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  • Cited by 1
  • Print publication year: 2015
  • Online publication date: February 2015

15 - Intertextuality, sampling, and copyright

from Part II - Methods and concepts

Further reading

McLeod, Kembrew, Owning Culture: Authorship, Ownership, and Intellectual Property Law (New York: Peter Lang, 2001).
McLeod, Kembrew and Peter DiCola, Creative License: The Law and Culture of Digital Sampling (Durham, NC: Duke University Press, 2011).
Schloss, Joseph, Making Beats: The Art of Sample-Based Hip-Hop (Middletown, CT: Wesleyan University Press, 2004).
Williams, Justin, Rhymin’ and Stealin’: Musical Borrowing in Hip-Hop (Ann Arbor: University of Michigan Press, 2013).


Carlos, Wendy/Walter, Switched on Bach(CBS/Columbia Masterworks, S 63501, 1968).
The Pharcyde, Bizarre Ride II the Pharcyde (Delicious Vinyl, 828 749–2, 1992).
Snoop Doggy Dogg, Doggystyle (Interscope/Death Row Records, 6544–92272–2, 1993).
Xzibit, Man Vs. Machine (Columbia, CK 85925, 2002).