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The Cambridge Companion to <I>The Waste Land</I>
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    The Cambridge Companion to The Waste Land
    • Online ISBN: 9781107279612
    • Book DOI: https://doi.org/10.1017/CBO9781107279612
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Book description

T. S. Eliot's The Waste Land is often considered to be the most important poem written in English in the twentieth century. The poem dramatically shattered old patterns of form and style, proposed a new paradigm for poetry and poetic thought, demanded recognition from all literary quarters, and changed the ways in which it was possible to approach, read, or write poetry. The Waste Land helped to define the literary and artistic period known as modernism. This Companion is the first to be dedicated to the work as a whole, offering fifteen new essays by international scholars and covering an extensive range of topics. Written in a style that is at once sophisticated and accessible, these fresh critical perspectives will serve as an invaluable guide for scholars, students, and general readers alike.

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Contents

Ackroyd, Peter, T. S. Eliot: A Life (New York: Simon and Schuster, 1984).
Atkins, G. Douglas, T. S. Eliot, Lancelot Andrews, and the Word: Intersections of Literature and Christianity (New York: Palgrave Macmillan, 2011).
Ayers, David, Modernism: A Short Introduction (Malden, MA: Blackwell, 2004).
Badenhausen, Richard, T. S. Eliot and the Art of Collaboration (Cambridge: Cambridge University Press, 2004).
Bedient, Calvin, He Do the Police in Different Voices: The Waste Land and Its Protagonist (Chicago, University of Chicago Press, 1986).
Bloom, Harold, ed., T. S. Eliot (Broomall, PA: Chelsea House, 1999).
Bloom, Harold, ed., T. S. Eliot’s The Waste Land, updated edition (1986; New York: Chelsea House, 2007).
Braybrooke, Neville, ed., T. S. Eliot: A Symposium for His Seventieth Birthday (New York: Farrar, Straus, and Cudahy, 1958).
Brooker, Jewel Spears, Mastery and Escape: T. S. Eliot and the Dialectic of Modernism (Amherst: University of Massachusetts Press, 1994).
Brooker, Jewel Spears and Bentley, Joseph, Reading The Waste Land: Modernism and the Limits of Interpretation (Amherst: University of Massachusetts Press, 1990).
Brooker, Jewel Spears, ed., T. S. Eliot and Our Turning World (Houndmills, Basingstoke: Macmillan Press, 2001).
Brooker, Jewel Spears, ed., T. S. Eliot: The Contemporary Reviews (London: Cambridge University Press, 2004).
Brooks, Cleanth, Modern Poetry and the Tradition (Chapel Hill: University of North Carolina Press, 1939).
Bush, Ronald, T. S. Eliot: A Study in Character and Style (New York: Oxford University Press, 1983).
Bush, Ronald, ed., T. S. Eliot: The Modernist in History (Cambridge: Cambridge University Press, 1991).
Chinitz, David E., T. S. Eliot and the Cultural Divide (Chicago: University of Chicago Press, 1993).
Chinitz, David E., ed., A Companion to T. S. Eliot, (Oxford: Wiley-Blackwell, 2009).
Clarke, Graham, T. S. Eliot: Critical Assessments (London: C. Helm, 1990).
Cole, Sarah, At the Violet Hour: Modernism and Violence in England and Ireland (Oxford: Oxford University Press, 2012).
Cooper, John Xiros, The Cambridge Introduction to T. S. Eliot (Cambridge: Cambridge University Press, 2006).
Cooper, John Xiros, ed., T. S. Eliot’s Orchestra (New York: Garland, 2000).
Coyle, Michael, Cohen, Debra Rae, and Lewty, Jane, eds., Broadcasting Modernism (Gainesville: University of Florida Press, 2009).
Crawford, Robert, The Savage and the City in the Work of T. S. Eliot (Oxford: Clarendon Press, 1987).
Cuda, Anthony, The Passions of Modernism: Eliot, Yeats, Woolf, and Mann (New York: Columbia University Press, 2010).
Däumer, Elizabeth and Bagchee, Shyamal, eds., The International Reception of T. S. Eliot (London: Continuum, 2007).
Davidson, Harriet, ed., T. S. Eliot (New York: Longman, 1999).
Dawson, J. L., Holland, P. D., and McKitterick, D. J., eds., A Concordance to the Complete Poems and Plays of T. S. Eliot (Ithaca, New York: Cornell University Press, 1995).
Donaghue, Denis, Words Alone: The Poet T. S. Eliot (New Haven, CT: Yale University Press, 2000).
