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  • Print publication year: 2016
  • Online publication date: August 2019

20 - Music

from Part II - Theater
Auden, W. H.Music in Shakespeare.” The Dyer’s Hand and Other Essays. London: Faber and Faber, 1963. 500–27.
Austern, Linda. Music in English Children’s Drama of the Later Renaissance. Philadelphia: U of Pennsylvania P, 1992.
Boyd, Morrison Comegys. Elizabethan Music and Music Criticism. Rev. ed. Philadelphia: U of Pennsylvania P, 1962.
Hollander, John. The Untuning of the Sky: Ideas of Music in English Poetry, 1500–1700. Princeton: Princeton UP, 1961.
Hume, Tobias. Captain Hume’s Poeticall Music. London: 1607.
Hutton, James. “Some English Poems in Praise of Music.” English Miscellany 2 (1951): 164.
Morley, Thomas. The First Booke of Consort Lessons. London: 1611.
Osborn, James M. The Autobiography of Thomas Whythorne. London: Oxford UP, 1962.
Peacham, Henry. The Complete Gentleman. Ed. Heltzel, Virgil B.. Ithaca: Cornell UP, 1962.
Rastall, Richard. Music in Early English Religious Drama. 2 vols. Cambridge: Brewer, 1996–2001.
Stern, Tiffany. Documents of Performance in Early Modern England. Cambridge: Cambridge University Press, 2009.
Strunk, Oliver. Source Readings in Music History. Rev. Treitler, Leo. New York: Norton, 1998.
Walls, Peter. Music in the English Courtly Masque, 1604–1640. Oxford: Clarendon, 1996.
Wilson, Christopher R., and Calore, Michela. Music in Shakespeare: A Dictionary. London: Continuum, 2005.
Austern, Phyllis. “‘Alluring the Auditorie to Effeminacie’: Music and the Idea of the Feminine in Early Modern England.” Music and Letters 74 (1993): 343–54.
Austern, Phyllis. “‘Sing Againe Syren’: The Female Musician and Sexual Enchantment in Elizabethan Life and Literature.” Renaissance Quarterly 42 (1989): 420–48.
Baskerville, Charles Read. The Elizabethan Jig and Related Song Drama. Chicago: U of Chicago P, 1929.
Folkerth, Wes. The Sound of Shakespeare. London: Routledge, 2002.
Headlam Wells, Robin. Elizabethan Mythologies: Studies in Poetry, Drama and Music. Cambridge: Cambridge University Press, 1994.
Holman, Peter. “Music for the Stage I: Before the Civil War.” Music in Britain: The Seventeenth Century. Ed. Spink, Ian. Oxford: Blackwell, 1992. 282305.
Hosley, Richard. “Was There a Music-Room in Shakespeare’s Globe?Shakespeare Survey 13 (1960): 113–23.
Lindley, David. “Blackfriars, Music and Masque: Theatrical Contexts of the Last Plays.” The Cambridge Companion to Shakespeare’s Last Plays. Ed. Alexander, Catherine M. S.. Cambridge: Cambridge University Press, 2009. 2945. <DOI: 10.1017/CCOL9780521881784.012>
Lindley, David. Shakespeare and Music. London: Thompson Learning, 2006.
Long, John H., ed. Music in English Renaissance Drama. Lexington: U of Kentucky P, 1968.
Munro, Lucy. “Music and Sound.” The Oxford Handbook of Early Modern Theatre. Ed. Dutton, Richard. Oxford: Oxford UP, 2009. 543–59.
Ortiz, Joseph M. Broken Harmony: Shakespeare and the Politics of Music. Ithaca: Cornell UP, 2011.
Seng, Peter J. The Vocal Songs in the Plays of Shakespeare: A Critical History. Cambridge: Harvard UP, 1967.
Smith, Bruce R. The Acoustic World of Early Modern England. Chicago: U of Chicago P, 1999.
Sternfeld, F. W. Music in Shakespearean Tragedy. London: Routledge and Kegan Paul, 1963.
Woodfill, Walter L. Musicians in English Society from Elizabeth to Charles I. Princeton: Princeton UP, 1953.