Chapter 3 explores how an exemplary amorous biography, a type of vita poetica or literary hagiography, was attributed to el divino Francesco Petrarch over the course of the sixteenth century. Imitatio applied not only to the figures and tropes of the Trionfi and Canzoniere, but also to the figura of the poet as a model or exemplar for the life of an author. After roughly two centuries (1374–1575), Petrarch’s lasting fame became literary immortality like that of ancient authors (Homer and Vergil). From the 1535 alleged rediscovery of Laura’s grave and Alessandro Piccolomini’s 1540 pilgrimage to Petrarch’s tomb, to the various sixteenth-century translations of Petrarch’s poetry, and commentaries made by lyric poets in the front matter to publications, in manuscript poems, and in pastoral fiction, the literary afterlife of the figura of the poet took shape. This chapter reconstructs the figura of the poet as it was imagined, articulated, imitated, and reinvented by sixteenth-century poets writing in Castilian. By the middle of the sixteenth century the Castilianized ingenio (ingenium) had come to define the figura of the poet. This chapter fills in a lacuna (Garcilaso to Góngora) of roughly sixty years which is crucial to Cervantes’ work and studies of early modern poetics.