Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-c47g7 Total loading time: 0 Render date: 2024-04-16T23:41:57.460Z Has data issue: false hasContentIssue false

6 - Evolutionary Approaches to Creativity

from Biological Underpinnings

Published online by Cambridge University Press:  12 April 2019

James C. Kaufman
Affiliation:
University of Connecticut
Robert J. Sternberg
Affiliation:
Cornell University, New York
Get access

Summary

This chapter explores evolutionary approaches to creativity. The process of biological evolution has a close relation with manifestations of human creativity, since both generate novelty within contexts of high complexity. After some general considerations about evolution, I describe the phylogenetic history of our hominin ancestors, focusing on the archaeological evidence of stone tool use and other early manifestations of creativity. I then discuss evolutionary mechanisms that may have given rise to our species’ creative capacity, including natural and sexual selection, as well as evolutionary metaphors that have influenced contemporary psychological theories of creativity and cultural evolution. I end by considering the value of an evolutionary approach to creativity, in terms of potential research directions and a richer understanding of creativity more broadly.
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abzhanov, A., Protas, M. B., Grant, R., Grant, P. R., & Tabin, C. J. (2004). Bmp4 and morphological variation of beaks in Darwin’s finches. Science, 305, 14621465.CrossRefGoogle ScholarPubMed
Amati, D. & Shallice, T. (2007). On the emergence of modern humans. Cognition, 103, 358385.CrossRefGoogle ScholarPubMed
Berna, F., Goldberg, P., Horwitz, L. K., Brink, J., Holt, S., Bamford, M., & Chazan, M. (2012). Microstratigraphic evidence of in situ fire in the Acheulean strata of Wonderwerk Cave, Northern Cape province, South Africa. Proceedings of the National Academy of Sciences of the United States of America, 109, E1215E1220.Google ScholarPubMed
Campbell, D.T. (1960). Blind generation and selective retention in creative thought as in other thought processes. Psychological Review, 67, 380400.CrossRefGoogle Scholar
Carroll, J. (2004). Literary Darwinism: Literature and the human animal. New York: Routledge.CrossRefGoogle Scholar
Charrier, C., Joshi, K., Coutinho-Budd, J., Kim, J. E., Lambert, N., de Marchena, J., Jin, W. L., Vanderhaeghen, P., Ghosh, A., Sassa, T., & Polleux, F. (2012). Inhibition of SRGAP2 function by its human-specific paralogs induces neoteny during spine maturation. Cell, 149, 923935.CrossRefGoogle ScholarPubMed
Clottes, J. (2003). Return to Chauvet cave. London: Thames & Hudson.Google Scholar
Conard, N. J. (2009). A female figurine from the basal Aurignacian of Hohle Fels Cave in southwestern Germany. Nature, 459, 248252.CrossRefGoogle ScholarPubMed
Csikszentmihalyi, M. (1988). Society, culture, and person: A systems view of creativity. In Sternberg, R. J. (ed.), The nature of creativity: Contemporary psychological perspectives (pp. 325339). New York: Cambridge University Press.Google Scholar
Csikszentmihalyi, M. (1993). The evolving self: A psychology for the third millennium. New York: HarperCollins.Google Scholar
Csikszentmihalyi, M. (1996). Creativity: Flow and the psychology of discovery and invention. New York: HarperCollins.Google Scholar
Cupchik, G. C. (2016). The aesthetics of emotion: Up the down staircase of the mind-body. New York: Cambridge University Press.CrossRefGoogle Scholar
Darwin, C. (1859). On the origin of species. London: John Murray.Google Scholar
Darwin, C. (1871). The descent of man and selection in relation to sex. London: John Murray.Google Scholar
Dawkins, R. (1983). The extended phenotype. New York: Oxford University Press.Google Scholar
Dawkins, R. (1989). The evolution of evolvability. In Langton, C. G. (ed.), Artificial life: The proceedings of an interdisciplinary workshop on the synthesis and simulation of living systems (pp. 201220). Redwood City, CA: Addison-Wesley.Google Scholar
