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Chapter 14 - Hawthorne and the Visual Arts

from Part II - Popular Culture and Social Movements

Published online by Cambridge University Press:  26 November 2018

By
Susan S. Williams
Edited by
Monika M. Elbert
Monika M. Elbert
Affiliation:
Montclair State University, New Jersey
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Nathaniel Hawthorne in Context , pp. 167 - 178
Publisher: Cambridge University Press
Print publication year: 2018

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References

Works Cited

Baym, Nina. “Nathaniel Hawthorne and His Mother.” American Literature 54.1 (1982): 1–27.Google Scholar
Dinius, Marcy J. The Camera and the Press: American Visual and Print Culture in the Age of the Daguerreotype. Philadelphia: University of Pennsylvania Press, 2012.Google Scholar
Fernie, Deanna. Hawthorne, Sculpture, and the Question of American Art. Farnham, UK: Ashgate, 2011.Google Scholar
Gollin, Rita K. Portraits of Nathaniel Hawthorne: An Iconography. Dekalb: Northern Illinois University Press, 1983.Google Scholar
Gollin, Rita K., and Idol, John L. Jr. Prophetic Pictures: Nathaniel Hawthorne’s Knowledge and Uses of the Visual Arts. New York: Greenwood Press, 1991.Google Scholar
Groseclose, Barbara. “Emanuel Leutze: Portraitist.” Antiques 108 (1975): 986–991.Google Scholar
Hewitson, James. “‘I Seem to Myself like a Spy or Traitor’: Transatlantic Dislocation in Hawthorne’s English Travel Writing.” Nathaniel Hawthorne Review 40 (Fall 2014): 40–59.Google Scholar
Marshall, Megan. The Peabody Sisters: Three Women Who Ignited American Romanticism. Boston: Houghton Mifflin, 2005.Google Scholar
Rowe, John Carlos. The New American Studies. Minneapolis: University of Minnesota Press, 2002.Google Scholar
Valenti, Patricia Dunlavy. Sophia Peabody Hawthorne: A Life, vol. 1: 1809–1847. Columbia: University of Missouri Press, 2004.Google Scholar
Williams, Susan S. Confounding Images: Photography and Portraiture in Antebellum American Fiction. Philadelphia: University of Pennsylvania Press, 1997.Google Scholar

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