Popular Musical Theatre in London and Berlin - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vi

Figures

pp vii-vii

Contributors

pp viii-xi

Acknowledgements

pp xii-xiii

Note on the text

pp xiv-xiv

Introduction

pp 1-22

Part I - The mechanics of transfer and translation

pp 23-132

Chapter 1 - Berlin/London: London/Berlin – an outline of cultural transfer 1890–1914

pp 25-43

Chapter 2 - Local contexts and genre construction in early continental musical theatre

pp 44-61

Chapter 3 - German operetta in the West End and on Broadway

pp 62-80

Chapter 4 - The ArcadiansandFilmzauber– adaptation and the popular musical theatre text

pp 81-101

Chapter 5 - How a sweet Viennese girl became a fair international lady: transfer, performance, modernity – acts in the making of a cosmopolitan culture

pp 102-117

Chapter 6 - ‘A happy man can live in the past’ – musical theatre transfer in the 1920s and 1930s

pp 118-132

Part II - Atlantic traffic

pp 133-200

Chapter 7 - ‘Hullo, Ragtime!’West End revue and the Americanisation of popular culture in pre-1914 London

pp 135-152

Chapter 8 - The Argentine tango: a transatlantic dance on the European stage

pp 153-169

Chapter 9 - Dover Street to Dixieand the politics of cultural transfer and exchange

pp 170-186

Chapter 10 - The transculturality of stage, song and other media: intermediality in popular musical theatre

pp 187-200

Part III - Representation in transition – cultural transfer/stage Others

pp 201-273

Chapter 11 - The Sandow Girl and her sisters: Edwardian musical comedy, cultural transfer and the staging of the healthy female body

pp 203-223

Chapter 12 - West End musical theatre and the representation of Germany

pp 224-241

Chapter 13 - TheTropical Expressin Nazi Germany

pp 242-257

Chapter 14 - Operetta and propaganda in the Third Reich: cultural politics and the Metropol-Theater

pp 258-273

Select bibliography

pp 274-276

Index of names

pp 277-281

Index of plays

pp 282-284