Bergson sur Proust (Paris: J. Vrin, 1976).
Moorjani, Angela B., Abysmal Games in the Novels of Samuel Beckett (Chapel Hill: University of North Carolina Press, 1982).
Morson, Gary Saul, and Emerson, Caryl, Mikhail Bakhtin: Creation of a Prosaics (Stanford: Stanford University Press, 1990).
Nadler, Steven, ‘Occasionalism and the Mind-Body Problem’, in Stewart, M. A. (ed.), Studies in Seventeenth-Century European Philosophy (New York: Clarendon, 1997), pp. 75–95.
Nadler, Steven, ‘Knowledge, Volitional Agency and Causation in Malebranche and Geulincx’, British Journal for the History of Philosophy, vol. 7, no. 2 (1999), pp. 263–74.
Nadler, Steven, Spinoza: A Life (Cambridge: Cambridge University Press, 1999).
Nietzsche, Friedrich, The Birth of Tragedy: Out of the Spirit of Music (London: Penguin, 1993).
Nuchelmans, G., Geulincx's Containment Theory of Logic (Amsterdam, 1988).
O'Brien, Eoin, The Beckett Country: Samuel Beckett's Ireland (Dublin: Black Cat, 1986).
Oppenheim, Lois, The Painted Word: Samuel Beckett's Dialogue with Art (Ann Arbor: University of Michigan Press, 2000).
Patton, Paul, Deleuze and the Political (London: Routledge, 2000).
Peirce, Charles Sanders, Peirce on Signs, ed. Hoopes, James (Chapel Hill: University of North Carolina Press, 1991).
Pilling, John, Samuel Beckett (London: Routledge and Kegan Paul, 1976).
Pilling, John, Beckett before Godot (Cambridge: Cambridge University Press, 1997).
Plato, The Collected Dialogues, Including the Letters, ed. Hamilton, Edith and Cairns, Huntington (Princeton: Princeton University Press, 1996).
Pound, Ezra, Make It New (London: Faber and Faber, 1934).
Pound, Ezra,‘In a Station of the Metro’, in Allison, Alexander W. et al. (eds.), The Norton Anthology of Poetry, 3rd edn (New York: Norton, 1983), p. 963.
Proust, Marcel, A la recherche du temps perdu, vol. I, ed. Tadié, Jean-Yves (Paris: Gallimard, 1987).
Rabouin, David, ‘Spinoza en liberté’, Magazine Littéraire, 370 (November 1998), p. 20.
Redding, Paul, The Logic of Affect (New York: Cornell University Press, 1999).
Rodowick, D. N., Gilles Deleuze's Time Machine (Durham: Duke University Press, 1997).
Rosen, Steven J., Samuel Beckett and the Pessimistic Tradition (New Brunswick: Rutgers University Press, 1976).
Rousset, Bernard, Geulincx: Entre Descartes et Spinoza (Paris: Vrin, 1999).
Sambursky, S., The Physical World of the Greeks (London: Routledge and Kegan Paul, 1956).
Sambursky, S., Physics of the Stoics (London: Routledge and Kegan Paul, 1959).
Sandbach, F. H., The Stoics (London: Chatto and Windus, 1975).
Schneider, Alan, Entrances: An American Director's Journey (New York: Limelight Editions, 1987).
Shenker, Israel, ‘“Moody Man of Letters”. Interview with Samuel Beckett’, The New York Times, section 2 (6 May 1956), pp. 1, 3.
Shklovsky, Vicktor, ‘The Resurrection of the Word’ in Russian Formalism: A Collection of Articles and Texts in Translation, ed. Bann, Stephen and Bowlt, John E. (Edinburgh: Scottish Academic Press, 1973), pp. 41–7.
Simon, Alfred, ‘Le mort de Samuel Beckett: L'auteur d’ “En attendant Godot” est décédé vendredi 22 décembre à Paris', Le Monde (27 December 1989), pp. 1, 10.
Spinoza, Benedictus de, Opera, ed. Vloten, J. and Land, J. P. N., Vol. 1 (Hagae Comitum: Martinum Nijhoff, 1882).
Spinoza, Benedictus, Ethics, tr. Andrew Boyle and revised with an introduction by G. H. R. Parkinson (London: Everyman, 1992).
Tadié, Jean-Yves, Marcel Proust: a Life, tr. Euan Cameron (London: Penguin, 2001).
Terraillon, E., La Morale de Geulincx (Paris: Félix Alcan, 1912).
Uhlmann, Anthony, Beckett and Poststructuralism (Cambridge: Cambridge University Press, 1999).
Vander Haeghen, Victor, Geulincx. Etude sur sa vie, sa philosophie et ses ouvrages (Paris: Gand, 1886).
Ruler, Han, ‘Minds, Forms, and Spirits: the Nature of Cartesian Disenchantment’, Journal of the History of Ideas, vol. 61 (2000), pp. 381–95.
van Ruler, Han,‘Arnout Geulincx’, in Bunge, Wiep, Krop, Henri, Ruler, Han and Schuurman, Paul (eds.), The Dictionary of Seventeenth and Eighteenth-Century Dutch Philosophers (London: Thoemmes Continuum, 2004).
Wood, Rupert, ‘Murphy, Beckett, Geulincx, GodThe Journal of Beckett Studies, vol. 2 (1993), pp. 27–51.
Zourabichvili, François, ‘The Eye of Montage: Dziga Vertov and Bergsonian Materialism’, in Flaxman, Gregory (ed.), The Brain is the Screen: Deleuze and the Philosophy of Cinema (Minneapolis: University of Minnesota Press, 2000), pp. 141–52.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.