Skip to main content Accessibility help
×
Home
  • Print publication year: 2015
  • Online publication date: July 2015

5 - Guillaume Du Fay: evidence and interpretation

from Part I - Historiography

Bibliography

Anderson, Michael Alan, “The Organization and Complexes of the Q 15 Hymn Cycle,” Studi musicali 35 (2006), 327–61
Bent, Margaret, “Divisi and a versi in Early Fifteenth-Century Mass Movements,” in Antonio Zachara da Teramo e il suo tempo, ed. Francesco Zimei, Lucca, 2005, 91–134
Bent, Margaret, “Music and the Early Veneto Humanists,” in Proceedings of the British Academy 101, ed. Francis Michael Longstreth Thompson, Oxford, 1999, 101–30
Besseler, Heinrich, “Von Dufay bis Josquin: Ein Literaturbericht,” Zeitschrift für Musikwissenschaft 11 (1928–29), 1–22
Bloxam, M. Jennifer, “Dufay as Musical Theologian: The Case of the Missa Ecce Ancilla Domini,” in Program and Abstracts of Papers Read at the American Musicological Society Seventy-first Annual Meeting, October 27–30, 2005, Philadelphia, 2005, 124–25
Boone, Graeme, “Dufay’s Early Chansons: Chronology and Style in the Manuscript Oxford, Bodleian Library, Canonici misc. 213,” Ph.D. diss., Harvard University, 1987
Bouquet, Marie Thérèse, “La cappella musicale dei Duchi di Savoia dal 1450 al 1500,” Rivista italiana di musicologia 3 (1968), 233–85
Brown, Samuel Emmons, Jr., “New Evidence of Isomelic Design in Dufay’s Isorhythmic Motets,” JAMS 10 (1957), 7–13
Cumming, Julie, The Motet in the Age of Du Fay, Cambridge, 1999
Curtis, Liane, “Music Manuscripts and their Production in Fifteenth Century Cambrai,” Ph.D. diss., University of North Carolina at Chapel Hill, 1991
D’Accone, Frank, “The Singers of San Giovanni in Florence during the 15th Century,” JAMS 14 (1961), 307–58
Dèzes, Karl, “Das Dufay zugeschriebene ‘Salve Regina’ eine deutsche Komposition: Stilkritische Studie,” Zeitschrift für Musikwissenschaft 10 (1927–28), 327–62
Du Fay, Guillaume, Opera Omnia, ed. Alejandro Enrique Planchart, Santa Barbara, 2013, and online at www.diamm.ac.uk/resources/music-editions/du-fay-opera omnia/
Fallows, David, Dufay, rev. edn., London, 1987
Fallows, David, The Songs of Guillaume Dufay: Critical Commentary to the Revision of Corpus Mensurabilis Musicae, ser. 1, vol. VI, MSD 47, Stuttgart, 1995
Fortuna, Alberto Maria, and Cristina Lunghetti, eds., Autografi dell’archivio mediceo avanti il principato, Scriptorium Florentinum 1, Florence, 1977
Gallagher, Sean, “Seigneur Leon’s Papal Sword: Ferrara, Du Fay, and his Songs of the 1440s,” TVNM 57 (2007), 3–28
Gerber, Rebecca, “Dufay’s Style and the Question of Cyclic Unity in the Trent 88 Mass Proper Cycles,” in I codici musicali trentini: Nuove scoperte e nuovi orientamenti della ricerca, ed. Peter Wright, Trent, 1996, 107–19
Gerber, Rebecca, ed., Sacred Music from the Cathedral at Trent: Trent, Museo Provinciale D’arte, Codex 1375 (olim 88), Monuments of Renaissance Music 12, Chicago, 2007
Haar, James, and John Nádas, “Johannes de Anglia (John Hothby): Notes on his Career in Italy,” Acta musicologica 79 (2007), 291–358
Kovarik, Edward, “The Performance of Dufay’s Paraphrase Kyries,” JAMS 28 (1975), 230–43
Litta, Pompeo, Famiglie celebri italiane, 185 parts in 10 vols., Milan, 1819–1883
Lockwood, Lewis, Music in Renaissance Ferrara 1400–1505: The Creation of a Musical Center in the Fifteenth Century, rev. edn., New York and Oxford, 2009
Lütteken, Laurenz, Guillaume Dufay und die isorhythmische Motette: Gattungstradition und Werkcharakter an der Schwelle zur Neuzeit, Hamburg, 1993
Maniates, Maria Rika, The Combinative Chanson: An Anthology, Recent Researches in the Music of the Renaissance 77, Madison, WI, 1989
Nosow, Robert, “The Florid and Equal-Discantus Motet Styles of Fifteenth-Century Italy,” Ph.D. diss., University of North Carolina at Chapel Hill, 1992
Nosow, Robert, Ritual Meanings in the Fifteenth-Century Motet, Cambridge, 2012
Phelps, Michael, “A Repertory in Exile: Pope Eugene IV and the MS Modena, Biblioteca Estense Universitaria, α. X.1.11,” Ph.D. diss., New York University, 2008
