Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-t5pn6 Total loading time: 0 Render date: 2024-04-23T12:15:20.639Z Has data issue: false hasContentIssue false

9 - White skins, black masks: Celticism and Négritude (1996)

Published online by Cambridge University Press:  22 September 2009

Declan Kiberd
Affiliation:
University College Dublin
Get access

Summary

The late nineteenth- and early twentieth-century programme of cultural decolonisation in Ireland is an important precursor of a related struggle in Africa more than forty years later. Undoubtedly England's only European colony differed from imperial territories in Africa, most obviously as a result of Ireland's centuries of enforced intimacy with England – an intimacy based on proximity and affinities of climate, temperament and culture. And while Europe's race for empire in Africa occurred in the latter half of the nineteenth century, England had occupied Ireland for more than 700 years. Thus at the time of Irish decolonisation, the imperial culture had penetrated far more deeply than in Africa or Asia. Despite such differences, however, the shapers of modern Africa (as well as India) looked on occasion to Ireland for guidance. But if Ireland once inspired many leaders of the ‘developing world’, today the country has much to learn from them.

In spite of episodic involvement with India's decolonisation, Irish nationalists and writers were slow to identify with other resistance movements, preferring to see their own experiences as unique. Moreover, a strain of white triumphalism, running from John Mitchel to Arthur Griffith, would never countenance Irish solidarity with the anti-imperial struggles of other racial groups. And although many nineteenth-century Irishmen, serving in the British army, had assisted in the conquest of India and Africa, the English colonisers imputed many of the same qualities to natives in these remote territories that they were attributing to the Irish.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Allen, Grant. ‘The Celt in English Art’. The Fortnightly Review (Feb. 1891), 267–77.Google Scholar
Arnold, A. James. Modernism and Négritude: The Poetry and Poetics of Aimé Césaire. Cambridge, Mass.: Harvard University Press, 1981.Google Scholar
Bishop, Rand. African Literature, African Critics: The Forming of Critical Standards, 1946–1966. New York: Greenwood Press, 1988.Google Scholar
Cabral, Amilcar. Return to the Sources: Selected Speeches by Amilcar Cabral. Ed. African Information Service. New York: Monthly Review Press, 1972.Google Scholar
Césaire, Aimé. ‘The Responsibility of the Artist’. The Africa Reader: Independent Africa. Ed. Cartey, Wilfred and Kilson, Martin. New York: Random House, 1970, pp. 153–161.Google Scholar
Colum, Mary. Life and the Dream. Dublin: Dolmen Press, 1966.Google Scholar
Eglinton, John. Anglo-Irish Essays. Dublin: Unwin, 1917.Google Scholar
Irele, Abiola. The African Experience in Literature and Ideology. London: Heinemann, 1981.Google Scholar
Kiberd, Declan. Inventing Ireland: The Literature of the Modern Nation. Cambridge, Mass.: Harvard University Press, 1996.Google Scholar
McCartney, Donal. ‘Hyde, D. P. Moran and Irish Ireland’. Leaders and Men of the Easter Rising: Dublin 1916. Ed. Martin, F. X.. London: Methuen, 1967, pp. 43–54.Google Scholar
Mansergh, Nicholas. The Irish Question. London: Allen and Unwin, 1965.Google Scholar
Mommsson, Wolfgang. ‘Power, Politics, Imperialism and National Emancipation’. Nationality and the Pursuit of National Independence. Ed. Moody, T. W.. Belfast: Appletree Press, 1978.Google Scholar
Sartre, Jean-Paul. Anti-Semite and Jew. Trans. George Becker. New York: Grove Press, 1962.Google Scholar
Senghor, Léopold Sédar. ‘Négritude: a Humanism of the Twentieth Century’. The Africa Reader: Independent Africa. Ed. Cartey, Wilfred and Kilson, Martin. New York: Random House, 1970, pp. 179–92.Google Scholar
Soyinka, Wole. ‘The Failure of the Writer in Africa’. The Africa Reader: Independent Africa. Ed. Cartey, Wilfred and Kilson, Martin. New York: Random House, 1970, pp. 135–42.Google Scholar
Yeats, William Butler. Letter to the Editor. United Ireland 17 Dec. 1892, in Uncollected Prose. Vol. 1. Ed. J. P. Frayne. London: Macmillan, 1970, p. 255.

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×