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The New Cambridge Companion to T. S. Eliot
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    The New Cambridge Companion to T. S. Eliot
    • Online ISBN: 9781139583411
    • Book DOI: https://doi.org/10.1017/9781139583411
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Book description

Drawing on the latest developments in scholarship and criticism, The New Cambridge Companion to T. S. Eliot opens up fresh avenues of appreciation and inquiry to a global twenty-first century readership. Emphasizing major works and critical issues, this collection of newly commissioned essays from leading international scholars provides seven full chapters reassessing Eliot's poetry and drama; explores important contemporary critical issues that were previously untreated, such as the significance of gender and sexuality; and challenges received accounts of his at times controversial critical reception. Complete with a chronology of Eliot's life and work and an up-to-date select bibliography, this authoritative and accessible introduction to Eliot's complete oeuvre will be an essential resource for students.

Reviews

'This volume replaces the 1994 Companion, since when much of Eliot’s prose, letters and uncollected poems have finally been published, accompanied by (the editor claims in his preface) a ‘seismic upheaval in Eliot scholarship and criticism’.'

David Geall Source: Huntington Library Quarterly

'Having benefited from current biographical and theoretical advances in scholarship, The New Cambridge Companion to T. S. Eliot provides an authoritative and coherent overview of Eliot’s career as a poet, critic, and dramatist. The essays reassess and reinterpret Eliot’s whole oeuvre from fresh angles. Concentrating on fundamental and emerging problems in Eliot studies, this latest Cambridge Companion innovatively sparks inspiration on topics that were not covered in the previous Companion, such as gender and sexuality. Thus, the collection reflects recent shifts in focus and a changing framework for the now thriving field of Eliot studies.'