Dawkins, R. (2004). The ancestor’s tale: A pilgrimage to the dawn of evolution. New York: Houghton Mifflin.Google Scholar
Dawkins, R. (2006). Universal Darwinism. In Bedau, M. A. and Cleland, C. E. (eds.), The nature of life: Classical and contemporary perspectives from philosophy and science (pp. 360373). New York: Cambridge University Press.Google Scholar
Dennett, D. C. (1995). Darwin’s dangerous idea. New York: Penguin.CrossRefGoogle Scholar
Dennis, M.Y., Nuttle, X., Sudmant, P. H., Antonacci, F., Graves, T. A., Nefedov, M., Rosenfeld, J. A., Sajjadian, S., Malig, M., Kotkiewicz, H., Curry, C. J., Shafer, S., Shaffer, L. G., de Jong, P. J., Wilson, R. K., Eichler, E. E. (2012). Evolution of human-specific neural SRGAP2 genes by incomplete segmental duplication. Cell, 149, 912922.CrossRefGoogle ScholarPubMed
Dissanayake, E. (2007). What art is and what art does: An overview of contemporary evolutionary hypotheses. In Martindale, C., Locher, P., & Petrov, V. M. (eds.), Evolutionary and neurocognitive approaches to aesthetics, creativity, and the arts (pp. 114). Amityville, NY: Baywood.Google Scholar
Donald, M. (2006). Art and cognitive evolution. In Turner, M. (ed.), The artful mind: Cognitive science and the riddle of human creativity (pp. 320). New York: Oxford University Press.CrossRefGoogle Scholar
Dunbar, R. (1996). Grooming, gossip, and the evolution of language. London: Faber & Faber.Google Scholar
Dunbar, R. (1998). The social brain hypothesis. Evolutionary Anthropology: Issues, News, and Reviews, 6, 178190.3.0.CO;2-8>CrossRefGoogle Scholar
Ericsson, K. A. (1999). Creative expertise as superior reproducible performance: Innovative and flexible aspects of expert performance. Psychological Inquiry, 10, 329333.Google Scholar
Falk, D. (1983). Cerebral cortices of East African early hominids. Science, 221, 10722074.CrossRefGoogle ScholarPubMed
Feist, G. J. (2008). The psychology of science and the origins of the scientific mind. New Haven, CT: Yale University Press.Google Scholar
Findlay, C. S. & Lumsden, C. J. (1988). The creative mind. London: Academic Press.Google Scholar
Fogarty, L., Creanza, N., & Feldman, M. W. (2015). Cultural evolutionary perspectives on creativity and human innovation. Trends in Ecology and Evolution, 30, 736754.CrossRefGoogle ScholarPubMed
Freeman, W. (2000). A neurobiological role of music in social bonding. In Wallin, N. L., Merkur, S., & Brown, S. (eds.), The origins of music (pp. 411424). Cambridge, MA: MIT Press.Google Scholar
Gabora, L. (2003). Contextual focus: A tentative cognitive explanation for the cultural transition of the middle/upper paleolithic. In Alterman, R. & Hirsch, D. (eds.), Proceedings of the 25th annual meeting of the cognitive science society, Boston, MA. Hillsdale, NJ: Lawrence Erlbaum Associates.Google Scholar
Gabora, L. (2005). Creative thought as a non-Darwinian evolutionary process. Journal of Creative Behavior, 39, 6587.CrossRefGoogle Scholar
Gabora, L. (2010). Revenge of the “neurds”: Characterizing creative thought in terms of the structure and dynamics of human memory. Creativity Research Journal, 22, 113.CrossRefGoogle Scholar
Gabora, L. & Kaufman, S. B. (2010). Evolutionary approaches to creativity. In Kaufman, J. C. & Sternberg, R. J. (eds.), The Cambridge handbook of creativity (1st edn). New York: Cambridge University Press.Google Scholar
Gamble, C., Gowlett, J., & Dunbar, R. (2011). The social brain and the shape of the paleolithic. Cambridge Archaeological Journal, 21, 115136.CrossRefGoogle Scholar
Geher, G. & Kaufman, S. B. (2013). Mating intelligence unleashed: The role of the mind in sex, love, and dating. New York: Oxford University Press.Google Scholar
Geher, G. & Miller, G. (eds.). (2008). Mating intelligence: Sex, relationships, and the mind’s reproductive system. Mahwah, NJ: Lawrence Erlbaum Associates.Google Scholar
Gould, S. J. (1977). Ontogeny and phylogeny. Cambridge, MA: Harvard University Press.Google Scholar
