Skip to main content Accessibility help
×
×
Home
Chopin: The Piano Concertos
  • Get access
    Check if you have access via personal or institutional login
  • Cited by 3
  • Cited by
    This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Taylor, Benedict 2016. Mutual Deformity: Ignaz Moscheles's Seventh and William Sterndale Bennett's Fourth Piano Concertos. Music Analysis, Vol. 35, Issue. 1, p. 75.

    Aziz, Andrew I. 2015. The Evolution of Chopin’s Sonata Forms. Music Theory Online, Vol. 21, Issue. 4,

    Tanner, Mark 2000. The Power of Performance as an Alternative Analytical Discourse: The Liszt Sonata in B Minor. 19th-Century Music, Vol. 24, Issue. 2, p. 173.

    ×

Book description

Chopin's E minor and F minor Piano Concertos played a vital role in his career as a composer-pianist. Praised for their originality and genius when he performed them, the concertos later attracted censure for ostensible weaknesses in form, development and orchestration. They also suffered at the hands of editors and performers, all the while remaining enormously popular. This handbook re-evaluates the concertos against the traditions that shaped them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher. A survey of their critical, editorial and performance histories follows, in preparation for an analytical 're-enactment' of the music - that is, a narrative account of the concertos as embodied in sound, rather than in the score. The final chapter investigates Chopin's enigmatic 'third concerto', the Allegro de concert.Chopin: The Piano Concertos has won the Wilk Book Prize for Research in Polish Music.

Reviews

‘John Rink maintains the high standards of previous handbooks in the series. The book is extremely informative and well documented, and Rink’s concise prose is nicely varied in tone, whether historical, analytical, or as in some places, highly personal in interpretation. Directed at a wide audience of performers, academics and general readers, Rink’s perceptive musical insights carry the authority of both scholar and skilled performer.’

Source: National Early Music Association

Refine List
Actions for selected content:
Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Send to Kindle
  • Send to Dropbox
  • Send to Google Drive
  • Send content to

    To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to .

    To send content items to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle.

    Note you can select to send to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be sent to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

    Find out more about the Kindle Personal Document Service.

    Please be advised that item(s) you selected are not available.
    You are about to send
    ×

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed