Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-8448b6f56d-cfpbc Total loading time: 0 Render date: 2024-04-24T05:30:24.777Z Has data issue: false hasContentIssue false

266 - Comic Books and Manga

from Part XXVII - Shakespeare and the Visual Arts

Published online by Cambridge University Press:  17 August 2019

By
Sven-Arve Myklebost
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Keywords

adaptationappropriationCan of Worms PressClassics Illustrated seriescomic bookscomicsconfigurationGaiman, Neilgraphic novelsmangaPocket Classics seriesSelf Made HeroZarate, Oscar
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1899 - 1906
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Appignanesi, Richard, adapt. King Lear. By Shakespeare, William. Illus. Ilya, . London: SelfMadeHero, 2009.Google Scholar
Appignanesi, Richard. Much Ado about Nothing. By Shakespeare, William. Illus. Vieceli, Emma. London: SelfMadeHero, 2009.Google Scholar
Appignanesi, Richard. Othello. By Shakespeare, William. Illus. Osada, Ryuta. London: SelfMadeHero, 2008.Google Scholar
Appignanesi, Richard. The Tempest. By Shakespeare, William. Illus. Duffield, Paul. London: SelfMadeHero, 2007.Google Scholar
Belsey, Catherine. Why Shakespeare? New York: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
Gaiman, Neil. “Men of Good Fortune.” Todd Klein, Steve Parkhouse, Michael Zulli. The Sandman 13 (1990).Google Scholar
Gaiman, Neil. “A Midsummer Night’s Dream.” Todd Klein, Steve Oliff, Charles Vess. The Sandman 19 (1990).Google Scholar
Gaiman, Neil. “The Tempest.” Digital Chameleon, Todd Klein, Charles Vess, Daniel Vozzo The Sandman 75 (1996).Google Scholar
Jensen, Michael P. “Comic Book Shakespeare. I.” Shakespeare Newsletter 56:3 no. 270 (2006): 81.Google Scholar
Jensen, Michael P. “Comic Book Shakespeare. II.” Shakespeare Newsletter 57:1 no. 271 (2007): 2.Google Scholar
Jensen, Michael P. “Comic Book Shakespeare. III.” Shakespeare Newsletter 57:2 no. 272 (2007): 42.Google Scholar
King Lear. Pocket Classics. West Haven: Academic Industries, 1984.Google Scholar
Lusardi, James P. “Iconic Shakespeare: Oscar Zarate’s Othello.” Shakespeare in the Visual Arts. Ed. Klein, Holger and Harner, James L.. New York: Edwin Mellen Press, 2000.Google Scholar
McCloud, Scott. Understanding Comics: The Invisible Art. 1993. New York: Harper, 2004.Google Scholar
Smith, Clay. “Get Gaiman?: PolyMorpheus Perversity in Works by and about Neil Gaiman.” ImageTexT: Interdisciplinary Comics Studies 4.1 (2008). http://www.english.ufl.edu/imagetext/archives/v4_1/smith/ Accessed 17 Aug 2010.Google Scholar
Wagner, Peter. “Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s).” Icons – Texts – Iconotexts, Essays on Ekphrasis and Intermediality. Ed. Wagner, Peter. Berlin: Walter de Gruyter, 1996. 1–40.CrossRefGoogle Scholar
Young, Alan R. Punch and Shakespeare in the Victorian Era. Oxford: Peter Lang, 2007.Google Scholar
Zarate, Oscar, adapt. Othello. By Shakespeare, William. Illus. Zarate, Oscar. 1985. London: Can of Worms Press, 2005.Google Scholar

Further reading

Burt, Richard. ed. Shakespeare after Mass Media. New York: Palgrave, 2002.CrossRefGoogle Scholar
Burt, Richard. Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. 2 vols. Westport: Greenwood, 2006.Google Scholar
Castaldo, Annalisa. “‘No More Yielding than a Dream’: The Construction of Shakespeare in The Sandman.” College Literature 31.4 (2004): 94–110.CrossRefGoogle Scholar
Cohn, Neil. “Japanese Visual Language.” Downloadable essays. Emaki.net, 2007. Web.Google Scholar
Gaiman, Neil. The Doll’s House. Illus. Drinberg, Mike and Jones III, Malcolm. New York: DC-Vertigo, 1995.Google Scholar
Gaiman, Neil. Dream Country. Illus. Jones, Kelley, Vess, Charles, Doran, Colleen, and Jones III, Malcolm. New York: DC-Vertigo, 1995.Google Scholar
Gaiman, Neil. The Wake. Illus. Zulli, Michael, Muth, Jon J., and Vess, Charles. New York: DC-Vertigo, 1997.Google Scholar
Yoshihara, Yukari. “Popular Shakespeare in Japan.” Shakespeare Survey 60 (2007): 130–40. Cambridge Collections Online. Cambridge University Press. DOI:10.1017/CCOL052187839X.011.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×