Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-c47g7 Total loading time: 0 Render date: 2024-04-20T14:45:16.188Z Has data issue: false hasContentIssue false

Chapter 29 - Popular Culture

from Part VII - Culture and Behavior

Published online by Cambridge University Press:  07 September 2017

Kathleen Odell Korgen
Affiliation:
William Paterson University, New Jersey
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge Handbook of Sociology
Specialty and Interdisciplinary Studies
, pp. 284 - 292
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Altheide, David L. and Schneider, Christopher J.. 2013. Ethnographic Content Analysis from Qualitative Media Analysis. Thousand Oaks, CA: Sage.CrossRefGoogle Scholar
Ang, Ien. 1993. Dallas and the Ideology of Mass Culture. In Cultural Studies Reader. Edited by During, Simon. London: Routledge.Google Scholar
Bielby, Denise D. and Bielby, William T.. 1996. Women and Men in Film: Gender Inequality among Writers in a Culture Industry. Gender and Society 10: 248270.CrossRefGoogle Scholar
Bobo, Jacqueline. 2002. Black Women as Cultural Readers. New York, NY: Columbia University Press.Google Scholar
Bryson, Bethany. 1996. “Anything But Heavy Metal”: Symbolic Exclusion and Musical Dislikes. American Sociological Review 61: 884899.CrossRefGoogle Scholar
Cooper, Evan. 2003. Decoding “Will and Grace”: Mass Audience Reception of a Popular Network Situation Comedy. Sociological Perspectives 46: 513533.CrossRefGoogle Scholar
Diawara, Manthia. 1988. Black Spectatorship: Problems of Identification and Resistance. Screen: The Journal of the Society for Education in Film and Television 29: 6678.CrossRefGoogle Scholar
DiMaggio, Paul. 1977. Market Structure, the Creative Process, and Popular Culture: Toward an Organizational Reinterpretation of Mass-Culture Theory. Journal of Popular Culture 11: 436452.CrossRefGoogle Scholar
DiMaggio, Paul. 1997. Culture and Cognition. Annual Review of Sociology 23: 263287.CrossRefGoogle Scholar
Duffy, Brooke Erin. 2014. Remake, Remodel: Women's Magazines in the Digital Age. Urbana, IL: University of Illinois Press.Google Scholar
Edelman, Murray. 1995. From Art to Politics: How Artistic Creations Shape Political Conceptions. Chicago, IL: University of Chicago Press.Google Scholar
Emerson, Rana A. 2002. “Where My Girls At?”: Negotiating Black Womanhood in Music Videos. Gender and Society 16: 115135.CrossRefGoogle Scholar
Erigha, Maryann. 2015. Race, Gender, Hollywood: Representation in Cultural Production and Digital Media's Potential for Change. Sociology Compass 9: 7889.CrossRefGoogle Scholar
Fiske, John. 1992. Television Culture. London: Methuen and Co.Google Scholar
Gamson, Joshua. 1998. Freaks Talk Back: Tabloid Talk Shows and Sexual Nonconformity. Chicago, IL: University of Chicago Press.CrossRefGoogle Scholar
Gans, Herbert J. 1975. Popular Culture and High Culture: An Analysis and Evaluation of Taste. New York, NY: Basic Books.Google Scholar
Gitlin, Todd. 1983. Inside Prime Time. Berkeley, CA: University of California Press.Google Scholar
Gray, Herman. 1995. Watching Race: Television and the Struggle for Blackness. Minneapolis, MN: University of Minnesota Press.Google Scholar
Grazian, David. 2004. The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues. Qualitative Sociology 27: 137158.CrossRefGoogle Scholar
Grindstaff, Laura. 2002. The Money Shot: Trash, Class, and the Making of TV Talk Shows. Chicago, IL: University of Chicago Press.CrossRefGoogle Scholar
Grindstaff, Laura and Turow, Joseph. 2006. Video Cultures: Television Sociology in the “New TV” Age. Annual Review of Sociology 32: 103125.CrossRefGoogle Scholar
Griswold, Wendy. 1994. Cultures and Societies in a Changing World. Thousand Oaks, CA: Pine Forge Press.Google Scholar
