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Goninet, Philippe, ed. Jacques Offenbach. Lettres à Henri Meilhac et Ludovic Halévy. Paris: Séguier, 1994.Google Scholar

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Metzger, Heinz-Klaus and Riehn, Rainer, eds. Jacques Offenbach. Musik-Konzepte Heft 13. Munich: edition text + kritik, 1980.Google Scholar

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Balsano, Maria Antonella. “Satira e parodia nelle operette di Offenbach,” in Sette variazioni a Luigi Rognoni. Musiche e studi dei discepoli palermitani. Palermo: Flaccovio, 1985. Pp. 139–68.Google Scholar

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Brindejont-Offenbach, Jacques. Offenbach, mon grand-père. Paris: Plon, 1940.Google Scholar

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De Mazza, E. M. “Small theatre. On the farce of normality in Jacques Offenbach’s operettas,” Modern Language Notes 120, 3 (Apr. 2005): 562–89.Google Scholar

D’Orves, Nicolas d’Estienne. Jacques Offenbach. Paris: Actes Sud/Classica, 2010.Google Scholar

Faris, Alexander. Jacques Offenbach. London: Faber and Faber, 1980.Google Scholar

Folstein, Robert L. “A bibliography on Jacques Offenbach,” Current Musicology 12 (1971): 116–28.Google Scholar

Folstein, Robert L. Jacques Offenbach: an annotated discography in five volumes. Bad Emser Hefte 181.1–185.16 (also available on CD-Rom from the author). Berg: Verein für Geschichte, Denkmal- und Landschaftspflege e.V. Bad Ems, 1998–2000.Google Scholar

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Gammond, Peter. Offenbach, his life and times. Speldhurst: Omnibus Books, 1980.Google Scholar

Goninet, Philippe, ed. Jacques Offenbach. Lettres à Henri Meilhac et Ludovic Halévy. Paris: Séguier, 1994.Google Scholar

Groviez, Gabriel. “Jacques Offenbach: a centennial sketch,” Musical Quarterly 5, 3 (Jul. 1919): 329–37.Google Scholar

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Hawig, Peter. Jacques Offenbach. Facetten zu Leben und Werk. Cologne: Dohr, 1999.Google Scholar

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Henseler, Anton. Jakob Offenbach. Berlin: Max Hesse, 1930.Google Scholar

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Hersee, Henry. “Opéra-bouffe,” The Theatre (1 Nov. 1878): 282–83.Google Scholar

Howard, Richard. “Jacques Offenbach,” in Misgivings. New York: Athenaeum, 1979.Google Scholar

Jacob, Paul Walter. Jacques Offenbach, in Selbstzeugnissen und Bilddokumenten. Reinbek bei Hamburg: Rowohlt, 1969.Google Scholar

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Kracauer, Siegfried. Jacques Offenbach and das Paris seiner Zeit, ed. Witte, Karsten. Frankfurt am Main: Suhrkamp, 1976.Google Scholar

Lamb, Andrew, “Offenbach in one act,” Musical Times 12, 1652 (Oct. 1980): 615–17.Google Scholar

Lasalle, Albert de. “Offenbach,” Le Monde illustré (17 Oct. 1880): 235.Google Scholar

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Leibowitz, René. “Jacques Offenbach oder die Verkleidungen der Großen Oper,” in Jacques Offenbach. Musik-Konzepte Heft 13. Ed. Metzger, Heinz-Klaus and Riehn, Rainer. Munich: edition text + kritik, 1980. Pp. 5–16.Google Scholar

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Luez, Philippe. Jacques Offenbach (1819–1880). Musicien européen. Paris: Séguier, 2001.Google Scholar

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Matala de Mazza, Ethel. “Kleines Theater. Zur Farce der Normalität in Jacques Offenbachs Operette,” Modern Language Notes 120, 3 (2005): 562–89.Google Scholar

Metzger, Heinz-Klaus and Riehn, Rainer, eds. Jacques Offenbach. Musik-Konzepte Heft 13. Munich: edition text + kritik, 1980.Google Scholar

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