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  3. Masculinity, Gender and Identity in the English Renaissance Lyric
  • Cited by 22
Publisher:
Cambridge University Press
Online publication date:
September 2009
Print publication year:
2007
Online ISBN:
9780511483455
DOI:
https://doi.org/10.1017/CBO9780511483455
Subjects:
Literature, Renaissance and Early Modern Literature
Information

Book description

In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large.

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