Planchart, Alejandro Enrique, “The Books that Guillaume Du Fay Left to the Chapel of Saint Stephen,” in Sine musica nulla disciplina … Studi in onore di Giulio Cattin, ed. Franco Bernabei and Antonio Lovato, Padua, 2006, 175–212
Planchart, Alejandro Enrique, “Connecting the Dots: Guillaume Du Fay and Savoy during the Schism,” PMM 18 (2009), 11–32
Planchart, Alejandro Enrique, “Du Fay and the Style of Molinet,” EM 37 (2009), 61–72
Planchart, Alejandro Enrique, “The Early Career of Guillaume Du Fay,” JAMS 46 (1993), 341–68
Planchart, Alejandro Enrique, “Four Motets of Guillaume Du Fay in Context,” in Sleuthing the Muse: Essays in Honor of William Prizer, ed. Kristine K. Forney and Jeremy L. Smith, Hillsdale, NY, 2012, 13–30
Planchart, Alejandro Enrique, Guillaume Du Fay (forthcoming)
Planchart, Alejandro Enrique, “Guillaume Du Fay’s Benefices and his Relationship to the Court of Burgundy,” EMH 8 (1988), 117–71
Planchart, Alejandro Enrique, “Guillaume Dufay’s Masses: A View of the Manuscript Traditions,” in Papers Read at the Dufay Quincentenary Conference, Brooklyn College, December 6–7, 1974, ed. Allan W. Atlas, Brooklyn, 1976, 26–60
Planchart, Alejandro Enrique, “Guillaume Du Fay’s Second Style,” in Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, ed. Jessie Ann Owens and Anthony M. Cummings, Warren, MI, 1997, 307–40
Planchart, Alejandro Enrique, “Institutional Politics and Social Climbing through Music in Early Modern France,” Analecta musicologica 43 (2009), 115–52
Planchart, Alejandro Enrique, “The Liègeoise Diaspora in Italy in the Early Fifteenth Century” (forthcoming)
Planchart, Alejandro Enrique, “Music for the Papal Chapel in the Early Fifteenth Century,” in Papal Music and Musicians in Medieval and Renaissance Rome, ed. Richard Sherr, Oxford, 1998, 93–124
Planchart, Alejandro Enrique, “Notes on Guillaume Du Fay’s Last Works,” JM 13 (1995), 55–72
Planchart, Alejandro Enrique, “The Origins and Early History of L’homme armé,” JM 20 (2003), 305–57
Planchart, Alejandro Enrique, “The Polyphonic Proses of Guillaume Du Fay,” in Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn, ed. M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens, Turnhout, 2009, 87–99
Planchart, Alejandro Enrique, “Ricercare and Variations on Ockeghem, Du Fay, and Cambrai,” in “Hands-On” Musicology: Essays in Honor of Jeffery Kite-Powell, ed. Allen Scott, Ann Arbor, 2012, 36–61
Planchart, Alejandro Enrique, “Two Fifteenth-Century Songs and their Texts in a Close Reading,” BJhM 14 (1990), 13–36
Prizer, William F., “Music and Ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece,” EMH 5 (1985), 113–53
Reynolds, Christopher, Papal Patronage and the Music of St. Peter’s, 1380–1513, Berkeley, 1995
Robertson, Anne Walters, “The Man with the Pale Face, the Shroud, and Du Fay’s Missa Se la face ay pale,” JM 27 (2010), 377–434
Strohm, Reinhard, ed., The Lucca Choirbook, Late Medieval and Early Renaissance Music in Facsimile 2, Chicago, 2008
Strohm, Reinhard, “Quellenkritische Untersuchungen an der Missa ‘Caput’,” in Quellenstudien zur Musik der Renaissance 2. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, ed. Ludwig Finscher, Wolfenbütteler Forschungen 26, Wiesbaden, 1984, 154–76
Strohm, Reinhard, The Rise of European Music 1380–1500, Cambridge, 1993
Treitler, Leo, “Dufay the Progressive,” in Papers Read at the Dufay Quincentenary Conference, Brooklyn College, December 6–7, 1974, ed. Allan W. Atlas, Brooklyn, 1976, 115–27
Trowell, Brian, “Fauxbourdon,” Oxford Music Online
Ward, Tom, “The Polyphonic Office Hymn and the Liturgy of Fifteenth-Century Italy,” MD 26 (1972), 161–88
Wegman, Rob C., “From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450–1500,” Music 49 (1996), 409–79
Wegman, Rob C., “Isaac’s Signature,” JM 28 (2011), 9–33
Wegman, Rob C., “Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay’s Missa Ave regina celorum,” JM 13 (1995), 18–54
Wegman, Rob C., “Petrus de Domarto’s Missa Spiritus almus and the Early History of the Four-Voice Mass in the Fifteenth Century,” EMH 10 (1991), 235–303
Wright, Craig, “Dufay at Cambrai: Discoveries and Revisions,” JAMS 28 (1975), 175–229