Gould, S. J. & Eldredge, N. (1977). Punctuated equilibria: The tempo and mode of evolution reconsidered. Paleobiology, 3, 115151.CrossRefGoogle Scholar
Gould, S. J. & Lewontin, R. C. (1979). The spandrels of San Marco and the Panglossian paradigm: A critique of the adaptationist programme. Proceedings of the Royal Society of London. Series B, Biological Sciences, 205, 581598.Google Scholar
Greengross, G. & Miller, G. (2011). Humor ability reveals intelligence, predicts mating success, and is higher in males. Intelligence, 39, 188192.CrossRefGoogle Scholar
Griskevicius, V., Cialdini, R. B., & Kenrick, D. T. (2006). Peacocks, Picasso, and parental investment: The effects of romantic motives on creativity. Journal of Personality and Social Psychology, 91, 6376.CrossRefGoogle ScholarPubMed
Gruber, H. E. (1981). Darwin on man: A psychological study of scientific creativity (rev. edn). Chicago: University of Chicago Press. (Original work published 1974).Google Scholar
Gruber, H. E. & Wallace, D. B. (1999). The case study method and evolving systems approach for understanding unique creative people at work. In Sternberg, R. J. (ed.), Handbook of creativity (pp. 93115). New York: Cambridge University Press.Google Scholar
Guerrier, S., Coutinho-Budd, J., Sassa, T., Gresset, A., Jordan, N. V., Chen, K., Jin, W. L., Frost, A., & Polleux, F. (2009). The F-BAR domain of srGAP2 induces membrane protrusions required for neuronal migration and morphogenesis, Cell, 138, 9901004.CrossRefGoogle ScholarPubMed
Hall, B. K. (1999). Evolutionary developmental biology. Boston, MA: Kluwer Academic Publishers.CrossRefGoogle Scholar
Haselton, M. G. & Miller, G. F. (2006). Women’s fertility across the cycle increases the short-term attractiveness of creative intelligence. Human Nature, 17, 5073.CrossRefGoogle ScholarPubMed
Herculano-Houzel, S. (2016). The human advantage: A new understanding of how our brain became remarkable. Cambridge, MA: MIT Press.CrossRefGoogle Scholar
Holloway, R. L., Yuan, M. S., & Broadfield, D.C. (2004). The human fossil record: Brain endocasts: The paleoneurological evidence. New York. John Wiley & Sons.CrossRefGoogle Scholar
Humphrey, N. K. (1976). The social function of intellect. In Bateson, P. P. G. & Hinde, R. A. (eds.), Growing points in ethology (pp. 303317). Cambridge: Cambridge University Press.Google Scholar
Huxley, J. (1942). Evolution: The modern synthesis. London: Allen & Unwin.Google Scholar
Indriati, E., Swisher, C. C., Lepre, C., Quinn, R. L., & Suriyanto, R. A., et al. (2011). The age of the 20 meter solo river terrace, java, Indonesia and the survival of homo erectus in Asia. PLoS One, 6, E21562.CrossRefGoogle ScholarPubMed
Irons, W. (2001). Religion as a hard-to-fake sign of commitment. In Nesse, R. (ed.), Evolution and the capacity for commitment (pp. 292309). New York: Russell Sage.Google Scholar
Johnson-Laird, P. N. (1993). Human and machine thinking. Hillsdale, NJ: Erlbaum.Google Scholar
Justus, T. & Hutsler, J. J. (2005). Fundamental issues in the evolutionary psychology of music: Assessing innateness and domain specificity. Music Perception, 23, 127.CrossRefGoogle Scholar
Kaufman, J. C. & Kaufman, A. B. (2004). Applying a creativity framework to animal cognition. New Ideas in Psychology, 22, 143155.CrossRefGoogle Scholar
Kaufman, S. B., Kozbelt, A., Silvia, P., Kaufman, J. C., Ramesh, S., & Feist, G. J. (2014). Who finds Bill Gates sexy? Creative mate preferences as a function of cognitive ability, personality, and creative achievement. Journal of Creative Behavior.Google Scholar
Keri, S. (2009). Genes for psychosis and creativity: A promoter polymorphism of the neuregulin 1 gene is related to creativity in people with high intellectual achievement. Psychological Science, 20, 10701073.CrossRefGoogle ScholarPubMed
Klein, R. G. (1992). The archaeology of modern human origins. Evolutionary Anthropology, 1, 515.CrossRefGoogle Scholar