Chen Lin Source: Journal of Modern Literature

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Contents

Select bibliography
Ackroyd, Peter, T. S. Eliot: A Life. London: Hamish Hamilton, 1984.
Albright, Daniel, Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism. Cambridge: Cambridge University Press, 1997.
Altieri, Charles, Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism. Cambridge: Cambridge University Press, 1989.
Asher, Kenneth, T. S. Eliot and Ideology. Cambridge: Cambridge University Press, 1995.
Badenhausen, Richard, T. S. Eliot and the Art of Collaboration. Cambridge: Cambridge University Press, 2004.
Bergonzi, Bernard, T. S. Eliot. London: Macmillan, 1978.
Bornstein, George, Transformations of Romanticism in Yeats, Eliot and Stevens. Chicago: University of Chicago Press, 1976.
Brooker, Jewel Spears, Mastery and Escape: T. S. Eliot and the Dialectic of Modernism. Amherst: University of Massachusetts Press, 1994.
Brooker, Jewel Spears, ed., T. S. Eliot: The Contemporary Reviews. Cambridge: Cambridge University Press, 2004.
Browne, E. Martin, The Making of T. S. Eliot's Plays. London: Cambridge University Press, 1969.
Bush, Ronald, T. S. Eliot: A Study in Character and Style. New York: Oxford University Press, 1983.
Bush, Ronald, ed., T. S. Eliot: The Modernist in History. Cambridge: Cambridge University Press, 1991.
Chace, W. M., The Political Identities of Ezra Pound and T. S. Eliot. Stanford: Stanford University Press, 1973.
Chinitz, David, ed., A Companion to T. S. Eliot. Chichester: Wiley-Blackwell, 2009.
Chinitz, David, T. S. Eliot and the Cultural Divide. Chicago: University of Chicago Press, 2003.
Cianci, Giovanni, and Harding, Jason, eds. T. S. Eliot and the Concept of Tradition. Cambridge: Cambridge University Press, 2007.
Collini, Stefan, Absent Minds: Intellectuals in Britain, Oxford: Oxford University Press, 2006.
Cooper, John Xiros, T. S. Eliot and the Ideology of Four Quartets. Cambridge: Cambridge University Press, 1995.
Cooper, John Xiros, The Cambridge Introduction to T. S. Eliot, Cambridge: Cambridge University Press, 2006.
Corcoran, Neil, Shakespeare and the Modern Poet, Cambridge: Cambridge University Press, 2010.
Crawford, Robert, The Savage and the City in the Work of T. S. Eliot. Oxford: Clarendon Press, 1987.
Crawford, Robert, Young Eliot: From St. Louis to “The Waste Land”. London: Jonathan Cape, 2015.
Cuda, Anthony, The Passions of Modernism: Eliot, Yeats, Woolf, Mann. Columbia: University of South Carolina Press, 2010.
Däumer, Elisabeth, and Bagchee, Shyamal, eds., The International Reception of T. S. Eliot. London: Continuum, 2007.
Davie, Donald, Modernist Essays, ed. Wilmer, Clive. Manchester: Carcanet, 2004.
Donoghue, Denis, Words Alone: The Poet, T. S. Eliot. New Haven: Yale University Press, 2000.
Ellis, Steve, The English Eliot: Dream, Language and Landscape in “Four Quartets”. London: Routledge, 1991.
Ellis, Steve, T. S. Eliot: A Guide for the Perplexed. London: Continuum, 2009.
Ellmann, Maud, The Poetics of Impersonality: T. S. Eliot and Ezra Pound. Brighton: Harvester, 1987.
Freed, Lewis, T. S. Eliot: The Critic as Philosopher, West Lafayette: Purdue University Press, 1979.
Gallop, Jane, Around 1981: Academic Feminist Literary Theory. New York: Routledge, 1991.
Gallup, Donald, T. S. Eliot: A Bibliography. London: Faber, 1969.
Gardner, Helen, The Art of T. S. Eliot. London: The Cresset Press, 1968.
Goldie, David, A Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1919–1928. Oxford: Oxford University Press, 1998.
Gordon, Lyndall, T. S. Eliot: An Imperfect Life. London: Vintage, 1998.
Gray, Piers, T. S. Eliot's Intellectual and Poetic Development. Brighton: Harvester, 1982.
Habib, M. A. R., The Early T. S. Eliot and Western Philosophy. Cambridge: Cambridge University Press, 1999.
Harding, Jason, “The Criterion”: Cultural Politics and Periodical Networks in Interwar Britain. Oxford: Oxford University Press, 2002.
Harding, Jason, ed., T. S. Eliot in Context. Cambridge: Cambridge University Press, 2011.
Hargrove, Nancy Duvall, T. S. Eliot's Parisian Year. Gainesville: University Press of Florida, 2009.
Howarth, Herbert, Notes on Some Figures Behind T. S. Eliot. London: Chatto & Windus, 1965.
Jain, Manju, T. S. Eliot and American Philosophy: The Harvard Years. Cambridge: Cambridge University Press, 1992.
Julius, Anthony, T. S. Eliot, Anti-Semitism and Literary Form. London: Thames & Hudson, 2003.
Kearns, Cleo McNelly, T. S. Eliot and Indic Traditions: A Study in Poetry and Belief. Cambridge: Cambridge University Press, 1987.
Kenner, Hugh, The Invisible Poet: T. S. Eliot. London: Methuen, 1960.
Kirk, Russell, Eliot and His Age: T. S. Eliot's Moral Imagination in the Twentieth Century. Wilmington: ISI Books, 2008.
Kojecký, Roger, T. S. Eliot's Social Criticism. London: Faber, 1971.
Laity, Cassandra, and Gish, Nancy K., eds., Gender, Desire and Sexuality in T. S. Eliot. Cambridge: Cambridge University Press, 2004.
