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6 - Common motifs in the “Orphic” B tablets and Egyptian funerary texts

Continuity or convergence?

Published online by Cambridge University Press:  04 February 2011

Radcliffe G. Edmonds
Affiliation:
Bryn Mawr College, Pennsylvania
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Summary

By virtue of both their context and their content, the “Orphic” gold plates occupy a singular place among the religious texts of the classical and early Hellenistic world. Deposited in tombs in sites as far afield as southern Italy, Thessaly, and Crete between the end of the fifth century bce and the second century ce, these thin pieces of gold foil served as a vademecum for the deceased, containing instructions on how one should negotiate his or her entry into the other world: as such, they constitute our sole extant examples of genuinely mortuary texts – i.e., texts intended primarily to aid a deceased person in attaining a blissful afterlife – in the Greek cultural sphere. Equally significant is the milieu within which the laminae appear to have circulated. The rarity of these mortuary texts as grave goods in the Greek world, as well as their wide geographical distribution, make likely the hypothesis that they reflect the post-mortem beliefs and aspirations of a particular group, whose membership was mobile and far-flung. While long-standing scholarly convention has dubbed the gold plates as “Orphic,” the south Italian provenance of the older exemplars, as well as some of the imagery in the texts, has led some commentators to suggest that the tablets might have circulated in a Pythagorean milieu. On the other hand, the reference to “mystai and Bakkhoi” in one of the laminae and the statement of the deceased in others that “Bacchios himself” has “released” him or her point incontestably to an association with Dionysiac mysteries.

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The 'Orphic' Gold Tablets and Greek Religion
Further along the Path
, pp. 120 - 164
Publisher: Cambridge University Press
Print publication year: 2011

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References

Erman, Adolf and Grapow, Hermann (eds.), Wörterbuch der ägyptischen Sprache, 5 vols., Leipzig: 1926–31

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