Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-dnltx Total loading time: 0 Render date: 2024-04-20T02:59:09.956Z Has data issue: false hasContentIssue false

“Le Jubile de W. Mengelberg,” Le Monde musical 31, nos. 11 and 12 (June 1920): 182-83 (complete text

Published online by Cambridge University Press:  15 October 2020

Get access

Summary

Concerts Reviewed (all performed at the Concertgebouw, Amsterdam)

May 14, 1920

Symphony no. 6, A minor, Gustav Mahler

Kindertotenlieder, Gustav Mahler

May 15, 1920

Five songs, Gustav Mahler

Symphony no. 7, Gustav Mahler

May 17, 1920

Das Lied von der Erde, Gustav Mahler

May 18, 1920

Symphony no. 9, D-Db minor, Gustav Mahler

May 21, 1920

Symphony no. 8, E-flat minor, Gustav Mahler

Amsterdam has recently given musicians an infinitely moving show.

In 1895, Willem Mengelberg conducted at the Concertgebouw for the first time, after having played Beethoven's [Piano] Concerto in E-flat.

He was a very young man, but his powerful technical mastery, his thoughtful and passionate interpretation, his command over the audience, already marked him as one of those who are called to light the way. From that moment, he has been linked to the Concertgebouw, and, with a stride that nothing could stop, he stepped into one of the most glorious careers that could be. An indefatigable worker, a luminous, determined mind: he generated around himself an atmosphere of activity and enthusiasm, and soon, his orchestra became one of the best in the world.

Twenty-five years have passed—and to mark this date, Amsterdam has just organised an event with a dual nature, demonstrating what the influence of a man and the devotion of an audience can do.

To understand the precise meaning of these celebrations, it is necessary to know that for the past seventeen years, Mengelberg, with a fervor that has never failed, has devoted the greatest effort of his life to disseminating the works of Mahler, whom he considers among the great, but neglected, geniuses of music.

The Concertgebouw therefore considered that there was no better way to honor Mengelberg than to help him to serve the faith for which he has fought so hard; and for his Jubilee, they gave him the means to perform the complete works of Gustav Mahler.

Type
Chapter
Information
Nadia Boulanger
Thoughts on Music
, pp. 123 - 129
Publisher: Boydell & Brewer
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×