Lamos, Colleen, Deviant Modernism: Sexual and Textual Errancy in T. S. Eliot, James Joyce, and Marcel Proust. Cambridge: Cambridge University Press, 2004.
Leavis, F. R., New Bearings in English Poetry. London: Chatto & Windus, 1950.
Lentricchia, Frank, Modernist Quartet. Cambridge: Cambridge University Press, 1994.
Levenson, Michael, A Genealogy of Modernism: A Study of English Literary Doctrine, 1908–1922. Cambridge: Cambridge University Press, 1984.
Litz, A. Walton, ed., Eliot in His Time: Essays on the Occasion of the Fiftieth Anniversary of The Waste Land. Princeton: Princeton University Press, 1973.
Lobb, Edward, T. S. Eliot and the Romantic Critical Tradition. London: Routledge, 1981.
Lockerd, Benjamin, Aetherial Rumours: T. S. Eliot's Physics and Poetics. Cranbury: Associated University Presses, 1998.
McDonald, Gail, Learning to be Modern: Pound, Eliot, and the American University. Oxford: Clarendon Press, 1993.
Malamud, Randy, T. S. Eliot's Drama: A Research and Production Sourcebook. New York: Greenwood Press, 1992.
Manganiello, Dominic. T. S. Eliot and Dante. Basingstoke: Macmillan, 1989.
Margolis, J. D., T. S. Eliot's Intellectual Development 1922–1939. Chicago: University of Chicago Press, 1972.
Materer, Timothy, Vortex: Pound, Eliot, and Lewis. Ithaca: Cornell University Press, 1979.
Matthews, Steven, T. S. Eliot and Early Modern Literature. Oxford: Oxford University Press, 2013.
Menand, Louis, Discovering Modernism: T. S. Eliot and His Context, New York: Oxford University Press, 1987.
Moody, A. D., ed., The Cambridge Companion to T. S. Eliot. Cambridge: Cambridge University Press, 1994.
Moody, A. D., Thomas Stearns Eliot: Poet. Cambridge: Cambridge University Press, 1994.
North, Michael, The Political Aesthetics of Yeats, Eliot, and Pound. Cambridge: Cambridge University Press, 1991.
North, Michael, Reading 1922: A Return to the Scene of the Modern. New York: 1999.
Olney, James, ed., T. S. Eliot: Essays from the “Southern Review”. Oxford: Clarendon Press, 1988.
O'Neill, Michael, The All-Sustaining Air: Romantic Legacies and Renewals in British, American, and Irish Poetry since 1900. Oxford: Oxford University Press, 2007.
Oser, Lee, T. S. Eliot and American Poetry. Columbia: University of Missouri Press, 1998.
Ricks, Christopher, The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf and Beckett. Cambridge: Cambridge University Press, 2007.
Perl, Jeffrey M., Skepticism and Modern Enmity: Before and After Eliot. Baltimore: Johns Hopkins University Press, 1989.
Perloff, Marjorie, 21st Century Modernism: The “New Poetics”. Oxford: Blackwell, 2002.
Perry, Seamus, The Connell Guide to T. S. Eliot's “The Waste Land”. London: Connell, 2014.
Pinkney, T., Women in the Poetry of T. S. Eliot. London: Macmillan, 1984.
Raine, Craig, T. S. Eliot. Oxford: Oxford University Press, 2006.
Rainey, Lawrence, Revisiting “The Waste Land”. New Haven: Yale University Press, 2005.
Reeves, Gareth, T. S. Eliot: A Virgilian Poet. London: Macmillan, 1989.
Ricks, Christopher, T. S. Eliot and Prejudice. London: Faber, 1988.
Ricks, Christopher, Decisions and Revisions in T. S. Eliot. London: British Library, 2003.
Ricks, Christopher, True Friendship: Geoffrey Hill, Anthony Hecht, and Robert Lowell Under the Sign of Eliot and Pound. New Haven: Yale University Press, 2010.
Riquelme, John Paul, Harmony of Dissonances: T. S. Eliot, Romanticism, and Imagination. Baltimore: Johns Hopkins University Press, 1991.
Schuchard, Ronald, Eliot's Dark Angel: Intersections of Life and Art. New York: Oxford University Press, 1999.
Schwartz, Sanford, The Matrix of Modernism: Pound, Eliot, and Early Twentieth-Century Thought. Princeton: Princeton University Press, 1985.
Sherry, Vincent, The Great War and the Language of Modernism. Oxford: Oxford University Press, 2003.
Sigg, Eric. The American T. S. Eliot: A Study of the Early Writings. Cambridge: Cambridge University Press, 1989.
Smith, Carol, T. S. Eliot's Dramatic Theory and Practice: from “Sweeney Agonistes” to “The Elder Statesman”. Cambridge: Cambridge University Press, 1963.
Smith, Grover, T. S. Eliot's Poetry and Plays: A Study in Sources and Meaning. Chicago: Chicago University Press, 1974.
Smith, Stan, The Origins of Modernism: Eliot, Pound and the Rhetorics of Renewal. 1994.
Southam, B. C., A Student's Guide to the Selected Poems of T. S. Eliot. London: Faber, 1994.
Spender, Stephen, T. S. Eliot. London: Fontana, 1975.
Spurr, Barry, “Anglo-Catholic in Religion”: T. S. Eliot and Christianity. Cambridge: Lutterworth Press, 2010.
Sullivan, Hannah, The Work of Revision. Cambridge, MA: Harvard University Press, 2013.
Svarny, Erik, “The Men of 1914”: T. S. Eliot and Early Modernism. Milton Keynes: Open University Press, 1988.
Tate, Allen, T. S. Eliot: The Man and His Work, London: Chatto & Windus, 1967.
Thaventhiran, Helen. Radical Empiricists: Five Modernist Close Readers. Oxford: Oxford University Press, 2015.
Thormählen, Marianne, “The Waste Land”: A Fragmentary Wholeness. Lund: Gleerup, 1978.

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