Kohn, M. & Mithen, S. (1999). Handaxes: Products of sexual selection? Antiquity, 73, 518526.CrossRefGoogle Scholar
Kolodny, O., Creanza, N., & Feldman, M. W. (2015). Evolution in leaps: The punctuated accumulation and loss of cultural innovations. Proceedings of the National Academy of Sciences of the United States of America, 112, E6762E6769.Google ScholarPubMed
Kozbelt, A. (2006). Dynamic evaluation of Matisse’s 1935 “Large Reclining Nude.” Empirical Studies of the Arts, 24, 119137CrossRefGoogle Scholar
Kozbelt, A. (2008). Longitudinal hit ratios of classical composers: Reconciling “Darwinian” and expertise acquisition perspectives on lifespan creativity. Psychology of Aesthetics, Creativity, and the Arts, 2, 221235.CrossRefGoogle Scholar
Kozbelt, A. (2009a). Ontogenetic heterochrony and the creative process in visual art: A précis. Psychology of Aesthetics, Creativity, and the Arts, 3, 3537.CrossRefGoogle Scholar
Kozbelt, A. (2009b). The evolution of evolvability, applied to human creativity. International Journal of Creativity and Problem Solving, 19, 101121.Google Scholar
Kozbelt, A. (2015). Prospects for a literally universal science of aesthetics and creativity. International Journal of Creativity and Problem Solving, 25, 2134.Google Scholar
Kozbelt, A. (2017). Tensions in naturalistic, evolutionary explanations of aesthetic reception and production. New Ideas in Psychology, 47, 113120.CrossRefGoogle Scholar
Kozbelt, A. (in press). Evolutionary explanations for humor and creativity. In Luria, S. R., Kaufman, J. C., & Baer, J. (eds.), Creativity and humor. Philadelphia, PA: Elsevier.Google Scholar
Kozbelt, A. & Kaufman, J.C. (2014). Aesthetics assessment. In Smith, J. K. & Tinio, P. (eds.), The Cambridge handbook of aesthetics (pp. 86114). New York: Cambridge University Press.CrossRefGoogle Scholar
Lalande, K. N., Odling-Smee, J., & Miles, S. (2010). How culture shaped the human genome: Bringing genetics and the human sciences together. National Review, 11, 137148.CrossRefGoogle Scholar
Lamarck, J. B. (1809). Philosophie zoologique. Paris: Museum d’Histoire Naturelle.Google Scholar
Leakey, M. D. (1971). Olduvai gorge: Excavations in beds I and II, 1960–1963. Cambridge: Cambridge University Press.Google Scholar
Lewin, R. & Foley, R. (2004). Principles of human evolution. Oxford: Blackwell.Google Scholar
Lewis-Williams, D. (2002). The mind in the cave. London: Thames & Hudson.Google Scholar
Livio, M. (2017). Why?: What makes us curious. New York: Simon & Schuster.Google Scholar
Lumsden, C. J. & Wilson, E. O. (1981). Genes, mind, and culture. Cambridge, MA: Harvard University Press.Google Scholar
Martindale, C. (1990). The clockwork muse: The predictability of artistic change. New York: Basic Books.Google Scholar
Martindale, C. (2009). The evolution and end of art as Hegelian tragedy. Empirical Studies of the Arts, 27, 133140.CrossRefGoogle Scholar
McBrearty, S. & Brooks, A. S. (2000). The revolution that wasn’t: A new interpretation of the origin of modern human behavior. Journal of Human Evolution, 30, 453563.CrossRefGoogle Scholar
McPherron, S. P., Alemseged, Z., Marean, C. W., Wynn, J. G., Reed, D., Geraads, D., Bobe, R., & Bearat, H. A. (2010). Evidence for stone-tool-assisted consumption of animal tissues before 3.39 million years ago at Dikika, Ethiopia. Nature, 466, 857860.CrossRefGoogle ScholarPubMed
Miller, G. F. (2000a). Evolution of human music through sexual selection. In Wallin, N. L., Merker, B., & Brown, S. (eds.), The origins of music (pp. 329360). Cambridge, MA: MIT Press.Google Scholar
Miller, G. F. (2000b). The mating mind. New York: Basic Books.Google Scholar
Miller, G. F. (2001). Aesthetic fitness: How sexual selection shaped artistic virtuosity as a fitness indicator and aesthetic preferences as mate choice criteria. Bulletin of Psychology and the Arts, 2, 2025.Google Scholar
Mithen, S. (1996). The prehistory of the mind: The cognitive origins of art and science. London: Thames & Hudson.Google Scholar
