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232 - Collecting and Reading Shakespeare’s Quartos

from Part XXIV - Shakespeare and the Book

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bancroft, Richard. Untitled manuscript letter (Lambeth Palace Library LR [Library Records] f.1). 1610.Google Scholar
Bartlett, Henrietta C., and Pollard, Alfred W.. A Census of Shakespeare’s Plays in Quarto. New Haven: Yale UP, 1916.Google Scholar
Marotti, Arthur F.Shakespeare’s Sonnets as Literary Property.” Soliciting Interpretation: Literary Theory and Seventeenth-Century English Poetry. Ed. Harvey, Elizabeth D. and Maus, Katharine Eisaman. Chicago: U of Chicago P, 1990. 143–73.Google Scholar
Needham, Paul. The Printer and the Pardoner: An Unrecorded Indulgence Printed by William Caxton. Washington: Library of Congress, 1986.Google Scholar
Pollard, A. W. Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays, 1594–1685. London: Methuen, 1909.Google Scholar
Pollard, A. W., and Redgrave, G. R.. A Short- Title Catalogue of Books Printed in England, Scotland, & Ireland and of English Books Printed Abroad, 1475–1640. London: Bibliographical Society, 1927.Google Scholar
Sherman, William. “What Did Renaissance Readers Write in Their Books?Books and Readers in Early Modern England. Ed. Andersen, Jennifer and Sauer, Elizabeth. Philadelphia: Penn, 2002. 119–37.Google Scholar
Werstine, Paul. “Narratives about Printed Shakespeare Texts: ‘Foul Papers’ and ‘Bad’ Quartos.” Shakespeare Quarterly 41.1 (1990): 6586.Google Scholar
Wheeler, G. W., ed. Letters of Thomas Bodley to Thomas James, First Keeper of the Bodleian Library. Oxford: Oxford UP, 1926.Google Scholar

Further reading

Blayney, Peter W. M.The Publication of Playbooks.” New History of Early English Drama. Ed. Cox, John D. and Kastan, David Scott. New York: Columbia UP, 1997. 383422.Google Scholar
de Grazia, Margreta. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Clarendon, 1991.Google Scholar
de Grazia, Margreta, and Stallybrass, Peter. “The Materiality of the Shakespearean Text.” Shakespeare Quarterly 44 (1993): 255–84.Google Scholar
Greg, W. W. A Bibliography of the English Printed Drama to the Restoration. 4 vols. London: Bibliographical Society, 1939–59.Google Scholar
Knight, Jeffrey Todd. Bound to Read: Compilations, Collections, and the Making of Renaissance Literature. Philadelphia: U Pennsylvania P, 2013.Google Scholar
Maguire, Laurie E. Shakespearean Suspect Texts: The “Bad” Quartos and Their Contexts. Cambridge: Cambridge University Press, 1996.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007. See especially Chapters 3 and 4.Google Scholar
McLeod, Randall. “The Marriage of Good and Bad Quartos.” Shakespeare Quarterly 33.4 (1982): 421–31.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003. See especially Chapter 1.Google Scholar
Roberts, Sasha. Reading Shakespeare’s Poems in Early Modern England. New York: Palgrave, 2003.Google Scholar

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