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The Guitar in Stuart England
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Book description

This is the first history of the guitar during the reign of the Stuarts, a time of great political and social upheaval in England. In this engaging and original volume, Christopher Page gathers a rich array of portraits, literary works and other, previously unpublished, archival materials in order to create a comprehensive picture of the guitar from its early appearances in Jacobean records, through its heyday at the Restoration court in Whitehall, to its decline in the first decades of the eighteenth century. The book explores the passion of Charles II himself for the guitar, and that of Samuel Pepys, who commissioned the largest repertoire of guitar-accompanied song to survive from baroque Europe. Written in Page's characteristically approachable style, this volume will appeal to general readers as well as to music historians and guitar specialists.


'Reading Christopher Page’s monograph is not only a wonderful learning process, but also an emotionally moving experience. His sincere attitude, along with a lively wit, revitalizes the history of the old musical instrument, brings its music and highlights its connections to our century. … this is the most useful and superb source, not only for people interested in early guitar music, but anybody fascinated with British history.'

Taro Takeuchi Source: The Galpin Society Journal

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  • Centre for Buckinghamshire Studies

  • D/X. 728

  • Archives of the University

  • VCCT Inv

  • CUR 21

  • Magdalene College

  • The Pepys Library

  • MS 2591

  • MS 2802

  • MS 2803

  • MS 2804

  • MS 2805

  • MS 2881

  • MS 2882

  • D/Lons/L1/1/11

  • The Verney Archive

  • Boxes for 1644, 1646, 1647, 1648, 1650, 1651 and 1653

  • 4/6/1

  • Dorset History Centre

  • D/FSI Boxes 220, 267, 268, 269, 273, 274 and 275

  • National Records of Scotland

  • GD18/2365

  • GD18/2367

  • GD224/906/59/5/2

  • GD224/906/59/7/1

  • GD224/906/59/7/2

  • GD224/906/59/8/1

  • GD224/906/59/8/2

  • GD224/906/59/8/3

  • Nederlands Muziekinstituut

  • MS Kluis D1

  • Houghton Library

  • Music MS 139

  • Biblothèque de la Conservatoire Royal de Musique

  • MS 245

  • British Library

  • Add. MS 46953

  • Add. MS 53723

  • MS Egerton 2013

  • Lambeth Palace Library

  • MS 1041

  • Metropolitan Archives

  • CLC/313/K/C/010/MS19504/52/10

  • The National Archives

  • DR 98/1771

  • E 190/4/2

  • E 190/31/3

  • E 190/31/6

  • E 190/37/8

  • E 190/48/7

  • E 190/51/4

  • PRO 30/32/38–40

  • PRO T27/11

  • PRO 31/14/9

  • PROB 11/230/6

  • PROB 11/312/410

  • SC 6/JASI/1655

  • SP 82/9

  • Royal Academy of Music

  • The Spencer Collection

  • Royal Society

  • MS RB/1/10/38

  • University of California. The William Andrews Clark Memorial Library

  • fMS 1953.00 (olim f.C.697.M.4)

  • Kent Archives Office

  • U269/A518/5

  • Bodleian Libraries

  • MS Carte 223

  • MS Don c. 57

  • MS Mus. Sch. C. 94

  • MS Mus. Sch. F. 572

  • MS Rawlinson A 174

  • MS Rawlinson A 175

  • MS Rawlinson A 178

  • MS Rawlinson A 181

  • MS Rawlinson A 183

  • MS Rawlinson A 189

  • MS Rawlinson A 194

  • MS Rawlinson D 76

  • MS Rawlinson D 431

  • MS Rawlinson D 1285

  • Christ Church College

  • MS 1187, Folders 9 and 14

  • University Archives

  • Hypo.B.10

  • Archives du Ministère des Affaires Etrangères

  • Correspondance politique, Angleterre, vol. 120 c

  • Bibliothèque Sainte-Geneviève

  • MS Rés. 2344

  • MS Rés. 2351

  • MS Collection privée anonyme

  • Venezia, Archivio di Stato

  • Inquisitori di Stato, busta 155

  • Warwickshire County Record Office

  • CR1886 TN 14, 15, 19, 21, 23 and 1640

  • CR2017/C2

  • Folger Shakespeare Library

  • L.e.644

The place of publication is London unless otherwise stated.

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Among the electronic forums where issues in the history, technique, repertoire and organology of the baroque guitar are discussed, often with much erudition, special mention should be made of