Douglass, Paul, T. S. Eliot, Dante, and the Idea of Europe (Newcastle upon Tyne: Cambridge Scholars, 2011).
Eliot, T. S., The Complete Poems and Plays (London: Faber and Faber, 1969).
Eliot, T. S., The Complete Prose of T. S. Eliot: The Critical Edition: Apprentice Years, 1905–1918, ed. Brooker, Jewel Spears and Schuchard, Ronald (Baltimore: Johns Hopkins University Press, 2014). Project MUSE. <http://muse.jhu.edu/>.
Eliot, T. S., The Complete Prose of T. S. Eliot: The Critical Edition: The Perfect Critic, 1919–1926, ed. Cuda, Anthony and Schuchard, Ronald (Baltimore: Johns Hopkins University Press, 2014). Project MUSE. <http://muse.jhu.edu/>.
Eliot, T. S., Inventions of the March Hare: Poems 1909–1917, ed. Ricks, Christopher (London: Faber and Faber, 1996).
Eliot, T. S., The Letters of T. S. Eliot, Volume 1: 1898–1922, revised edition, ed. Eliot, Valerie and Haughton, Hugh (London: Faber and Faber, 2009).
Eliot, T. S., The Letters of T. S. Eliot, Volume 2: 1923–1925, ed. Eliot, Valerie and Haughton, Hugh (London: Faber and Faber, 2009).
Eliot, T. S., The Letters of T. S. Eliot, Volume 3: 1926–1927, ed. Eliot, Valerie and John Haffenden (London: Faber and Faber, 2012).
Eliot, T. S., The Letters of T. S. Eliot, Volume 4: 1928–1929, ed. Eliot, Valerie and John Haffenden (London: Faber and Faber, 2013).
Eliot, T. S., The Letters of T. S. Eliot, Volume 5: 1930–1931 (London: Faber and Faber, 2014).
Eliot, T. S., Selected Essays (1932; London: Faber and Faber, 1999).
Eliot, T. S., Selected Prose of T. S. Eliot, ed. Kermode, Frank (New York: Harvest, 1975).
Eliot, T. S., The Waste Land: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound, ed. Eliot, Valerie (New York: Harcourt, 1971).
Ellmann, Maud, The Poetics of Impersonality: T. S. Eliot and Ezra Pound (Brighton: Harvester, 1987).
Frazer, Sir James, The Golden Bough; A History of Myth and Religion (1890; Oxford: Oxford World’s Classics, 2009).
Gish, Nancy and Laity, Cassandra, eds., Gender, Desire, and Sexuality in T. S. Eliot, (Cambridge: Cambridge University Press, 2004).
Gordon, Lyndall, The Imperfect Life of T. S. Eliot, revised edition (New York: Norton, 2015).
Grant, Michael, T. S. Eliot: The Critical Heritage (London: Routledge, 1982).
Habib, M. A. R., The Early T. S. Eliot and Western Philosophy (Cambridge: Cambridge University Press, 1999).
Harding, Jason, ed., T. S. Eliot in Context (Cambridge: Cambridge University Press, 2011).
Harding, Jason, and Cianci, Giovanni, eds., T. S. Eliot and the Concept of Tradition (Cambridge: Cambridge University Press, 2007).
Hargrove, Nancy Duvall, T. S. Eliot’s Parisian Year (Gainesville: University Press of Florida, 2009).
Howarth, Peter, The Cambridge Introduction to Modernist Poetry (Cambridge: Cambridge University Press, 2012).
Huyssen, Andreas, After the Great Divide: Modernism, Mass Culture, Postmodernism (Bloomington: Indiana University Press, 1986).
Jay, Gregory, T. S. Eliot and the Poetics of Literary History (Baton Rouge: Louisiana State University Press, 1983).
Kenner, Hugh, The Invisible Poet (New York: Harcourt, 1969).
Kenner, Hugh, ed., T. S. Eliot: A Collection of Critical Essays (1932; Englewood Cliffs, NJ: Prentice-Hall, 1962).
Lamos, Colleen, Deviant Modernism: Sexual and Textual Errancy in T. S. Eliot, James Joyce, and Marcel Proust (Cambridge: Cambridge University Press, 1998).
Levenson, Michael, Modernism (New Haven: Yale University Press, 2011).
Levenson, Michael, ed., The Cambridge Companion to Modernism, 2nd edition (1999; Cambridge: Cambridge University Press, 2011).
Levenson, Michael, ed., A Genealogy of Modernism: A Study of English Literary Doctrine, 1908–1922 (Cambridge: Cambridge University Press, 1984).