Morriss-Kay, G. M. (2010). The evolution of human artistic creativity. Journal of Anatomy, 216, 158176.CrossRefGoogle ScholarPubMed
Nettle, D. & Clegg, H. (2006). Schizotypy, creativity and mating success in humans. Proceedings of the Royal Society of London, 273, 611615.Google ScholarPubMed
Orians, G. H. 2014. Snakes, sunrises, and Shakespeare. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Pfeiffer, J. E. (1982). The creative explosion. New York: Harper & Row.Google Scholar
Piffer, D. & Hur, Y.-M. (2014). Heritability of creative achievement. Creativity Research Journal, 26, 151157.CrossRefGoogle Scholar
Pinker, S. (1997). How the mind works. New York: Norton.Google Scholar
Pinker, S. (2002). The blank slate: The modern denial of human nature. New York: Penguin.Google Scholar
Purves, D. (2017). Music as biology: The tones we like and why. Cambridge, MA: Harvard University Press.CrossRefGoogle Scholar
Ramachandran, V. S. & Hirstein., W. (1999). The science of art: A neurological theory of aesthetic experience. Journal of Consciousness Studies, 6, 1551.Google Scholar
Rampley, M. (2017). The seductions of Darwin: Art, evolution, neuroscience. University Park, PA: Penn State University Press.Google Scholar
Reber, A. S. (1993). Implicit learning and tacit knowledge: An essay on the cognitive unconscious. New York: Oxford Psychology Series.Google Scholar
Rothenberg, D. (2011). Survival of the beautiful: Art, science, and evolution. New York: Bloomsbury Press.Google Scholar
Ruff, C., Trinkaus, E., & Holliday, T. (1997). Body mass and encephalization in Pleistocene Homo. Nature, 387, 173176.CrossRefGoogle ScholarPubMed
Sawyer, R. K. (2006). Explaining creativity: The science of human innovation. New York: Oxford University Press.CrossRefGoogle Scholar
Simonton, D. K. (1999). Origins of genius: Darwinian perspectives on creativity. New York: Oxford University Press.CrossRefGoogle Scholar
Simonton, D. K. (2011). Creativity and discovery as blind variation: Campbell’s (1960) BVSR model after the half-century mark. Review of General Psychology, 15, 158174.CrossRefGoogle Scholar
Sternberg, R. J. (1998). Cognitive mechanisms in creativity: Is variation blind or sighted? Journal of Creative Behavior, 32, 159176.CrossRefGoogle Scholar
Tomasello, M. (1999). The cultural origins of human cognition. Cambridge, MA: Harvard University Press.Google Scholar
Tooby, J. & Cosmides, L. (1992). The psychological foundations of culture. In Barkow, J., Cosmides, L., & Tooby, J. (eds.), The adapted mind: Evolutionary psychology and the generation of culture (pp. 19136). New York: Oxford University Press.CrossRefGoogle Scholar
Vartanian, O. (2015). Neuroimaging studies of making aesthetic products. In Huston, J. P, Nadal, M., Mora, F., Agnati, L.F., & Cela-Conde, C. J. (eds.), Art, aesthetics, and the brain (pp. 174185). New York: Oxford University Press.CrossRefGoogle Scholar
Villmoare, B., Kimbel, H., Seyoum, C., Campisano, C., DiMaggio, E., Rowan, J., Braun, D., Arrowsmith, J., & Reed, K. (2015). Early homo at 2.8 Ma from Ledi-Geraru, Afar, Ethiopia. Science, 347, 13521355.CrossRefGoogle ScholarPubMed
Ward, T. B., Smith, S. M., & Finke, R. A. (1999). Creative cognition. In Sternberg, R. J. (ed.), Handbook of creativity (pp. 189212). New York: Cambridge University Press.Google Scholar
Weisberg, R. W. (2004). On structure in the creative process: A quantitative case-study of the creation of Picasso’s Guernica. Empirical Studies in the Arts, 22, 2354.CrossRefGoogle Scholar
Weisberg, R. W. (2006). Creativity: Understanding innovation in problem solving, science, invention, and the arts. Hoboken, NJ: Wiley.Google Scholar
Williams, G. C. (1966). Adaptation and natural selection. Princeton, NJ: Princeton University Press.Google Scholar
Wilson, E. O. (1998). Consilience: The unity of knowledge. New York: Vintage.Google Scholar
Wrangham, R. W. (2009). Catching fire: How cooking made us human. New York: Basic Books.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×