Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Oram, Rex
1978.
An Action Frame of Reference as a Register for Curriculum Discourse†.
Journal of Curriculum Studies,
Vol. 10,
Issue. 2,
p.
135.
Campbell, Paul Newell
1981.
The well‐tempered audience.
Central States Speech Journal,
Vol. 32,
Issue. 1,
p.
35.
Gillespie, Patti Peete
1981.
The performing audience.
Southern Speech Communication Journal,
Vol. 46,
Issue. 2,
p.
124.
Mangham, Iain L.
and
Overington, Michael A.
1982.
Performance and Rehearsal: Social Order and Organizational Life*.
Symbolic Interaction,
Vol. 5,
Issue. 2,
p.
205.
Pelias, Ronald J.
and
Taft‐Kaufman, Jill
1985.
Performing literary works judged problematic.
Central States Speech Journal,
Vol. 36,
Issue. 1-2,
p.
82.
Stamm, R.
1986.
The first meeting of the lovers in Shakespeare'sRomeo and Juliet.
English Studies,
Vol. 67,
Issue. 1,
p.
2.
Thompson, Judith
1992.
The Death of the Playwright?.
p.
24.
Auerbach, Nina
1993.
Revelations on Pages and Stages.
Victorian Literature and Culture,
Vol. 21,
Issue. ,
p.
1.
Oldani, Robert William
1993.
Sing me some glinka or dargomyzhsky.
History of European Ideas,
Vol. 16,
Issue. 4-6,
p.
713.
Yaari, Nurit
1995.
Griechisch-römische Komödie und Tragödie.
p.
94.
Denton, E. H.
1996.
“A Kiss is but a Kiss”: The Pastoral Stage in Goethe'sDie Laune des Verliebten.
The Germanic Review: Literature, Culture, Theory,
Vol. 71,
Issue. 2,
p.
101.
Atlas, Allan W.
1996.
Mimì's Death: Mourning in Puccini and Leoncavallo.
Journal of Musicology,
Vol. 14,
Issue. 1,
p.
52.
Ackroyd-Pilkington, Judith
2001.
Acting, Representation and Role.
Research in Drama Education: The Journal of Applied Theatre and Performance,
Vol. 6,
Issue. 1,
p.
9.
Urian, Dan
2002.
Israeli drama: A sociological perspective.
Contemporary Theatre Review,
Vol. 12,
Issue. 3,
p.
67.
Schonmann, Shifra
2007.
International Handbook of Research in Arts Education.
Vol. 16,
Issue. ,
p.
587.
Hauptfleisch, Temple
2007.
The Seismology of Theatre: Tracing the shock waves of a theatrical event in society.
South African Theatre Journal,
Vol. 21,
Issue. 1,
p.
253.
Asiedu, Awo Mana
2008.
Making use of the stage in West Africa: The role of audiences in the production of efficacious theatre.
Studies in Theatre and Performance,
Vol. 28,
Issue. 3,
p.
223.
Wilkie, Ian
and
Saxton, Matthew
2010.
The origins of comic performance in adult-child interaction.
Comedy Studies,
Vol. 1,
Issue. 1,
p.
21.
Ritchie, Leslie
and
Fisher, Judith W.
2011.
Performing Literary History.
Pedagogy,
Vol. 11,
Issue. 3,
p.
493.
Kempe, Andy
2012.
Self, role and character: developing a professional identity as a drama teacher.
Teacher Development,
Vol. 16,
Issue. 4,
p.
523.