Cambridge Classical Studies - Series page

pp ii-ii

Imagining Reperformance in Ancient Culture - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vi

Illustrations

pp vii-viii

Contributors

pp ix-x

Acknowledgements

pp xi-xii

Abbreviations

pp xiii-xiv

Introduction - What Is Reperformance?

pp 1-18

Part I - Interpretive Frames

pp 19-84

1 - Archives, Repertoires, Bodies, and Bones: Thoughts on Reperformance for Classicists

pp 21-41

2 - Performance, Reperformance, Preperformance: The Paradox of Repeating the Unique in Pindaric Epinician and Beyond

pp 42-62

3 - Thebes on Stage, on Site, and in the Flesh

pp 63-84

Part II - Imagining Iteration

pp 85-184

4 - Reperformance, Exile, and Archive Feelings: Rereading Aristophanes’ Acharnians and Sophocles’ Oedipus at Colonus

pp 87-110

5 - Models of Reperformance in Bacchylides

pp 111-137

6 - Mimesis and Mortality: Reperformance and the Dead among the Living in Hecuba and Hamlet

pp 138-159

7 - Double Act: Reperforming History in the Octavia

pp 160-184

Part III - Texts and Contexts

pp 185-280

8 - Festival, Symposium, and Epinician (Re)performance: The Case of Nemean 4 and Others

pp 187-208

9 - Comedy and Reperformance

pp 209-231

10 - Performance, Transmission, and the Loss of Hellenistic Lyric Poetry

pp 232-261

11 - Reperformance and Embodied Knowledge in Roman Pantomime

pp 262-280

Part IV - Reflections

pp 281-302

Is This Reperformance?

pp 283-302

Bibliography

pp 303-331

Index of Passages Discussed

pp 332-333

General Index

pp 334-338