The Brecht Yearbook / Das Brecht-Jahrbuch 44

doi:10.1017/9781800101296

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The Brecht Yearbook / Das Brecht-Jahrbuch 44

The Brecht Yearbook / Das Brecht-Jahrbuch 44

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Edited by Markus Wessendorf

Publisher:: Boydell & Brewer
Online publication date:: February 2021
Print publication year:: 2019
Online ISBN:: 9781800101296
DOI:: https://doi.org/10.1017/9781800101296

Series:: Brecht Yearbook
Subjects:: Drama and Theatre: General Interest, Drama, Theatre, Performance Studies

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Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions.

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The Brecht Yearbook / Das Brecht-Jahrbuch 44

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Frontmatter
pp i-iv

Officers of the International Brecht Society
pp v-vi

Contents
pp vii-viii

Editorial
pp ix-xi

List of Abbreviations
pp xii-xii

Brecht, Günter Kunert, and Edgar Lee Masters

Brecht–Masters–Kunert
pp 1-4

Übersetzung von Edgar Lee Masters’ “The Hill” aus der Spoon River Anthology mit Brechts handschriftlichen Korrekturen
pp 5-13

Brecht’s Dramatic Fragments

Fragments for a Dialectic of Resistance: Fatzer, Keuner, and the Revolution
pp 14-37

In the Stockyards of Finance: Brecht’s Aesthetics of Fragmentation in Fleischhacker
pp 38-59

The David Fragments in Performance
pp 60-80

Pure Joke: The Comedy of Theater since Brecht

Introduction: Pure Joke
pp 81-83

“. . . All Questions Remain Open”: On the Epilogue of The Good Person of Szechwan and Bertolt Brecht’s Poetics of Interpretation
pp 84-101

Affirmation and Alienation: The Comedy of Heiner Müller’s Hamletmaschine
pp 102-121

Early Modern Characters in the Late Modern Age: On the Return of the “Chorus of Comedy” in Contemporary Performance Practices after Brecht
pp 122-137

Reiner Spaß? Komödie als Real-Satire
pp 138-157

New Brecht Research

Die Schulden des Herrn Julius Caesar: Brechts Historie der Kreditökonomie
pp 158-177

Post-Communist Irony: Bertolt Brecht’s Mr. Keuner in Heiner Müller’s Interviews
pp 178-201

Di dray groschn opere: Bertolt Brecht on the Yiddish Stage
pp 202-221

Brechts Rezeption Mao Tse-tungs in zwei Gedichten
pp 222-240

Book Reviews

Ela E. Gezen. Brecht, Turkish Theater, and Turkish-German Literature: Reception, Adaptation, and Innovation after 1960
pp 241-245

Marvin Carlson. Shattering Hamlet’s Mirror: Theatre and Reality
pp 245-248

Anna Teresa Scheer. Christoph Schlingensief: Staging Chaos, Performing Politics and Theatrical Phantasmagoria
pp 249-254

Erdmut Wizisla (Hrsg.). Benjamin und Brecht: Denken in Extremen
pp 254-257

Günther Heeg (Hrsg.). Recycling Brecht: Materialwert, Nachleben, Überleben
pp 257-260

Matt Cornish. Performing Unification: History and Nation in German Theater after 1989
pp 261-264

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