Contents

pp v-vi

Introduction

pp 1-21

1 - Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze

pp 22-34

Act I Deleuze on Theatre: Artaud, Beckett and Carmelo Bene

pp 35-36

2 - I Artaud BwO: The Uses of Artaud's To have done with the judgement of god

pp 37-53

3 - Expression and Affect in Kleist, Beckett and Deleuze

pp 54-70

4 - A Theatre of Subtractive Extinction: Bene Without Deleuze

pp 71-88

Interval

pp 89-90

5 - Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future and Off the Beaten Path or, Notes Towards a Heideggerian Deterritorialisation: A Response to Daniel Watt

pp 91-106

Act II Confronting Deleuze and Live Performance

pp 107-108

6 - Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper

pp 109-125

7 - sub specie durationis

pp 126-146

8 - Thinking Through Theatre

pp 147-160

9 - Becoming–Dinosaur: Collective Process and Movement Aesthetics

pp 161-180

Interval

pp 181-182

10 - … of butterflies, bodies and biograms … Affective Spaces in Performativities in the Performance of Madama Butterfly

pp 183-200

Act III A Digital Deleuze: Performance and New Media

pp 201-202

11 - Like a Prosthesis: Critical Performance à Digital Deleuze

pp 203-220

12 - Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari

pp 221-239

13 - The ‘Minor’ Arithmetic of Rhythm: Imagining Digital Technologies for Dance

pp 240-260

Notes on Contributors

pp 261-265

Index

pp 266-282