Litz, A. Walton, ed., Eliot in His Time: Essays on the Occasion of the Fiftieth Anniversary of The Waste Land (Princeton: Princeton University Press, 1973).
Madden, Ed, Tiresian Poetics: Modernism, Sexuality, Voice, 1888–2001 (Madison, NJ: Fairleigh Dickinson University Press, 2008).
Matthiessen, F. O., The Achievement of T. S. Eliot: An Essay on the Nature of Poetry, 3rd edition (1958; New York: Oxford University Press, 1959).
McIntire, Gabrielle, Modernism, Memory, and Desire: T. S. Eliot and Virginia Woolf (Cambridge: Cambridge University Press, 2008).
Kearns, Cleo McNelly, T. S. Eliot and Indic Traditions: A Study in Poetry and Belief (Cambridge: Cambridge University Press, 1987).
Menand, Louis, Discovering Modernism: T. S. Eliot and His Context, 2nd edition (Oxford: Oxford University Press, 2007).
Miller, James E., Jr. T. S. Eliot: The Making of an American Poet, 1888–1922 (University Park: Pennsylvania State University Press, 2005).
Moffett, Joe, ed., The Waste Land at 90: A Retrospective (New York: Rodopi, 2011).
Moody, A. David, Thomas Stearns Eliot: Poet (Cambridge: Cambridge University Press, 1994).
Moody, A. David, ed., The Cambridge Companion to T. S. Eliot (Cambridge: Cambridge University Press, 1994).
Nicholls, Peter, Modernisms, 2nd edition (1995; New York: Palgrave Macmillan, 2009).
North, Michael, The Dialect of Modernism: Race, Language, and Twentieth-Century Literature (New York: Oxford University Press, 1994).
North, Michael, Reading 1922: A Return to the Scene of the Modern (New York: Oxford University Press, 1999).
North, Michael, ed., The Waste Land: A Norton Critical Edition (New York: Norton, 2001).
Palmer, Marja, Men and Women in T. S. Eliot’s Early Poetry (Lund: Lund University Press, 1996).
Potter, Rachel, Modernism and Democracy: Literary Culture, 1900–1930 (Oxford: Oxford University Press, 2006).
Potter, Rachel, Modernist Literature (Edinburgh: Edinburgh University Press, 2012).
Potter, Rachel, Obscene Modernism: Literary Censorship and Experiment, 1900–1940 (Oxford: Oxford University Press, 2013).
Rabaté, Jean-Michel, 1913: The Cradle of Modernism (Oxford: Blackwell, 2007).
Rabaté, Jean-Michel, ed., A Handbook of Modernism Studies (Chichester, West Sussex: Wiley-Blackwell, 2013).
Raine, Craig, T. S. Eliot (Oxford: Oxford University Press, 2006).
Rainey, Lawrence, Revisiting The Waste Land (New Haven: Yale University Press, 2005).
Rainey, Lawrence, ed., The Annotated Waste Land with Eliot’s Contemporary Prose, 2nd edition (2005; New Haven: Yale University Press, 2006).
Reeves, Gareth, T. S. Eliot’s The Waste Land (New York: Harvester Wheatsheaf, 1994).
Riquelme, John Paul, ed., T. S. Eliot (Pasadena, CA: Salem Press, 2010).
Schuchard, Ronald, Eliot’s Dark Angel: Intersections of Life and Art (New York: Oxford University Press, 1999).
Selby, Nick, ed., T. S. Eliot: The Waste Land (New York: Columbia University Press, 1999).
Smith, Grover, T. S. Eliot and the Use of Memory (Lewisburg: Bucknell University Press, 1997).
Southam, B. C., A Student’s Guide to the Selected Poems of T. S. Eliot (London: Faber and Faber, 1968).
Spurr, Barry, Anglo-Catholic in Religion: T. S. Eliot and Christianity (Cambridge: Lutterworth, 2010).
Stasi, Paul, Modernism, Imperialism, and the Historical Sense (Cambridge: Cambridge University Press, 2012).
Surette, Leon, The Modern Dilemma: Wallace Stevens, T. S. Eliot and Humanism (Montréal: McGill-Queen’s University Press, 2008).
Tratner, Michael, Modernism and Mass Politics: Joyce, Woolf, Eliot, Yeats (Stanford: Stanford University Press, 1995).
Weston, Jessie, From Ritual to Romance (1920; New York: Doubleday, 1957).
Whitworth, Michael H., ed., Modernism (Malden, MA: Blackwell, 2007).
Zemgulys, Andrea, Modernism and the Locations of Literary Heritage (Cambridge: Cambridge University Press, 2008).