Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-8448b6f56d-qsmjn Total loading time: 0 Render date: 2024-04-23T21:09:09.326Z Has data issue: false hasContentIssue false

Musical Performance and Reception

Published online by Cambridge University Press:  25 May 2019

Stephen Rose
Stephen Rose
Affiliation:
Royal Holloway, University of London
Get access
Type
Chapter
Information
Musical Authorship from Schütz to Bach , pp. ii
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Published titles

Playing with History: The Historical Approach to Musical Performance Butt, JohnGoogle Scholar
Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music Garratt, JamesGoogle Scholar
Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music Haines, JohnGoogle Scholar
The Keyboard in Baroque Europe Hogwood, Christopher (ed.)Google Scholar
The Modern Invention of Medieval Music: Scholarship, Ideology, Performance Leech-Wilkinson, DanielGoogle Scholar
Performing Brahms: Early Evidence of Performance Style Musgrave, Michael and Sherman, Bernard (eds.)Google Scholar
Stradivari Pollens, StewartGoogle Scholar
Beethoven the Pianist Skowroneck, TilmanGoogle Scholar
The French Organ in the Reign of Louis XIV Ponsford, DavidGoogle Scholar
Bach’s Feet: The Organ Pedals in European Culture Yearsley, DavidGoogle Scholar
Histories of Heinrich Schütz Varwig, BettinaGoogle Scholar
Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn Dirst, MatthewGoogle Scholar
The Musical Work of Nadia Boulanger: Performing Past and Future between the Wars Brooks, JeaniceGoogle Scholar
The Guitar in Tudor England: A Social and Musical History Page, ChristopherGoogle Scholar
The Guitar in Stuart England: A Social and Musical History Page, ChristopherGoogle Scholar
Musical Authorship from Schütz to Bach Rose, StephenGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×