Hayes, Elisabeth. 2007. Gendered Identities at Play: Case Studies of Two Women Playing Morrowind. Games and Culture 2: 2348.CrossRefGoogle Scholar
Hirsch, Paul and Newcomb, Horace. 1983. Television as Cultural Forum: Implications for Research. Quarterly Review of Film Studies 8: 4555.Google Scholar
Horkheimer, Max and Adorno, Theodor W.. 2002. Dialectic of Enlightenment. Translated by E. Jephcott. Edited by G. S. Noerr. Stanford, CA: Stanford University Press.Google Scholar
Hunt, Darnell. 2003. Prime Time in Black and White: Not Much Is New for 2002. Los Angeles, CA: Ralph J. Bunche Center for African American Studies at UCLA.Google Scholar
Jhally, Sut and Lewis, Justin. 1992. Enlightened Racism: The Cosby Show, Audiences, and the Myth of the American Dream. Boulder, CO: Westview Press.Google Scholar
Kidd, Dustin. 2007. Harry Potter and the Functions of Popular Culture. The Journal of Popular Culture 40: 6989.CrossRefGoogle Scholar
Linneman, Thomas J. 2008. How Do You Solve a Problem Like Will Truman? The Feminization of Gay Masculinities on Will and Grace. Men and Masculinities 10: 583603.CrossRefGoogle Scholar
Lopes, Paul. 2006. Culture and Stigma: Popular Culture and the Case of Comic Books. Sociological Forum 21: 387414.CrossRefGoogle Scholar
Lowenthal, Leo. 1950. Historical Perspectives of Popular Culture. American Journal of Sociology 55: 323332.CrossRefGoogle Scholar
Lowenthal, Leo. 1984. Literature and Mass Culture. New Brunswick, NJ: Transaction Books.Google Scholar
Marx, Karl and Engels, Friedrich. 2000. The Communist Manifesto. In Karl Marx: Selected Writings. Edited by McLellan, David. Oxford: Oxford University Press.Google Scholar
McCabe, Janice, Fairchild, Emily, Grauerholz, Liz, Pescosolido, Bernice A., and Tope, Daniel. 2011. Gender in Twentieth-Century Children's Books: Patterns of Disparity in Titles and Central Characters. Gender and Society 25: 197226.CrossRefGoogle Scholar
McChesney, Robert. 1999. Rich Media, Poor Democracy: Communication Politics in Dubious Times. Urbana, IL: University of Illinois Press.Google Scholar
Neuendorf, Kimberly A. 2002. The Content Analysis Guidebook. Thousand Oaks, CA: Sage.Google Scholar
O'Keeffe, Margaret. 2009. Remote Control and Influence: Technocultural Capital as a Species of Cultural Capital. Irish Journal of Sociology 17: 3855.CrossRefGoogle Scholar
Pescosolido, Bernice A., Grauerholz, Elizabeth, and Milkie, Melissa A.. 1997. Culture and Conflict: The Portrayal of Blacks in U.S. Children's Picture Books through the Mid- and Late-Twentieth Century. American Sociological Review 62: 443464.CrossRefGoogle Scholar
Peterson, Richard A. and Berger, David G.. 1975. Cycles in Symbol Production: The Case of Popular Music. American Sociological Review 40: 158173.CrossRefGoogle Scholar
Shively, JoEllen. 1992. Cowboys and Indians: Perceptions of Western Films among American Indians and Anglos. American Sociological Review 57: 725734.CrossRefGoogle Scholar
Taylor, T. L. 2006. Play between Worlds: Exploring Online Game Culture. Cambridge, MA: MIT Press.CrossRefGoogle Scholar
Thornton, Bridgett, Walters, Britt, and Rouse, Lori. 2006. Corporate Media Is Corporate America: Big Media Interlocks with Corporate America and Broadcast News Media Ownership Empires. In Censored 2006: The Top 25 Censored Stories. Edited by Phillips, Peter and Censored, Project. New York, NY: Seven Stories Press.Google Scholar
Weakland, John H. 1995. Feature Films as Cultural Documents. In Principles of Visual Anthropology. Edited by Hockings, Paul. Berlin: Mouton De Gruyter.Google Scholar
Wolff, Janet. 1992. Excess and Inhibition: Interdisciplinarity in the Study of Art. In Cultural Studies. Edited by Grossberg, Lawrence, Nelson, Cary and Treichler, Paula. New York, NY: Routledge.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×